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In the 20 years since the publication of the first edition of Bodyspace the knowledge base upon which ergonomics rests has increased significantly. The need for an authoritative, contemporary and, above all, usable reference is therefore great. This third edition maintains the same content and structure as previous editions, but updates the material and references to reflect recent developments in the field. The book has been substantially revised to include new research and anthropometric surveys, the latest techniques, and changes in legislation that have taken place in recent years. New coverage in the third edition: Guidance on design strategies and practical advice on conducting trials Overview of recent advances in simulation and digital human modes Dynamic seating · Recent work on hand/handle interface Computer input devices · Laptop computer use and children’s use of computers · Design for an aging population and accessibility for people with disabilities · New approaches to risk management and new assessment tools, legislation, and standards As the previous two editions have shown, Bodyspace is an example of the unusual: a text that is a favorite among academics and practitioners. Losing none of the features that made previous editions so popular, the author skillfully integrates new knowledge into the existing text without sacrificing the easily accessible style that makes this book unique. More than just a reference text, this authoritative book clearly delineates the field of ergonomics.
Very strong area in geography Excellent contributors, all leading writers in this area
This edition has been revised to bring fresh insights into the principles and practice of anthropometrics, workspace design, sitting and seating, hands and handles, ergonomics in the office, ergonomics in the home, and health and safety at work.
Very strong area in geography Excellent contributors, all leading writers in this area
This edition has been revised to bring fresh insights into the principles and practice of anthropometrics, workspace design, sitting and seating, hands and handles, ergonomics in the office, ergonomics in the home, and health and safety at work.
Many people in our generations are seeking the truth concerning the existence of God and did he really create man in his own image. They are also wondering if there really is a spirit within their physical bodies and what will happen to the soul after death, will it cease to exist or change its form and exist in another dimension as another being. And also, how to prepare for a change in this life if it cant be sensed with the senses and recorded for personal evidence. But the evidence is in the Inner Man, look inside and not outside. (John 14c15-18) Be blessed, believe beloved.
Building on the success of the first volume in this series of research on collective and collaborative drawing, this book’s key themes are linked through the concepts of body, space, and place. The location of the body in art has always been central, but the exploration of it here, in relation to place and space, uncovers a wide range of exciting and different contexts, relationships and materials. Space is examined through the practice and theorisation of drawing, through the ongoing artistic practices of the authors, and the writings of Berger and Derrida in relation to making, viewing and understanding the drawing process. Place is examined through unique approaches to considering drawing, through multiple consecutive and site-specific places, through place as a changing and temporal site, and through the idea of the ‘non-place’. The contributors in this volume include academics, artists, dancers, researchers, designers, and architects from across the globe.
Body - Space - Expression: The Development Of Rudolf Laban's Movement And Dance Concepts (Approaches To Semiotics).
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The first of its kind, 'Body, Space, Image' is a remarkable book about improvisation - a narrative of discovery that sets the mind loose from the rut of everyday perception. From a starting point in movement, improvisation is extended to include groups working together and the physical setting of performance - space, light, sound, objects. Generously illustrated with examples drawn from twenty years of experimental performance, 'Body, Space, Image' explores ways of working and ways of thinking about performance that will inspire both the beginner and the experienced artist. It is a manual intended to stimulate rather than a comprehensive system of working, and includes a unique collection of images - from dance, theatre and painting - and statements by working artists. Words and images combine to celebrate and record one of the most exacting art forms developed in the twentieth century.