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Having a good old moan about little everyday frustrations is a quintessential part of being British! This book collects the most mind-boggling and side-splitting examples of potty political correctness, ridiculous red tape and well-intentioned (but ultimately wacky) warnings from across bonkers Britain today.
Brilliant Britain is an entertaining journey through the quirks, oddities and idiosyncrasies that define our nation, from unusual sports and pastimes such as bog snorkelling and worm charming, to a recipe for the perfect chip butty. This book lifts the lid on a rich heritage of eccentricity and diversity, exploring all that makes Britain brilliant.
***THE RUNAWAY BESTSELLER, WITH NEW MATERIAL FOR THE PAPERBACK*** THE REVEALING, DEFINING ACCOUNT OF THE DARK NETWORK THAT BROKE OUR COUNTRY. Something has gone really wrong in Britain. Our economy has tanked, our freedoms are shrinking, and social divisions are growing. Our politicians seem most interested in their own careers, and much of the media only make things worse. We are living in a country almost unrecognisable from the one that existed a decade ago. But whose fault is it really? Who broke Britain and how did they do it? Bold and incisive as ever, James O'Brien reveals the shady network of influence that has created a broken Britain of strikes, shortages and scandals. He maps the web connecting dark think tanks to Downing Street, the journalists involved in selling it to the public and the media bosses pushing their own agendas. Over ten chapters, each focusing on a particular person complicit in the downfall, James O'Brien reveals how a select few have conspired - sometimes by incompetence, sometimes by design - to bring Britain to its knees.
With quips, quotes and insults from classic favourites William Shakespeare and Jane Austen to modern humorists Stephen Fry and Billy Connolly, this delightful book will ensure you’re never at a loss for the perfect witticism.
Restaging the Past is the first edited collection devoted to the study of historical pageants in Britain, ranging from their Edwardian origins to the present day. Across Britain in the twentieth century, people succumbed to ‘pageant fever’. Thousands dressed up in historical costumes and performed scenes from the history of the places where they lived, and hundreds of thousands more watched them. These pageants were one of the most significant aspects of popular engagement with the past between the 1900s and the 1970s: they took place in large cities, small towns and tiny villages, and engaged a whole range of different organised groups, including Women’s Institutes, political parties, schools, churches and youth organisations. Pageants were community events, bringing large numbers of people together in a shared celebration and performance of the past; they also involved many prominent novelists, professional historians and other writers, as well as featuring repeatedly in popular and highbrow literature. Although the pageant tradition has largely died out, it deserves to be acknowledged as a key aspect of community history during a period of great social and political change. Indeed, as this book shows, some traces of ‘pageant fever’ remain in evidence today.
The business of death can be seriously absurd, and nothing illustrates this better than these gruesome true tales. This gory compendium details the frankly ridiculous ways in which a number of ill-fated unfortunates met (or failed to meet) their maker at the hands of lamentably inept executioners. With black and white illustrations, this book brings together a mixture of bungled executions, strange last requests and classic one-liners from medieval times to the present day.
There is a pissed-off mood abroad in Britain; the zeitgeist is a bad mood. This book captures that mood. It looks at stuff which irritates us, drives us mad, saps our souls like vampires.
The Routledge Companion to British Media History provides a comprehensive exploration of how different media have evolved within social, regional and national contexts. The 50 chapters in this volume, written by an outstanding team of internationally respected scholars, bring together current debates and issues within media history in this era of rapid change, and also provide students and researchers with an essential collection of comparable media histories. The Routledge Companion to British Media History provides an essential guide to key ideas, issues, concepts and debates in the field. Chapter 40 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. https://www.routledgehandbooks.com/doi/10.4324/9781315756202.ch40
The British on holiday: how can four simple words evoke so many vivid images, images of raw sunburn and relentless rain, of John Bull's Pub (in Lanzarote) and Antonio's Tapas Bar (in Torquay), of endless queues to get through security at Manchester Airport, or Gatwick, or Glasgow, or Luton, and endless tailbacks on the M5, or M6, or M25, but also images of carefree sploshing in Portuguese swimming-pools and lazy lunches in the Provencal sun? In this funny, acutely observed and engaging social history, Brian Viner celebrates the holidaying British, with their quirks and their quinine tablets, and their blithe assumption that the elderly man selling oranges at the roadside in Corfu, so photogenic with his walnut face and three teeth, must surely understand just a few, uncomplicated English sentences. He examines the fortnight-long cruise at one end of the holiday spectrum, and a day's rambling in the Lake District at the other. He looks at how the holidaying British evolved into the big-spending, many-headed beast we know today, by recalling not only the holidays that we took as children, but the holidays our grandparents, and their grandparents, took. It is a story that connects Blackpool with Barcelona, Mauritius with Margate. It is a story, indeed, that connects us all.
This monograph examines the most prestigious political paintings created in Britain during the High Baroque age. It investigates a period characterized by numerous social, political, and religious crises, in the years between the restoration of the Stuart monarchy (1660) and the death of the first British monarch from the House of Hanover (1727). On the basis of hitherto unpublished documents, the book elucidates the creation and reception of nine major commissions that involved the court, private aristocratic patrons, and/or civic institutions. The ground-breaking new interpretations of these works focus on strategies of conflict resolution, the creation of shared cultural memories, processes of cultural translation, the performative context of the murals and the interaction of painted images and architectural spaces.