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Broadway musicals of the 1900s saw the emergence of George M. Cohan and his quintessentially American musical comedies which featured contemporary American stories, ragtime-flavored songs, and a tongue-in-cheek approach to musical comedy conventions. But when the Austrian import The Merry Widow opened in 1907, waltz-driven operettas became all the rage. In The Complete Book of 1900s Broadway Musicals, Dan Dietz surveys every single book musical that opened during the decade. Each musical has its own entry which features the following: Plot summary Cast members Creative team Song lists Opening and closing dates Number of performances Critical commentary Film adaptations, recordings, and published scripts, when applicable Numerous appendixes include a chronology of book musicals by season; chronology of revues; chronology of revivals of Gilbert and Sullivan operettas; a selected discography; filmography; published scripts; Black musicals; long and short runs; and musicals based on comic strips. The most comprehensive reference work on Broadway musicals of the 1900s, this book is an invaluable and significant resource for all scholars, historians, and fans of Broadway musicals.
In this magnificently illustrated cultural history—the tie-in to the pbs and bbc series The Story of the Jews—simon schama details the story of the jewish people, tracing their experience across three millennia, from their beginnings as an ancient tribal people to the opening of the new world in 1492 It is a story like no other: an epic of endurance in the face of destruction, of creativity in the face of oppression, joy amidst grief, the affirmation of life despite the steepest of odds. It spans the millennia and the continents—from India to Andalusia and from the bazaars of Cairo to the streets of Oxford. It takes you to unimagined places: to a Jewish kingdom in the mountains of southern Arabia; a Syrian synagogue glowing with radiant wall paintings; the palm groves of the Jewish dead in the Roman catacombs. And its voices ring loud and clear, from the severities and ecstasies of the Bible writers to the love poems of wine bibbers in a garden in Muslim Spain. In The Story of the Jews, the Talmud burns in the streets of Paris, massed gibbets hang over the streets of medieval London, a Majorcan illuminator redraws the world; candles are lit, chants are sung, mules are packed, ships loaded with gems and spices founder at sea. And a great story unfolds. Not—as often imagined—of a culture apart, but of a Jewish world immersed in and imprinted by the peoples among whom they have dwelled, from the Egyptians to the Greeks, from the Arabs to the Christians. Which makes the story of the Jews everyone's story, too.
For most of this century, American foreign policy was guided by a set of assumptions that were formulated during World War I by President Woodrow Wilson. In this incisive reexamination, Frank Ninkovich argues that the Wilsonian outlook, far from being a crusading, idealistic doctrine, was reactive, practical, and grounded in fear. Wilson and his successors believed it absolutely essential to guard against world war or global domination, with the underlying aim of safeguarding and nurturing political harmony and commercial cooperation among the great powers. As the world entered a period of unprecedented turbulence, Wilsonianism became a "crisis internationalism" dedicated to preserving the benign vision of "normal internationalism" with which the United States entered the twentieth century. In the process of describing Wilson's legacy, Ninkovich reinterprets most of the twentieth century's main foreign policy developments. He views the 1920s, for example, not as an isolationist period but as a reversion to Taft's Dollar Diplomacy. The Cold War, with its faraway military interventions, illustrates Wilsonian America's preoccupation with achieving a cohesive world opinion and its abandonment of traditional, regional conceptions of national interest. The Wilsonian Century offers a striking alternative to traditional interest-based interpretations of U.S. foreign policy. In revising the usual view of Wilson's contribution, Ninkovich shows the extraordinary degree to which Wilsonian ideas guided American policy through a century of conflict and tension. "[A] succinct but sweeping survey of American foreign relations from Theodore Roosevelt to Bill Clinton. . . . [A] thought-provoking book."—Richard V. Damms, History "[W]orthy of sharing shelf space with George F. Kennan, William Appleman Williams, and other major foreign policy theorists."—Library Journal
The first novel in the national bestselling Gaslight Mystery series introduces Sarah Brandt, a midwife in the turn-of-the-century tenements of Manhattan who refuses to turn a blind eye to the injustices of the crime-ridden city… After a routine delivery, Sarah visits her patient in a rooming house—and discovers that another boarder, a young girl, has been killed. At the request of Sergeant Frank Malloy, she searches the girl’s room. She discovers that the victim is from one of the most prominent families in New York—and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit an investigation. But with Malloy’s help, Sarah begins a dangerous quest to bring the killer to justice—before death claims another victim...