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Dennis Agay. A method and repertory for the beginner. Optional duet part for some pieces. All in large notes, very clear and easy to read.
In the jungle, the animals' toes are twitching, their bodies are wiggling, and their wings are flapping, as they teach children how to do the Animal Boogie.
(Faber Piano Adventures ). ChordTime Piano Jazz & Blues is a fun-filled collection of jazz standards and appealing blues. The selections motivate students to play while providing valuable practice with rhythm and chords. As the title ChordTime suggests, the emphasis of this book is on the student's mastery of I, IV, and V7 chords. The pieces are arranged in the keys of C, G, and F with valuable warm-up exercises for each key. Songs include: Tea for Two * Baby Face * Tuxedo Junction * Ain't Misbehavin' * and more.
When it was released in 2004, Harlem Stomp! was the first trade book to bring the Harlem Renaissance alive for young adults! Meticulously researched and lavishly illustrated, the book is a veritable time capsule packed with poetry, prose, photographs, full-color paintings, and reproductions of historical documents. Now, after more than three years in hardcover, three starred reviews and a National Book Award nomination, Harlem Stomp! is being released in paperback.
(Artist Transcriptions). 16 transcriptions that all blues fans should know, including: Big Chief * Bloody Murder * Boogie Woogie Stomp * Chicago Breakdown * Confessin' the Blues * Driftin' Blues * Every Day I Have the Blues * 44 Blues * Got My Mo Jo Working * Honky Tonk Train (Honky Tonk Train Blues) * I Just Want to Make Love to You * Mess Around * (The Original) Boogie Woogie * Swanee River Boogie * Two Fisted Mama * Worried Life Blues.
The Story of Boogie-Woogie: A Left Hand Like God examines the socio-historical background of the boogie-woogie piano style, from its early appearances in the barrelhouses of lumber, turpentine, and railroad camps in the southern United States, to its emergence at rent parties in Chicago and St. Louis, to its rise as a popular form of music in the nightclubs of New York, to its status as an international craze during World War II. In this enhanced revision of A Left Hand Like God, Peter J. Silvester presents a comprehensive history of boogie-woogie, describing the style's appearance and development, its offshoots, and the pianists who made it famous, and studying its impact on rhythm and blues, urban blues, and big band swing, leading to the eventual revival of 'classical' boogie-woogie in concerts and festivals. Silvester discusses significant European and American pianists of boogie-woogie throughout history, providing biographical information about their life styles and musical influences and offering an analysis of their important recordings. The book also includes a new chapter on the contribution of national and independent record companies to the recording of boogie-woogie music. A thorough bibliography and a final appendix providing many of the bass patterns common in boogie-woogie make this a valuable reference.