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In this revelatory story about first love from Karen Russell’s Orange World, a young man falls in love with a two thousand year old girl that he’s extracted from a mass of peat in a Northern European bog. Through a darkly comic lens, Russell explores the vertigo of falling in and out of love, and the way that our shallow projections and fairytale fantasies can cover over the mysterious reality of another human being. A Vintage Short.
From the Pulitzer Finalist and universally beloved author of the New York Times best sellers Swamplandia! and Vampires in the Lemon Grove, a stunning new collection of short fiction that showcases Karen Russell’s extraordinary, irresistible gifts of language and imagination. Karen Russell’s comedic genius and mesmerizing talent for creating outlandish predicaments that uncannily mirror our inner in lives is on full display in these eight exuberant, arrestingly vivid, unforgettable stories. In“Bog Girl”, a revelatory story about first love, a young man falls in love with a two thousand year old girl that he’s extracted from a mass of peat in a Northern European bog. In “The Prospectors,” two opportunistic young women fleeing the depression strike out for new territory, and find themselves fighting for their lives. In the brilliant, hilarious title story, a new mother desperate to ensure her infant’s safety strikes a diabolical deal, agreeing to breastfeed the devil in exchange for his protection. The landscape in which these stories unfold is a feral, slippery, purgatorial space, bracketed by the void—yet within it Russell captures the exquisite beauty and tenderness of ordinary life. Orange World is a miracle of storytelling from a true modern master.
Ancient heroes from Irish mythology and folklore come to life in the modern world in this dark, atmospheric story. At once a thrilling chase novel and a wry reimagining of Ireland’s oldest epic, it is sure to enthrall readers of Neil Gaiman and Cassandra Khaw. Everybody is after the girl in the bog. One morning in a field in Connemara, a farmer unearths the body of a young woman, two thousand years old, preserved under layers of peat. Later that evening, she awakens in unfamiliar modern Ireland, ripping a hole through space and time and setting awhirl old animosities and long-held grudges. Shadowy figures follow her from the pagan past, and each emerges with a claim on the girl from the bog. With help from a trio of wannabe teenage witches, she goes on the run. Joining in the chase is an American archaeologist who wants to keep the discovery for herself and two befuddled farmers trapped in the plot. Hosts of fairies out for the night work their magic and mischief, and in the blue hour before sunrise, the saga unfolds in a battle for the ages. Part fantasy, part mystery, part thriller, part send-up, this comic and poignant love song to Irish literature and the gift of gab does not merely bend genres; it braids them into Celtic knots.
While spending the summer on Mossland Island with her dad, Julie searches for the ghost of a girl who was lost 100 years ago.
Digging for peat in the mountain with his Uncle Tally, Fergus finds the body of a child, and it looks like she's been murdered. As Fergus tries to make sense of the mad world around him - his brother on hunger-strike in prison, his growing feelings for Cora, his parents arguing over the Troubles, and him in it up to the neck, blackmailed into acting as courier to God knows what, a little voice comes to him in his dreams, and the mystery of the bog child unfurls. Bog Child is an astonishing novel exploring the sacrifices made in the name of peace, and the unflinching strength of the human spirit.
Over the past few centuries, northern Europe’s bogs have yielded mummified men, women, and children who were deposited there as sacrifices in the early Iron Age and kept startlingly intact by the chemical properties of peat. In this remarkable account of their modern afterlives, Karin Sanders argues that the discovery of bog bodies began an extraordinary—and ongoing—cultural journey. Throughout the nineteenth and twentieth centuries, Sanders shows, these eerily preserved remains came alive in art and science as material metaphors for such concepts as trauma, nostalgia, and identity. Sigmund Freud, Joseph Beuys, Seamus Heaney, and other major figures have used them to reconsider fundamental philosophical, literary, aesthetic, and scientific concerns. Exploring this intellectual spectrum, Sanders contends that the power of bog bodies to provoke such a wide range of responses is rooted in their unique status as both archeological artifacts and human beings. They emerge as corporeal time capsules that transcend archaeology to challenge our assumptions about what we can know about the past. By restoring them to the roster of cultural phenomena that force us to confront our ethical and aesthetic boundaries, Bodies in the Bog excavates anew the question of what it means to be human.
Something's up with Maggie. She's rattling around in the house on Hope Place that she's lived in all her life. Her brothers and sisters flew the nest long ago but everyone's still got a key. Brother Jack keeps turning up with his own Liverpool folklore, invented to delight foreign tourists, but all Maggie wants is to unlock the past and free herself. Her niece's new boyfriend might just have the answer. A story of myths, memories and secrets, Michael Wynne's Hope Place was specially commissioned for the opening season of the Everyman Theatre, Liverpool, and premiered there in May 2014.
A career-long overview of the work of Verdonk, covering the development of the stylistics of poetry.
Examining how British writers are addressing the urgent matter of how we form and express group belonging in the 21st century, this book brings together a range of international scholars to explore the ongoing crises, developments and possibilities inherent in the task of representing community in the present. Including an extended critical introduction that positions the individual chapters in relation to broader conceptual questions, chapters combine close reading and engagement with the latest theories and concepts to engage with the complex regionalities of the United Kingdom, with representation of writers from all parts of the UK including Northern Ireland. Including specific focus on the most challenging issues for community in the past five years, notably Brexit and the Covid-19 crisis, with a broader understanding of themes of local and national belonging, this book offers detailed discussions of writers including Ali Smith, Niall Griffiths, John McGregor, Max Porter, Amanda Craig, Bernadine Evaristo, Jonathan Coe, Bernie McGill, Jan Carson, Guy Gunaratne, Anthony Cartright, Barney Farmer, Maggie Gee and Sarah Hall. Demonstrating some of the resources that literature can offer for a renewed understanding of community, this book is essential reading for anyone interested in how British Literature contributes to our understanding of society in both the past and present, and how such understanding can potentially help us to shape the future.
2024-25 NTA UGC-NET/JRF English Solved Papers