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This book explores the courtship and marriage of Gwyneth Murray, an English woman, and a Canadian, Harry Logan, who wrote in the personae of their vagina (Dardanella) and penis (Peter) during World War I. Through an analysis of their extensive daily correspondence over nearly a decade, it uncovers the couple’s changing attitudes to the intersection of sexuality and religion, to marriage and childrearing, as they navigated the transition from Victorian to modern values. By focusing on first-person narratives, this book enriches our understanding of gender identities revealing how porous the boundaries remained between notions of 'heterosexual' and 'same-sex' friendships. This study offers an unprecedented perspective on one couple’s sexual practices, which included mutual masturbation and oral sex, and constitutes one of the most intensive examinations of female attitudes to sexual pleasure in an era of female emancipation.
The First World War was an unprecedented crisis, with communities and societies enduring the unimaginable hardships of a prolonged conflict on an industrial scale. In Belgium and France, the terrible capacity of modern weaponry destroyed the natural world and exposed previously held truths about military morale and tactics as falsehoods. Hundreds of thousands of soldiers suffered some of the worst conditions that combatants have ever faced. How did they survive? What did it mean to them? How did they perceive these events? Whilst the trenches of the Western Front have come to symbolise the futility and hopelessness of the Great War, Alex Mayhew shows that English infantrymen rarely interpreted their experiences in this way. They sought to survive, navigated the crises that confronted them, and crafted meaningful narratives about their service. Making Sense of the Great War reveals the mechanisms that allowed them to do so.
In this unique intervention in the study of queer culture, Dominic Janes highlights that, under the gaze of social conservatism, 'gay' life was hiding in plain sight. Indeed, he argues that the worlds of glamour, fashion, art and countercultural style provided rich opportunities for the construction of queer spectacle in London. Inspired by the legacies of Oscar Wilde, interwar and later 20th-century men such as Cecil Beaton expressed transgressive desires in forms inspired by those labelled 'freaks' and, thereby, made major contributions to the histories of art, design, fashion, sexuality, and celebrity. Janes reinterprets the origins of gay and queer cultures by charting the interactions between marginalized freaks and chic fashionistas. He establishes a new framework for future analyses of other cities and media, and of the roles of women and diverse identities.
The dramatic social, cultural, and political changes in the twentieth century posed challenges and opportunities to Christian believers in Britain and Ireland: many, whether in the churches or among the laity, sought to adapt their faith to what was seen as a new, “modern” world fundamentally different than the one in which Christianity had risen to a position of institutional and cultural dominance. Alongside the more long-term processes of industrialisation, urbanisation, and democratisation, the formative experiences of war and post-war reconstruction, confrontations with totalitarianism, changing relations between the sexes, and engagements with an increasingly assertive “secular” culture inspired many Christians not only to reconsider their faith but also to try to influence the emerging modernity. The chapters in this volume address various specific topics – from mass politics to sexuality – but are linked by a stress on how Christians played active roles in building “modern” life in twentieth-century Britain and Ireland. Tensions and ambiguities between “religious” and “secular” and between “modern” and “traditional” make understanding Christian encounters with modernity a valuable topic in the exploration of the complexities of twentieth-century cultural and intellectual history. This book will be of great value to students and scholars in the fields of history including modern British history, religion, and the intersectionality of gender and religion. The chapters in this book were originally published as a special issue of Contemporary British History.
A selection of poetry written during World War I. In the introduction Jon Silkin traces the changing mood of the poets - from patriotism through anger and compassion to an active desire for social change. The book includes work by Sassoon, Owen, Blunden, Rosenberg, Hardy and Lawrence.
