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After a woman is found dead in an isolated cemetery, Inspector Thomas Lynley and his former partner, Barbara Havers, find that the roots of the crime trace to a long-ago act of violence that has poisoned subsequent generations.
“Elizabeth George reigns as queen of the mystery genre. The Lynley books constitute the smartest, most gratifyingly complex and impassioned mystery series now being published.” —Entertainment Weekly One of the most acclaimed entries in Elizabeth George’s New York Times bestselling Inspector Lynley series—a masterfully structured, multilayered jigsaw puzzle of a mystery rich with intrigue and atmosphere On compassionate leave after the murder of his wife, Thomas Lynley is called back to Scotland Yard when the body of a woman is found stabbed and abandoned in an isolated London cemetery. His former team welcomes his return; they don’t trust their new department chief, Isabelle Ardery, whose off-putting manner leaves them on edge. Lynley may be the sole person who can see beneath his superior officer's hard-as-nails exterior to a hidden—and compelling—vulnerability. While Lynley works in London, his former colleagues Barbara Havers and Winston Nkata follow the murder trail south to the New Forest—a beautiful and strange place where animals roam free, the long-lost art of thatching is very much alive, and outsiders are suspect. What they don't know is that more than one dark secret lurks within the secluded woodlands, and that their investigation will lead them to an outcome that is both tragic and shocking.
Elizabeth George's masterly new novel brings Detective Inspector Thomas Lynley back onto centre stage in an intricate crime drama. While DI Thomas Lynley is still on compassionate leave after the murder of his wife, Isabelle Ardery is brought into the Met as his temporary replacement. The discovery of a body in a Stoke Newington cemetery offers Isabelle the chance to make her mark with a high profile murder investigation. Persuading Lynley back to work seems the best way to guarantee a result: Lynley's team is fiercely loyal to him and Isabelle needs them - and especially Barbara Havers - on side. The Met is twitchy: a series of PR disasters has undermined its confidence. Isabelle knows that she'll be operating under the unforgiving scrutiny of the media, so is quick - perhaps too quick - to pin the murder on a convenient suspect. The murder trail leads Lynley and Havers to the New Forest, and the eventual resolution of the case. Its roots are in a long-ago act of violence that has poisoned subsequent generations and its outcome is both tragic and shocking.
"Tanizaki Jun'ichiro is read to examine historiographical representation and to consider the possibilities of the parodic as a fundamentally perverse, queer practice. Finally, a study of selected essays by Sue Golding points a way to think toward the necessary conjunction of the ethical, the political, and the perverse; in order, that is to say, to think toward a politics of inconsolable perversity."--BOOK JACKET.
In 1846, Edgar Allen Poe wrote that 'the death of a beautiful woman is, unquestionably, the most poetic topic in the world'. The conjuction of death, art and femininity forms a rich and disturbing strata of Western culture, explored here in fascinating detail by Elisabeth Bronfen. Her examples range from Carmen to Little Nell, from Wuthering Heights to Vertigo, from Snow White to Frankenstein. The text is richly illustrated throughout with thirty-seven paintings and photographs. The argument that this book presents is that narrative and visual representations of death can be read as symptoms of our culture and because the feminine body is culturally constructed as the superlative site of "other" and "not me", culture uses art to dream the deaths of beautiful women.
A look inside the world of forensics examines the use of human cadavers in a wide range of endeavors, including research into new surgical procedures, space exploration, and a Tennessee human decay research facility.
The authors challenge theories that put the body at the centre of identity, going 'beyond the body' to highlight the persistence of self-identity even when the body itself has been disposed of or is missing.
A riveting blend of science writing and true-crime narrative that explores the valuable but often shocking interface between crime and nature--and the secrets each can reveal about the other--from a pioneer in forensic ecology and a trailblazing female scientist. From mud tracks on a quiet country road to dirt specks on the soles of walking boots, forensic ecologist Patricia Wiltshire uses her decades of scientific expertise to find often-overlooked clues left behind by criminal activity. She detects evidence and eliminates hypotheses armed with little more than a microscope, eventually developing a compelling thesis of the who, what, how, and when of a crime. Wiltshire's remarkable accuracy has made her one of the most in-demand police consultants in the world, and her curiosity, humility, and passion for the truth have guided her every step of the way. A riveting blend of science writing and true-crime narrative, The Nature of Life and Death details Wiltshire's unique journey from college professor to crime fighter: solving murders, locating corpses, and exonerating the falsely accused. Along the way, she introduces us to the unseen world all around us and underneath our feet: plants, animals, pollen, spores, fungi, and microbes that we move through every day. Her story is a testament to the power of persistence and reveals how our relationship with the vast natural world reaches far deeper than we might think.
In our culture, we rarely speak about death -- partly because it is seen as a sort of pornography, shrouded in indecency and immersed in taboos; and partly because we know so little about it. Yet nearly everyone at some point has questions about what happens after death. At long last, here is a book to answer many of those questions: What physical changes occur to a dead body?