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Orlando White explores language from a Dine (Navajo) perspective. One idea that interests him, inspires him to think and write, is the idea of the English language as a forgotten language. Imagine if we as a people, all people in the United States, are speaking an Indigenous language rather than English; that the English language exists merely as a language of the colonial past. White explores and experiments with this particular colonizing language, because that language remains a kind of cultural/intellectual/social threat to Indigenous thought, as English was imposed to dehumanize Indigenous peoples from their culture, language, and consciousness. White's Dine perspective poetically reveals audience notion of linguistic dehumanization within the Bone Light volume. Non-Natives, throughout American history, have documented the Indigenous Americas using the dominant written word of English. Thus, as an artist, White writes what he writes to document as well, but also to create something a bit more beautiful (intriguing) than harmful (erasing). White is not attempting critique of the English language; he is working with it to gain a better understanding of viewpoints, veritably creating a relationship by way of exploring language.
A broad understanding of bone and tooth microstructure is necessary for constructing the biological profile of an individual or individuals within a population. Bone Histology: An Anthropological Perspective brings together authors with extensive experience and expertise in various aspects of hard tissue histology to provide a comprehensive discuss
Basic and Applied Bone Biology, Second Edition, provides an overview of skeletal biology, from the molecular level, to the organ level, including cellular control, interaction and response, adaptive responses to various external stimuli, and the interaction of the skeletal system with other metabolic processes in the body. The book includes chapters that address how the skeleton can be evaluated through the use of various imaging technologies, biomechanical testing, histomorphometric analysis, and the use of genetically-modified animal models. Each chapter delves deep into the important details of topics covered to provide a solid understanding of the basics of bone biology. Bone biology researchers who also train undergraduate and graduate students in the lab will use this book constantly to orient new students on the basics of the field and as a background reference for many of the technical aspects of qualification in bone biology (e.g., mechanics, histomorphometry, genetic modification, biochemistry, etc.). - Presents an in-depth overview of skeletal biology, from molecular to organ level - Offers refresher level content for clinicians or researchers outside their areas of expertise - Includes updated and complete references - Incorporates expanded study questions at the end of each chapter for further exploration - Covers topics relevant to a modern course in skeletal biology
On November 7, 1993, Marion Woodman was diagnosed with uterine cancer. Here, in journal form, is the story of her illness, her healing process, and her acceptance of life and death. Breathtakingly honest about the factors she feels contributed to her cancer, Woodman also explains how she drew upon every resource-physical and spiritual-available to her to come to terms with her illness. Dreams and imagery, self-reflection and body work, and both traditional and alternative medicine play distinctive roles in Woodman's recovery. Her personal treasury of art, photographs, and quotations-from Dickinson to Blake to Rumi-embellish this unique chronicle of a very personal journey toward transformation.
Integrating both Maori myth and New Zealand reality, The Bone People became the most successful novel in New Zealand publishing history when it appeared in 1984. Set on the South Island beaches of New Zealand, a harsh environment, the novel chronicles the complicated relationships between three emotional outcasts of mixed European and Maori heritage. Kerewin Holmes is a painter and a loner, convinced that "to care for anything is to invite disaster." Her isolation is disrupted one day when a six-year-old mute boy, Simon, breaks into her house. The sole survivor of a mysterious shipwreck, Simon has been adopted by a widower Maori factory worker, Joe Gillayley, who is both tender and horribly brutal toward the boy. Through shifting points of view, the novel reveals each character's thoughts and feelings as they struggle with the desire to connect and the fear of attachment. Compared to the works of James Joyce in its use of indigenous language and portrayal of consciousness, The Bone People captures the soul of New Zealand. After twenty years, it continues to astonish and enrich readers around the world.
A man’s search for his missing brother triggers a blood-freezing odyssey into the Alaskan wilds in a terrifying novel by an award-winning master of contemporary horror. You should not be here . . . Paul Gallo sees the report on the news: a disheveled loner in the remote hamlet of Dread’s Hand, Alaska, calmly admits to the murder of eight hikers and agrees to lead authorities to his victims’ graves. It’s the same bit of unsettling wilderness where Paul’s twin brother, Danny, vanished a year ago. Assuming that Danny’s remains will be among the exhumed bodies, Paul arrives to find Dread’s Hand far from welcoming. Locals talk of superstitions, legends, and a devil that steals souls. Wooden crosses, staked in the frozen ground, cordon off the woods to keep what’s in there from coming out. Most troubling, no one can explain exactly what happened to Danny. As Paul searches for answers, the true horrors of Dread’s Hand close in around him. The most chilling mystery of all may be how to get out of there alive.
Sara Eliza Johnson's stunning, deeply visceral first collection, Bone Map (2013 National Poetry Series Winner), pulls shards of tenderness from a world on the verge of collapse, where violence and terror infuse the body, the landscape, and dreams: a handful of blackberries offered from bloodied arms, bee stings likened to pulses of sunlight, a honeycomb of marrow exposed. “All moments will shine if you cut them open. / Will glisten like entrails in the sun.” With figurative language that makes long, associative leaps, and with metaphors and images that continually resurrect themselves across poems, the collection builds and transforms its world through a locomotive echo—a regenerative force—that comes to parallel the psychic quest for redemption that unfolds in its second half. The result is a deeply affecting composition that will establish the already decorated young author as an important and vital new voice in American poetry.