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Proceedings of the 22d-33d annual conference of the Library Association in v. 1-12; proceedings of the 34th-44th, 47th-57th annual conference issued as a supplement to v. 13-23, new ser. v. 3-ser. 4, v. 1.
This revised edition lists approximately 1200 libraries in the UK and the Republic of Ireland, some included for the first time, with details of their rare and special book collections. It covers mainly those printed before 1850, but includes manuscript and modern material where related.
Since its publication in 1938, this encyclopedia has been recognized as the outstanding single-volume book in scope, depth, and detail. It is widely considered to be the major encyclopedia of musical knowledge. In each subsequent edition over the years, existing topics were brought up-to-date and new topics were introduced. The changes in this 11th edition, both revision and extension, are contained in an addenda at the rear of the volume. This section is the chronicle of approximately 10 years, 1975-1985, the period separating the 11th edition from the previous one. Much of the material in this new Addenda section deals with topics entirely new to the Cyclopedia, such as persons, places, organizations, and compositional styles, among others. International in scope, this is the most modern reference available for all music lovers. ISBN 0-396-08412-5: $69.95 (For use only in the library).
In contrast to today's music industry, whose principal products are recorded songs sold to customers round the world, the music trade in Georgian England was based upon London firms that published and sold printed music and manufactured and sold instruments on which this music could be played. The destruction of business records and other primary sources has hampered investigation of this trade, but recent research into legal proceedings, apprenticeship registers, surviving correspondence and other archived documentation has enabled aspects of its workings to be reconstructed. The first part of the book deals with Longman & Broderip, arguably the foremost English music seller in the late eighteenth century, and the firm's two successors - Broderip & Wilkinson and Muzio Clementi's variously styled partnerships - who carried on after Longman & Broderip's assets were divided in 1798. The next part shows how a rival music seller, John Bland, and his successors, used textual and thematic catalogues to advertise their publications. This is followed by a comprehensive review of the development of musical copyright in this period, a report of efforts by a leading inventor, Charles 3rd Earl Stanhope, to transform the ways in which music was printed and recorded, and a study of Georg Jacob Vollweiler's endeavour to introduce music lithography into England. The book should appeal not only to music historians but also to readers interested in English business history, publishing history and legal history between 1714 and 1830.