By early 1943, it had become increasingly clear that the Allies would win the Second World War. Around the same time, it also became increasingly clear to many Christian intellectuals on both sides of the Atlantic that the soon-to-be-victorious nations were not culturally or morally prepared for their success. A war won by technological superiority merely laid the groundwork for a post-war society governed by technocrats. These Christian intellectuals-Jacques Maritain, T. S. Eliot, C. S. Lewis, W. H. Auden, and Simone Weil, among others-sought both to articulate a sober and reflective critique of their own culture and to outline a plan for the moral and spiritual regeneration of their countries in the post-war world. In this book, Alan Jacobs explores the poems, novels, essays, reviews, and lectures of these five central figures, in which they presented, with great imaginative energy and force, pictures of the very different paths now set before the Western democracies. Working mostly separately and in ignorance of one another's ideas, the five developed a strikingly consistent argument that the only means by which democratic societies could be prepared for their world-wide economic and political dominance was through a renewal of education that was grounded in a Christian understanding of the power and limitations of human beings. The Year of Our Lord 1943 is the first book to weave together the ideas of these five intellectuals and shows why, in a time of unprecedented total war, they all thought it vital to restore Christianity to a leading role in the renewal of the Western democracies.
This book explores the impact of violence on the religious beliefs of front soldiers and civilians in Germany during the First World War. The central argument is that religion was the main prism through which men and women in the Great War articulated and processed trauma. Inspired by trauma studies, the history of emotions, and the social and cultural history of religion, this book moves away from the history of clerical authorities and institutions at war and instead focuses on the history of religion and war 'from below.' Jason Crouthamel provides a fascinating exploration into the language and belief systems used by ordinary people to explain the inexplicable. From Judeo-Christian traditions to popular beliefs and 'superstitions,' German soldiers and civilians depended on a malleable psychological toolbox that included a hybrid of ideas stitched together using prewar concepts mixed with images or experiences derived from the surreal environment of modern combat. Perhaps most interestingly, studying the front experience exposes not only lived religion, but also how religious beliefs are invented. Front soldiers in particular constructed new, subjective spiritual and religious concepts based on encounters with industrialized weapons, the sacred experience of comradeship, and immersion in mass death, which profoundly altered their sense of self and the supernatural. More than just a coping mechanism, religious language and beliefs enabled victims, and perpetrators, of violence to narrate concepts of psychological renewal and rebirth. In the wake of defeat and revolution, religious concepts shaped by the war experience also became a cornerstone of visions for radical political movements, including the National Socialists, to transform a shattered and embittered German nation. Making use of letters between soldiers and civilians, diaries, memoirs and front newspapers, Trauma, Religion and Spirituality in Germany during the First World War offers a unique glimpse into the belief systems of men and women at a turning point in European history.
“God is love is the radical claim of Christianity,” writes Frederick Bauerschmidt at the beginning of this little meditation on the essentials of Christian faith. In a rich yet accessible style reminiscent of C. S. Lewis and G. K. Chesterton, Bauerschmidt breathes life back into that claim, drawing from Scripture, great Christian and non-Christian writers of the past, and his own lived experience to show just how countercultural and subversive Christianity is actually meant to be. Eschewing the abstract and dogmatic in favor of the relational and inviting, he offers something for everyone, from lifelong churchgoers and students of religion to the growing population of “nones” among younger generations who are increasingly seeking spiritual fulfillment outside of institutional Christianity. With further reading suggestions (both scriptural and nonscriptural) at the end of each chapter, The Love That Is God is the perfect starting point of a spiritual journey into deeper relationship with God. Michael Ramsey Prize (2023)
Chaplain G.A. Studdert Kennedy has been described as the most popular British chaplain of the First World War. Widely known as "Woodbine Willie" for the cigarettes he distributed to the troops, his wartime poetry and prose communicated the challenges, hardships and hopes of the soldiers he served. As a chaplain, he was subject to the same hardships as his soldiers. This book analyses his experiences through the contemporary understanding of psychological, moral and spiritual impact of war on its survivors and suggests that the chaplain suffered from Combat Stress, Moral Injury, and Spiritual Injury. Through the analysis of his wartime and postwar publications, the author illustrates the continuing impact of war on the life of a veteran of the Great War.
This is the first full biography of one of the greatest Roman Catholic theologians of the last century. Schillebeeckx is alive and still writing important work. He is a Dutch Dominican and theological genius whose influence on the Second Vatican Council was profound. He was regarded as the theological voice of progressive Catholicism. But in 1968 the Vatican Authorities started an investigation into his orthodoxy and a great many Catholics also felt that this was an attack on them. Borgman puts Schillebeeckx in his context, creating a new perspective on his ultimate significance for the church and for the development of theology.