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Music ministers offer their gift to the glory of God. Whether they sing or play, their ministry is essential to the worship of your parish. It serves the flow of liturgical prayer, adds beauty and artistry to the way people pray, and enlivens the words that express belief and immerse those who sing them into the mystery of God. This third edition has been expanded to help music ministers reflect more deeply upon their liturgical role. As part of the Liturgical Ministry Series®, this book is grounded in Church doctrine, liturgical practice, and follows a format that provides the newly formed and experienced ministers alike with basic skills and theological insights in order to perform their ministry well and in a Christlike manner. This includes: Theological and historical reflections on the liturgy and the ministry Practical skills-building and advice for serving in this role Ways to deepen your spirituality and call to discipleship Answers to frequently asked questions Recommended resources A glossary Questions for discussion and reflection
"The practical application of Body Mapping and the Alexander Technique to making music. Body Mapping is the study of how our concepts of our bodies affect our experience and movement. The Alexander Technique is a method for improving freedom and ease of movement and physical coordination. This book is a graphic presentation of ideas drawn from these two disciplines that is of great benefit to music students and teachers and others." --Publsiher's description.
Piano Moves provides step-by-step lessons for piano teachers working with students of all ages. The goal is to teach students how to move in co-ordination with their bodies' structures by looking at accurate anatomical images and applying movement explorations to their playing. Body Mapping is the process of correcting faulty understandings about the size, structure, and function of the body parts involved in movement. A spiral curriculum is one that references material in increasing detail. This book starts with Fundamentals and moves into In-Depth Mapping, making it easy for teachers to create a foundation for learning that can advance with experience. The content is broken down into manageable units and lessons with clear language and a touch of humor. Each unit has accompanying images to clarify structures. The numbered explorations are designed specifically for students to use either at home or during a lesson. The book contains a substantial glossary of terms and a detailed index for quick reference.
Margaret S. Barrett and Sandra L. Stauffer We live in a “congenial moment for stories” (Pinnegar & Daynes, 2007, p. 30), a time in which narrative has taken up a place in the “landscape” of inquiry in the social sciences. This renewed interest in storying and stories as both process and product (as eld text and research text) of inquiry may be attributed to various methodological and conceptual “turns,” including the linguistic and cultural, that have taken place in the humanities and social sciences over the past decades. The purpose of this book is to explore the “narrative turn” in music education, to - amine the uses of narrative inquiry for music education, and to cultivate ground for narrative inquiry to seed and ourish alongside other methodological approaches in music education. In a discipline whose early research strength was founded on an alignment with thesocialsciences,particularlythepsychometrictradition,oneofthekeychallenges for those embarking on narrative inquiry in music education is to ensure that its use is more than that of a “musical ornament,” an elaboration on the established themes of psychometric inquiry, those of measurement and certainty. We suggest that narrative inquiry is more than a “turn” (as noun), “a melodic embellishment that is played around a given note” (Encarta World English Dictionary, 2007, n. p. ); it is more than elaborationon a position, the adding of extra notes to make a melody more beautiful or interesting.
Resonant Witness gathers together a wide, harmonious chorus of voices from across the musical and theological spectrum to show that music and theology can each learn much from the other and that the majesty and power of both are profoundly amplified when they do. With essays touching on J. S. Bach, Hildegard of Bingen, Martin Luther, Karl Barth, Olivier Messiaen, jazz improvisation, South African freedom songs, and more, this volume encourages musicians and theologians to pursue a more fruitful and sustained engagement with one another. What can theology do for music? Resonant Witness helps answer this question with an essential resource in the burgeoning interdisciplinary field of music and theology. Covering an impressively wide range of musical topics, from cosmos to culture and theology to worship, Jeremy Begbie and Steven Guthrie explore and map new territory with incisive contributions from the very best musicians, theologians, and philosophers. Bennett Zon Durham University This volume represents a burst of cross-disciplinary energy and insight that can be celebrated by musicians and theologians, music-lovers and God-lovers alike. John D. Witvliet (from afterword)
Available for the first time in the United States, this international bestseller reveals the secrets of nonverbal communication to give you confidence and control in any face-to-face encounter—from making a great first impression and acing a job interview to finding the right partner. It is a scientific fact that people’s gestures give away their true intentions. Yet most of us don’t know how to read body language– and don’t realize how our own physical movements speak to others. Now the world’s foremost experts on the subject share their techniques for reading body language signals to achieve success in every area of life. Drawing upon more than thirty years in the field, as well as cutting-edge research from evolutionary biology, psychology, and medical technologies that demonstrate what happens in the brain, the authors examine each component of body language and give you the basic vocabulary to read attitudes and emotions through behavior. Discover: • How palms and handshakes are used to gain control • The most common gestures of liars • How the legs reveal what the mind wants to do • The most common male and female courtship gestures and signals • The secret signals of cigarettes, glasses, and makeup • The magic of smiles–including smiling advice for women • How to use nonverbal cues and signals to communicate more effectively and get the reactions you want Filled with fascinating insights, humorous observations, and simple strategies that you can apply to any situation, this intriguing book will enrich your communication with and understanding of others–as well as yourself.
The Ministry of Cantors addresses the role of the cantor by clarifying what liturgy and liturgical music are about and helping cantors find their role within that understanding. Several chapters deal with the cantor's primary role as psalmist. Subsequent chapters address the cantor's secondary role as song leader, the cantor gesture, and the identification and formation of persons called to this ministry. The final chapter identifies concrete ways the cantor is called to surrender self to the transforming power of the paschal mystery. Book jacket.
In this expanded edition of her spiritual formation classic, Ruth Haley Barton invites us to an honest exploration of what happens when spiritual leaders lose track of their souls. Weaving together contemporary illustrations with penetrating insight from the life of Moses, Barton explores topics such as facing the loneliness of leadership, leading from your authentic self, reenvisioning the promised land and more.