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The dynamic, collaborative management model that saved a U.S. manufacturing city When car-making giant General Motors decided to close its plant in Lansing, Michigan, in 1996, one person—the city’s newly elected mayor—stood up and said “no.” Initially, it was the cry of a man in the wilderness. Not once in its century-long history had GM reversed a decision to close a plant. But Mayor David Hollister quietly went to work building the Lansing Works! Keep GM! movement and succeeded in defying all the odds. Lansing remains GM’s Oldsmobile headquarters. Hollister’s collaborative problem-solving approach—the Second Shift model—succeeded in bringing together state and regional politicians, economic developers, private sector firms, labor unions, educators, and residents of the region. Powerful, persuasive, and well-organized, this coalition implemented a strategic, six-dimensional framework to achieve the seemingly impossible: • Identifying: Name the challenge and its impact • Partnering: Develop meaningful relationships • Building: Construct your strategy as you go • Solving: Engage in constant problem solving • Celebrating: Mark successful milestones • Persevering: Adapt and endure The Lansing Works! Keep GM! movement was a victory of people over bureaucracy, of a can-do attitude over cynicism—a story rarely told in today’s complex, technological, and often dehumanizing world of large business and out-of-control government. And the best part was that, in the end, both sides came away winners. It’s proof positive that when the public and private sectors work together as equal partners, amazing things can happen. One of the great business sagas of modern times, Second Shift provides a proven, practical design for problem solving that anyone can apply in any business, large or small.
A behind-the-scenes account of the Fender Electric Instrument Company by its former general manager. White traces the company's entire history, from Leo Fender's beginnings as a radio repairman up to the eventual sale of Fender to CBS, and beyond. Includes stories about the development of the Telecaster, Precision Bass, and Stratocaster, as well as insights into Leo Fender's unique personality. It is packed with more than 100 historic photos and illustrations, instrument diagrams and specifications, and anecdotes about artists such as Merle Travis, Bob Wills, Speedy West, and Tex Ritter. 7-1/4″ x 9-1/4″.
Al Jazeera is one of the most widely watched news channels in the world--and one of the most controversial. A noted journalist speculates on the potentially dramatic effects of the network's new station on the Western world while uncovering the true story behind one of the most influential media outlets.
An instant New York Times bestseller! The definitive biography of guitar legend Stevie Ray Vaughan, with an epilogue by Jimmie Vaughan, and foreword and afterword by Double Trouble’s Chris Layton and Tommy Shannon. Just a few years after he almost died from a severe addiction to cocaine and alcohol, a clean and sober Stevie Ray Vaughan was riding high. His last album was his most critically lauded and commercially successful. He had fulfilled a lifelong dream by collaborating with his first and greatest musical hero, his brother Jimmie. His tumultuous marriage was over and he was in a new and healthy romantic relationship. Vaughan seemed poised for a new, limitless chapter of his life and career. Instead, it all came to a shocking and sudden end on August 27, 1990, when he was killed in a helicopter crash following a dynamic performance with Eric Clapton. Just 35 years old, he left behind a powerful musical legacy and an endless stream of What Ifs. In the ensuing 29 years, Vaughan’s legend and acclaim have only grown and he is now an undisputed international musical icon. Despite the cinematic scope of Vaughan’s life and death, there has never been a truly proper accounting of his story. Until now. Texas Flood provides the unadulterated truth about Stevie Ray Vaughan from those who knew him best: his brother Jimmie, his Double Trouble bandmates Tommy Shannon, Chris Layton and Reese Wynans, and many other close friends, family members, girlfriends, fellow musicians, managers and crew members.
