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The late poet laureate, Sir John Betjeman, said that Edinburgh was the most beautiful city in Europe. Like some other great cities it is set on seven hills. But only one of these, Rome, rivals Edinburgh in matching the beauty of its setting with the stateliness of its buildings. Edinbrugh, too, provides the backdrop to much of the dark drama of the Scottish past, from Mary Queen of Scots to Bonnie Prince Charlie and beyond. Michael Fry, who has lived and worked there for nearly forty years, provides a compellingly readable account of this great city, from the earliest times to the present, balancing Edinburgh's cultural, political and social history, and painting a vivid portrait of a city - that like Stevenson's Dr Jekyll - is both dark and light, both dark and light, both 'Auld Reekie' and 'Athens of the North'. ‘Impressive ... in the style of Peter Ackroyd’s history of London’ Magnus Linklator, Spectator 'No one interested in the history of Edinburgh, and indeed Scotland, should be without it’ Allan Massie,Scotsman
The first thorough study of the book trade during the age of Fergusson and Burns. The eighteenth century saw Scotland become a global leader in publishing, both through landmark challenges to the early copyright legislation and through the development of intricate overseas markets that extended across Europe, Asia and the Americas. Scots in Edinburgh, Glasgow, London, Dublin and Philadelphia amassed fortunes while bringing to international markets classics in medicine and economics by Scottish authors, as well as such enduring works of reference as the Encyclopaedia Britannica. Entrepreneurship and a vigorous sense of nationalism brought Scotland from financial destitution at the time of the 1707 Union to extraordinary wealth by the 1790s. Publishing was one of the country's elite new industries. Over forty leading scholars come together in this volume to examine the development of Scotland's book trade from 1707 to 1800. Printing, binding, bookselling, libraries, textbooks, distribution and international trade, copyright, piracy, literacy, music publication, women readers, children's books and cookery books are among the many aspects of print culture that they scrutinize. Key Features* Discusses copyright and piracy with new data at a time when intellectual property laws are returning to eighteenth-century precedents* Provides new understandings of Scotland's early modern readerships, including women's libraries, music literacy, and the way in which Scots found in the growth of literacy an international marketplace for intellectual property* Original scholarship and previously unpublished source material on secular Gaelic print* 16 exclusive full colour images of rare Scottish bindings from private collections, 25 additional colour plates + 60 b & w illustrations.
The late poet laureate, Sir John Betjeman, said that Edinburgh was the most beautiful city in Europe. Like some other great cities it is set on seven hills. But only one of these, Rome, rivals Edinburgh in matching the beauty of its setting with the stateliness of its buildings. Edinbrugh, too, provides the backdrop to much of the dark drama of the Scottish past, from Mary Queen of Scots to Bonnie Prince Charlie and beyond. Michael Fry, who has lived and worked there for nearly forty years, provides a compellingly readable account of this great city, from the earliest times to the present, balancing Edinburgh's cultural, political and social history, and painting a vivid portrait of a city - that like Stevenson's Dr Jekyll - is both dark and light, both dark and light, both 'Auld Reekie' and 'Athens of the North'. âe~Impressive âe¦ in the style of Peter Ackroydâe(tm)s history of Londonâe(tm) Magnus Linklator, Spectator 'No one interested in the history of Edinburgh, and indeed Scotland, should be without itâe(tm) Allan Massie,Scotsman
An exciting account of the origins of the modern world Who formed the first literate society? Who invented our modern ideas of democracy and free market capitalism? The Scots. As historian and author Arthur Herman reveals, in the eighteenth and nineteenth centuries Scotland made crucial contributions to science, philosophy, literature, education, medicine, commerce, and politics—contributions that have formed and nurtured the modern West ever since. Herman has charted a fascinating journey across the centuries of Scottish history. Here is the untold story of how John Knox and the Church of Scotland laid the foundation for our modern idea of democracy; how the Scottish Enlightenment helped to inspire both the American Revolution and the U.S. Constitution; and how thousands of Scottish immigrants left their homes to create the American frontier, the Australian outback, and the British Empire in India and Hong Kong. How the Scots Invented the Modern World reveals how Scottish genius for creating the basic ideas and institutions of modern life stamped the lives of a series of remarkable historical figures, from James Watt and Adam Smith to Andrew Carnegie and Arthur Conan Doyle, and how Scottish heroes continue to inspire our contemporary culture, from William “Braveheart” Wallace to James Bond. And no one who takes this incredible historical trek will ever view the Scots—or the modern West—in the same way again.
