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"A good read even for those who have not the least ancestral or national bias—for those who desire civilized entertainment along with brilliant narrative." —Seattle Times In thirty-five years and dozens of return trips to Ireland, Thomas Lynch has found a template for the larger world inside the small one, the planet in the local parish. Part memoir, part cultural study, Booking Passage is a brilliant, often comedic guidebook for those "fellow travelers, fellow pilgrims" making their way through the complexities of their own lives and times.
A decade's worth of poems by one of our most reliable witnesses, National Book Award finalist Thomas Lynch. In his fourth collection of poems, Thomas Lynch attends to flora, fauna, and fellow pilgrims: dead poets and living masters, a former president and his factotums, a sin-eater and inseminator. Faux-bardic and mock-epic, deft at lament and lampoon, fete and feint, Lynch's poems are powerful medicines, tonics for the long haul and home-going. from "Walking Papers" You can think of it as punctuation and maybe take some comfort from that, friend— a question mark or exclamation point— no matter, we're all sentenced to an end, the movers and the shakers, bon vivants, all ne'er-do-wells and nincompoops, savants, sage and sluggard, deft and daft alike: everyone's given their walking papers.
A National Book Award Finalist "One of the most life-affirming books I have read in a long time…brims with humanity, irreverence, and invigorating candor." —Tom Vanderbilt "Every year I bury a couple hundred of my townspeople." So opens this singular and wise testimony. Like all poets, inspired by death, Thomas Lynch is, unlike others, also hired to bury the dead or to cremate them and to tend to their families in a small Michigan town where he serves as the funeral director. In the conduct of these duties he has kept his eyes open, his ear tuned to the indispensable vernaculars of love and grief. In these twelve pieces his is the voice of both witness and functionary. Here, Lynch, poet to the dying, names the hurts and whispers the condolences and shapes the questions posed by this familiar mystery. So here is homage to parents who have died and to children who shouldn't have. Here are golfers tripping over grave markers, gourmands and hypochondriacs, lovers and suicides. These are the lessons for life our mortality teaches us.
Foreword by Alan Ball “Elegant, respectful and refreshingly funny.” —New York Times Book Review, Editors’ Choice For nearly four decades, poet, essayist, and small-town funeral director Thomas Lynch has probed relations between the literary and mortuary arts with a signature blend of memoir, meditation, gallows humor, and poetic precision. The Depositions offers a wry and compassionate selection from Lynch’s four previous collections of nonfiction, along with new essays shaped by the press of the author’s own mortality.
A Los Angeles Times Best Book of the Year Masterful essays that illuminate not only how we die but also how we live. Thomas Lynch, poet, funeral director, and author of the highly praised The Undertaking, winner of an American Book Award and finalist for the National Book Award, continues to examine the relations between the "literary and mortuary arts."
From one of our most gifted writers and thinkers about death and the meaning of living comes a collection of writings about what comes next. Thomas Lynch, funeral director, poet, and author of the National Book Award finalist The Undertaking: Life Studies from the Dismal Trade, has an uncanny knack for writing about death in ways that are never morbid, always thoughtful, often humorous, and quite moving. From his account of riding in the hearse at the funeral of poet laureate Seamus Heaney, to his recounting of the funeral for a young child in the 1800s, to his compelling essay about his own mortality, Lynch always finds ways to make sense of senseless things, as he ponders what will come next.
"It is fast-moving and often downright funny."—New York Times "He has recaptured childish innocence and presented it with adult enlightenment—plus a touch of cynicism—yet never with irreverence." —Book-of-the-Month Club News First confession and its terrors. Eighty-four first graders in a classroom ruled by just one nun. The agony and the ecstasy of Lent. The dubious honor of being declared the worst altar server ever. Dinah Shore and the Blessed Virgin haunting your dreams. This is Eddie Ryan's world as he grows up in the intensely Catholic world of South-Side Chicago's St. Bastion's parish in the 1950s. In this classic coming-of-age novel, John Powers draws readers into Eddie Ryan's world with deep affection and bittersweet humor.