A brilliant exploration of the natural, medical, psychological, and political facets of fertility When Belle Boggs's "The Art of Waiting" was published in Orion in 2012, it went viral, leading to republication in Harper's Magazine, an interview on NPR's The Diane Rehm Show, and a spot at the intersection of "highbrow" and "brilliant" in New York magazine's "Approval Matrix." In that heartbreaking essay, Boggs eloquently recounts her realization that she might never be able to conceive. She searches the apparently fertile world around her--the emergence of thirteen-year cicadas, the birth of eaglets near her rural home, and an unusual gorilla pregnancy at a local zoo--for signs that she is not alone. Boggs also explores other aspects of fertility and infertility: the way longing for a child plays out in the classic Coen brothers film Raising Arizona; the depiction of childlessness in literature, from Macbeth to Who's Afraid of Virginia Woolf?; the financial and legal complications that accompany alternative means of family making; the private and public expressions of iconic writers grappling with motherhood and fertility. She reports, with great empathy, complex stories of couples who adopted domestically and from overseas, LGBT couples considering assisted reproduction and surrogacy, and women and men reflecting on childless or child-free lives. In The Art of Waiting, Boggs deftly distills her time of waiting into an expansive contemplation of fertility, choice, and the many possible roads to making a life and making a family.
He caressed the part of his jacket where I think he put his pistol.'No problem. I drive fast when I'm scared. I'm ok now.' I looked in the mirror again. 'I'm Randy Warrior. What's your name?'He looked strangely at me, as if afraid to divulge his identity, fearing I might recognize him from America's Most Wanted. So, I asked again, 'What's your name? What do I call you? Hey, man with the gun? Grease top?' As I said it, I knew that last comment was pushing it a bit.'I-I'm Randy Warrior too.' He said, voice cracking. He looked stern and cold.Exerpt from Warrior's Road'Struggling With the Spirit' is a series of short stories set in the lives of ordinary LDS people. Some of the stories revolve around gospel activity while others do not. These stories were written to inspire the human side of our spiritual nature.
"... what really happened in the 'post-election' of 2000."--Dust jacket.
Boggs: A Comedy of Values teases out these transactions and their sometimes dramatic legal consequences, following Boggs on a larkish, though at the same time disconcertingly profound, econo-philosophic chase. For in a madcap Socratic fashion, Boggs is raising all sorts of truly fundamental questions - what is it that we value in art, or, for that matter, in money? Indeed, how do we place a value on anything at all? And in particular, why do we, why should we, how can we place such trust in anything as confoundingly insubstantial as paper money?
From "a brilliant spawn of Raymond Carver and Flannery O'Connor" (Elle) comes a novel starring an exhilarating cast of characters that reflects the search, not just for home, but for self. Willie and Liberty are drifters. They break into Florida vacation homes while the owners are away, stay a while, and then move on. They have been lovers since they were teenagers, yet Liberty now senses that Willie is drifting away from her—that their search, so relentless and mysterious, is becoming increasingly dangerous.
“An intimately told story, with detailed and thought-provoking portraits.” —The New York Times Book Review “The Firsts stands out as one of the most important and best reported books written during the extraordinary political chapter in which we are living.” —Nicolle Wallace, author and anchor, Deadline: White House on MSNBC NOW WITH UPDATED EPILOGUE In the November 2018 midterms, the greatest number of women in history were elected to Congress. It was a group diverse in background, age, experience, and ideology. From Alexandria Ocasio-Cortez and “the Squad” to a group with national security backgrounds calling themselves “the Badasses,” from the first two Native American women to the first two Muslim women, all were swept into office on a wave of grassroots support. Here, New York Times reporter Jennifer Steinhauer chronicles these women’s first year in Congress, following their shift from trailblazing campaigns to the daily work of governance. In committee rooms, offices, visits back home with their constituents, and conversations in the halls of the Capitol, she probes the question: Will Washington, with its hidebound traditions and overpriced housing and petty power struggles, change the changemakers? Or will this Congress, which looks a little more like today’s America, truly be the start of something new? Vivid and smart, The Firsts delivers fresh details, inside access, historical perspective, and expert analysis as these women—inspiring, controversial, talented, and rebellious—do something surprising: make Congress essential again.