In the 780s northern Britain was dominated by two great kingdoms; Pictavia, centred in north-eastern Scotland and Northumbria which straddled the modern Anglo-Scottish border. Within a hundred years both of these kingdoms had been thrown into chaos by the onslaught of the Vikings and within two hundred years they had become distant memories. This book charts the transformation of the political landscape of northern Britain between the eighth and the eleventh centuries. Central to this narrative is the mysterious disappearance of the Picts and their language and the sudden rise to prominence of the Gaelic-speaking Scots who would replace them as the rulers of the North. From Pictland to Alba uses fragmentary sources which survive from this darkest period in Scottish history to guide the reader past the pitfalls which beset the unwary traveller in these dangerous times. Important sources are presented in full and their value as evidence is thoroughly explored and evaluated.
Up the close and down the stair, Up and down with Burke and Hare. Burke's the butcher, Hare's the thief, Knox the man who buys the beef. —anonymous children's song On Halloween night 1828, in the West Port district of Edinburgh, Scotland, a woman sometimes known as Madgy Docherty was last seen in the company of William Burke and William Hare. Days later, police discovered her remains in the surgery of the prominent anatomist Dr. Robert Knox. Docherty was the final victim of the most atrocious murder spree of the century, outflanking even Jack the Ripper's. Together with their accomplices, Burke and Hare would be accused of killing sixteen people over the course of twelve months in order to sell the corpses as "subjects" for dissection. The ensuing criminal investigation into the "Anatomy Murders" raised troubling questions about the common practices by which medical men obtained cadavers, the lives of the poor in Edinburgh's back alleys, and the ability of the police to protect the public from cold-blooded murder. Famous among true crime aficionados, Burke and Hare were the first serial killers to capture media attention, yet The Anatomy Murders is the first book to situate their story against the social and cultural forces that were bringing early nineteenth-century Britain into modernity. In Lisa Rosner's deft treatment, each of the murder victims, from the beautiful, doomed Mary Paterson to the unfortunate "Daft Jamie," opens a window on a different aspect of this world in transition. Tapping into a wealth of unpublished materials, Rosner meticulously portrays the aspirations of doctors and anatomists, the makeshift existence of the so-called dangerous classes, the rudimentary police apparatus, and the half-fiction, half-journalism of the popular press. The Anatomy Murders resurrects a tale of murder and medicine in a city whose grand Georgian squares and crescents stood beside a maze of slums, a place in which a dead body was far more valuable than a living laborer.
A beautifuly illustrated celebration of one of Europe’s finest neoclassical neighbourhoods: a triumph of town planning and the heart of a vibrant, thriving capital city.
What happened to Edinburgh's once notorious but picturesque Tolbooth Prison? Where was the Black Turnpike, once a dominant building in the town? Why has one of the New Town designer's major layouts been all but obliterated? What else has been lost in Edinburgh? From Edinburgh's mean beginnings - 'wretched accommodation, no comfortable houses, no soft beds', visiting French knights complained in 1341 - it went on to attract some of the world's greatest architects to design and build and shape a unique city. But over the centuries many of those fine buildings have gone. Some were destroyed by invasion and civil strife, some simply collapsed with old age and neglect, and others were swept away in the 'improvements' of the nineteenth century. Yet more fell to the developers' swathe of destruction in the twentieth century.Much of the medieval architecture vanished in the Old Town, Georgian Squares were attacked, Princes Street ruined, old tenements razed in huge slum clearance drives, and once familiar and much loved buildings vanished. The changing pattern of industry, social habits, health service, housing and road systems all took their toll; not even the city wall was immune. The buildings which stood in the way of what was deemed progress are the heritage of Lost Edinburgh. In this informative and stimulating book. Hamish Coghill sets out to trace many of the lost buildings and find out why they were doomed. Lavishly illustrated, "Lost Edinburgh" is a fascinating insight into an ever-changing cityscape.
From the best-selling author of How To Write an Autobiographical Novel, Alexander Chee's award-winning debut is "One of the great queer novels . . . of our time."—Brandon Taylor, GQ Twelve-year-old Fee is a shy Korean-American boy growing up in Maine whose powerful soprano voice wins him a place as section leader of the first sopranos in his local boys choir. But when, on a retreat, Fee discovers how the director treats the boys he makes section leader, he is so ashamed, he says nothing of the abuse, not even when Peter, Fee’s best friend, is in line to be next. The director is eventually arrested, and Fee tries to forgive himself for his silence. But when Peter takes his own life, Fee blames only himself. Years later, after he has carefully pieced a new life together, Fee takes a job at a private school near his hometown. There he meets a young student, Arden, who, to his shock, is the picture of Peter—and the son of his old choir director. Told with “the force of a dream and the heft of a life” (Annie Dillard), this is a haunting, lyrically written debut novel that marked Chee “as a major talent whose career will bear watching” (Publisher’s Weekly).