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A new articulation of pastoral theology, care, and counseling. Too often we think and teach in ways that reinforce a mind-body split. This can lead people to self-alienation, impeding holistic, healthy relationships between people, God, and each other. Body Connections takes a different approach, teaching us to see the connections between our embodied experience and faithful spiritual care. Author Michael Koppel focuses on the human body and its relationship to faith and spiritual care. He engages religious texts and traditions as well as scientific insights, offering accessible theology and spiritual practices for healing and care of the body. Our bodies are amazing resources, but we are too often unaware of their power, or unable to harness it in helpful ways for our own good. This remarkable book empowers pastors, counselors, chaplains, seminarians, and caregivers to understand and provide the ministry of care in an entirely new, life-giving way. This book is highly useful for individuals and groups. It is for clergy, chaplains, spiritual directors, seminarians, clinical educators, lay people in churches, and those who are institutionally unaffiliated but care deeply about fostering a holistic spiritual path. Praise for Body Connections Everything we think, feel, and do comes through the body. But practices of spiritual care tend to downplay the body as a source of knowledge and a tool for responding to others and to God. Koppel’s book reclaims that wisdom, coaching us to strengthen our abilities to read, listen, and think with the body. I can’t wait to teach this practical, wise, and convicting book, which addresses embodied emotion, grief, silence, trauma, and more. Koppel’s seasoned, pastoral voice offers a rich synthesis of sources and insights that demonstrate the body’s place at the center of ministry. --Duane Bidwell, professor of practical theology, spiritual care, and counseling, Claremont School of Theology, Claremont, CA Body Connections provides new insights into the voice and language of the body. Koppel crafts a "body theology" that encourages spiritual care practitioners to be proactive in their spiritual practices of listening, adapting and responding to our bodies and to the bodies of those to whom we offer care. Using the image of "body as storyteller" and other metaphors, Koppel captures and defines the healing power of the body in clear and profound ways. --Bishop Teresa Jefferson-Snorton, D.Min., Presiding Bishop, Fifth Episcopal District, The CME Church Michael Koppel returns the body to its rightful place at the center of each person’s story and the center of the Christian story. He calls readers home to their bodies and gently challenges escapes from the body into hasty fixing, detached rationalizing, anxious dithering, or addictive numbing. At a time when the COVID pandemic has underscored the vulnerability of bodies, Koppel’s focused, healing, deep body consciousness paints a portrait of health far beyond mere absence of disease. Don’t just read this book: absorb it, practice it, and let it heal you. --Douglas M. Thorpe, PhD, is Executive Director of the Virginia Institute of Pastoral Care and a past president of the American Association of Pastoral Counselors It is surprisingly difficult, even confusing: to have a body; to be a body; to touch, talk and listen to, even read a sensing body; to honor and restore the body’s wounds, traumas, and shame while celebrating its healing and resilience... Koppel is a wise guide and caregiver for those seeking to embrace the sacredness of a human body and its unique story. Body Connections empowers a reader to discover body knowledge anew. It deepens trust in the most intimate relationship one has, the relationship with one’s body. --Jaco J. Hamman, professor of religion, psychology, and culture, and director of the Program iin Theology and Practice, Vanderbilt University, Nashville, TN
An important contribution to Victorian literature studies with strong connections to cultural and medical history
This book explores how we go about creating the connections within us that allow us to become fully embodied human beings in the world. It provides some very personal memories of Irmgard Bartenieff and the development of her approach to Fundamentals.
The major goal of developmental neurobiology is to understand how the nervous system is put together. A central theme that has emerged from research in this field over the last several decades is the crucial role of trophic interactions in neural assembly, and indeed throughout an animal's life. Trophic--which means nutritive--refers to long-term interdependencies between nerve cells and the cells they innervate. The theory of trophic effects presented in this book offers an explanation of how the vertebrate nervous system is related to--and regulated by--the body it serves. The theory rationalizes the nervous system's accommodation, throughout life, to the changing size and form of the body it tenants, indicating the way connections between nerve cells change in response to stimuli as diverse as growth, injury, experience, and natural selection. Dale Purves, a leading neurobiologist best known for his work on the formation and maintenance of synaptic connections, presents this theory within the historical setting of earlier ideas about neural organization--from Weiss's theory of functional reorganization to the chemoaffinity theory championed by Sperry. In addition to illuminating eighty years of work on trophic interactions, this book asks its own compelling questions: Are trophic interactions characteristic of all animals or only of those with complex nervous systems? Are trophic interactions related to learning? What does the trophic theory of neural connections imply about the currently fashionable view that the nervous system operates according to Darwinian principles? Purves lays the theoretical foundation for practical exploration of trophic interactions as they apply to neural connections, a pursuit that will help us understand how our own nervous systems generate change. The ideas in this book not only enrich neurobiology but also convey the profound relevance of neuroscience to other fields of life science.