THE INTERNATIONAL BESTSELLER & INDIE NEXT PICK "Griffin's stunning debut, brimming with irresistible Irish-isms, is an elegy to love, loss and the complexity of life." –People Magazine One of Goodreads' 43 Most Anticipated Reads of 2019 “Beautiful. Intimate. Tearful. Aching and lyrical. So simply and beautifully told.” –Louise Penny, #1 New York Times bestselling author "I'm here to remember–all that I have been and all that I will never be again." If you had to pick five people to sum up your life, who would they be? If you were to raise a glass to each of them, what would you say? And what would you learn about yourself, when all is said? At the bar of a grand hotel in a small Irish town sits 84-year-old Maurice Hannigan. He’s alone, as usual - though tonight is anything but. Pull up a stool and charge your glass, because Maurice is finally ready to tell his story. Over the course of this evening, he will raise five toasts to the five people who have meant the most to him. Through these stories - of unspoken joy and regret, a secret tragedy kept hidden, a fierce love that never found its voice - the life of one man will be powerful and poignantly laid bare. Beautifully heart-warming and powerfully felt, the voice of Maurice Hannigan will stay with you long after all is said and done.
Sara Walsh was born in 1919 in the west of Ireland, in a land of storytellers. In prose that is neither history nor memoir but something larger and brighter than both,Remembering Ahanagrancaptures her memories of her early years in Ireland, her migration to the United States, and her marriage to Harry White, the Harvard-educated son of Russian Jewish emigrants. Her son, eminent historian Richard White, in collaboration with Sara, forces history as it is traditionally written into conversation with personal recollections. Richard Whiteis Margaret Byrne Professor of American History at Stanford University. "Richard White gives us a beautifully rendered account of his mother's life, tracing her journey as a young girl from Ireland toward the new identities she forged for herself in Boston and Chicago. Subtly weaving memory and history to suggest how the two reinforce but also challenge each other,Remembering Ahanagranis a powerful meditation on the immigrant experience in America. It is an absolutely wonderful book." - William Cronon "In this brilliant book, Richard White proves that he is not only one of the finest historians in America but also one of the most eloquent and ambitious. Through a loving but clear-eyed examination of the tales his immigrant mother tells of her early life in Ireland and the United States, he has managed to uncover a host of surprising truths--about his own family, about the complex, often poignant relationship between history and memory, and about what it means to be an American." - Geoffrey C. Ward "Remembering Ahanagranis a rare and remarkable achievement: a book that carries as great a charge in emotional power as it does in intellectual energy. Sara Walsh's 'memory' and Richard White's 'history' travel through terrain from the most urgent American concerns of immigration and intermarriage to the most elemental, universal issues of love and death. This book gives its readers access to the company of two people with extraordinary gifts for life's basic enterprise: taking in experience, and making sense of it." - Patricia Nelson Limerick "With equal and equally tender respect for document, memory, and lore, Richard White recreates and joins his Irish and his Jewish ancestry. An extraordinary book." - Lore Segal
"Before long I began to understand that showing up, being there, helping in an otherwise helpless situation was made heroic by the same gravity I had sensed when I first stood in that embalming room as a boy„the presence of the dead made the presence of the living more meaningful somehow, as if it involved a basic and intuitively human duty to witness." „from Chapter 1, "How We Come to Be the Ones We Are" Two of the most authoritative voices on the funeral industry come together here in one volume to discuss the current state of the funeral. Through their different lenses„one as a preacher and one as a funeral director„Thomas G. Long and Thomas Lynch alternately discuss several challenges facing "the good funeral," including the commercial aspects that have led many to be suspicious of funeral directors, the sometimes tense relationship between pastors and funeral directors, the tendency of modern funerals to exclude the body from the service, and the rapid growth in cremation. The book features forewords from Patrick Lynch, President of the National Funeral Directors Association, and Barbara Brown Taylor, highly praised author and preacher. It is an essential resource for funeral directors, morticians, and pastors, and anyone else with an interest in current funeral practices.