"It's All About Evil" Volume III, Understand the mechanism of evil within the World's Greatest Conspiracy (between ego and the evil). Destroy this evil, and destroy evil socialism and Russian PsychoPolitics and their American operators. They want the depression. Many unique discoveries. Chapters: Part I: Get What You Deserve, Not difficult for Psychopaths, AIDS epidemic, The Evil President; Part II: Danger of Secret, Friends, Marriage, Independence, Right Time and Place, Real Crazies v Accused Crazies, Father Our Corrector, Forgiveness, Responsibility, Values, Polarization, No True Love in Young Love, Never Have a Choice. Major discoveries: Word Idolization and Imagery Worship, Identity Transference, Become what you hate, Why Incorruptible, Words the medium of evil & mind control. S.O.S. S.O.S. MUST reading Unique endless series 425 pages. Pre-designed Russian PsychoPolitics won. Is it too late? Where is Creator? Predicted in Volume I, first edition 1992 ego and "buddy" Satan. Take this final opportunity to expose "it" to We the People. Don't be in denial. Courageous author, Dr.Roy Foster, MentalGrowth.com, brings you many techniques and his personal discoveries to destroy evil socialism and its welfare bail-outs. The present growing socialism through Russian PsychoPolitics will always be suicidal and now has destroyed capitalism. Evil "words" have lied to now become over-powering in the final days. Volume II How to Have Fun Destroying Evil And Liberal Socialism (lighter attitude) Volume III Get What You Deserve in Evil Liberal Socialism Soon Volume IV The Great Conspiracies, in Evil Socialism (brainwashing) Soon Volume V The Bio-Mechanism of Evil Half of America is already very angry and depressed while half is brainwashed by PsychoPolitics (brainwashing)
In this collection of provocative essays by prominent teachers of Yoga and Buddhism, the common ground of these two ancient traditions becomes clear. Michael Stone has brought together a group of intriguing voices to show how Buddhism and Yoga share the same roots, the same values, and the same spiritual goals. The themes addressed here are rich and varied, yet the essays all weave together the common threads between the traditions that offer guidance toward spiritual freedom and genuine realization. Contributors include Ajahn Amaro Bhikkhu, Shosan Victoria Austin, Frank Jude Boccio, Christopher Key Chapple, Ari Goldfield and Rose Taylor, Chip Hartranft, Roshi Pat Enkyo O’Hara, Sarah Powers, Eido Shimano Roshi, Jill Satterfield, Mu Soeng, Michael Stone, Robert Thurman.
Essay from the year 2019 in the subject Theater Studies, Dance, grade: 68, Middlesex University in London, course: BA (Hons) in Theatre Dance, language: English, abstract: This essay analyses the connections between the following four works in terms of how they give shape to and play with the classical lines in the dancing body. These are: Bronislava Nijinska, Les Noces (1923), George Balanchine, Who Cares (1970), Pina Bausch, The Rite of Spring (1975), and Wayne McGregor, Chroma (2006). Choreographers remain exploring the extent to which they can manipulate the classical line and shape, using the extensive use of angles, filling of negative space within the dancer’s bodies and exploring the connection between movement and emotion. McGregor uses these methods to extend the limits of his vocabulary and diversify away from standards, to create natural but effective material. His work relates to that of Nijinska’s who was more interested in exploring an idea on the body, concerning space and dynamics, rather than from gestures of everyday life. A traditional ballet would focus on creating a strong performer-audience relationship, however Nijinska’s determination to eliminate any stage hierarchy between her dancers, changes the intention behind the movement and creates a stronger sense of unity on stage; such as the section in the piece when all the male dancers perform together on stage, following the group of females. Both Nijinska and Balanchine integrated principles of Russian and French culture into their creative practice, based off personal experience; the influence of these cultures changes the dynamics, direction and sense of extension in classical technique. By integrating the "groundedness and rhythmic sense" (Gottschild, B. D, 1996) of Russian folk dance into enhancing his choreography, he could further contrast his work to the light, weightless, extensions of the traditional classical line. Similarly, to Balanchine’s curiosities, Nijinska focused on the "use of space...rhythm, transition, form and design"(Dawn Lille, 2011), however, other choreographers such as Pina Bausch, gained inspiration from everyday gestures and situations, creating more contemporary, elaborate performances that draw interest from the audience because of the level in which they relate to human movement. The visual differences in the classical line of today, compared to traditional performances are mainly due to the change in focus, to more narrative and emotional expression. The classical technique can still be identified in this developed movement, however distance it may be from the original line.
The body in dreams, myths, legends, and anecdotes of the fantastic as expressions of human corporeality. In The Body Fantastic, Frank Gonzalez-Crussi looks at the human body through the lens of dreams, myths, legends, and anecdotes of the bizarre, exploring the close connection of the fictitious and the fabulous to our conception of the body. He chronicles, among other curious cases, the man who ate everything (including boiled hedgehogs and mice on toast), the therapeutic powers of saliva, hair that burst into flames, and an "amphibian man" who lived under water. Drawing on clinical records, popular lore, and art, history, and literature, Gonzalez-Crussi considers the body in both real and imaginary dimensions. Myths and stories, Gonzalez-Crussi reminds us, are the symbolic expression of our aspirations and emotions. These fantastic tales of bodies come from the deepest regions of the human psyche. Ancient Greeks, for example, believed that the uterus wandered around inside a woman's body--an "animal within an animal." If a woman sniffed an unpleasant odor, the uterus would retreat. Organized "digestive excess" began with the eating and drinking contests of antiquity and continue through the hot-dog eating competitions of today. And the "libido-podalic association," connecting male sexuality and the foot, insinuated itself into mainstream medicine in the sixteenth century; meanwhile, the feet of women in some cultures were scrupulously kept from view. Gonzalez-Crussi shows that the many imaginary representations of the body are very much a part of our corporeality.