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The human body defines a lucrative site of reusable parts, ranging from whole organs to minuscule and even microscopic tissues. Although the medical practices that enable the transfer of parts from one body to another most certainly relieve suffering and extend lives, they have also irrevocably altered perceptions of the cultural values assigned to the body. In Bodies, Commodities, and Biotechnologies, Lesley A. Sharp probes the ideological assumptions underlying the transfer of body parts, the social significance of donors' deaths, and the medico-scientific desires surrounding complex forms of body repair. She also considers the experimental realm, in which nonhuman species and artificial devices present further opportunities for recovery and controversy. A compelling scientific investigation and social critique, Bodies, Commodities, and Biotechnologies explores the pervasive, and at times pernicious, practices shaping American biomedicine in the twenty-first century.
This book addresses the debate usually tagged as being about ’markets in human body parts’ which is antagonistically divided into pro-market and anti-market positions. The author provides a set of propositions about how to approach this and shows a way out of the concrete impasse of it. Assumptions about markets and bodies that characterize this debate are analyzed and described while the author argues that these assumptions are in fact constitutive for exchanges of human bodily material – but in unacknowledged ways. It is concluded that what we need is a different analytical approach to better understand the mechanisms at play when organizations exchange organs, tissues and cells for use in transplantation and fertility medicine. ​
In the twenty-first century, the body is experienced less as a fixed entity than it is as a protean product and a project of technological, medical and artistic invention. The essays in Bodies in the Making: Transgressions and Transformations address the proliferation of such transformative practices as tattooing, piercing, self-cutting, cosmetic and transsexual surgery, prosthetics, organ transplants and life extension technologies. Establishing links among these varied practices, the contributors illuminate the dramatic and widespread changes that have taken place across generations in attitudes towards the relation of the body to the mind, to agency and to subjectivity. Bodies in the Making also addresses a paradox that has shaped recent body modification debates. Although physical transformations are usually experienced as self-expressive and libratory, they are frequently understood to be socially determined, economically driven and culturally enmeshed. Contributors to the volume engage this contradiction directly, exploring ways in which diverse body practices are capable of subverting power while also at times re-inscribing it.
In February 2003, an undocumented immigrant teen from Mexico lay dying in a prominent American hospital due to a stunning medical oversight—she had received a heart-lung transplantation of the wrong blood type. In the following weeks, Jesica Santillan's t
This book analyzes the national debate over organ transplantation in Egypt as it has unfolded during a time of major social and political transformation-including mounting dissent against a brutal regime, the privatization of health care, advances in science, the growing gap between rich and poor, and the Islamic revival.
Organ transplantation is a medical innovation that has offered the potential to enhance and save lives since the first successful procedure in the 1950s. Subsequent developments in scientific knowledge and advances in surgical techniques have allowed for more efficient and refined procurement, minimal surgical complications, and increased success rate. However, procedures such as organ transplantation raise questions about the nature of our relationship with our own bodies; about our embodiment and personal and corporeal identity. This book is comprised of academic essays, personal reflections, and creative writing from researchers and artists involved in an ongoing collaborative art-science project about the experience and culture of heart transplantation. The writings and reflections included discuss embodiment, what it means to inhabit a body and define oneself in relation to it, including struggles with identity formation; set in both clinical and private spaces. The uniqueness of this volume consists in the authors’ aim of connecting the specific experience of heart transplantation to the more widely shared experience of relating to the world and one another through the body’s physical, perceived, and imagined boundaries. Such boundaries and the commonly held beliefs in personal autonomy that are associated with them are a subject of ongoing philosophical and scientific debate. What’s more, the resources of art and culture, including popular culture, literature, historical and contemporary art, are extremely useful in revising our views of what it means for the body’s boundaries to be philosophically ‘leaky.’ Following the discussion initiated by contributor Margrit Shildrick, this book contributes to the field of inquiry of the phenomenon of embodiment and inter-corporeality, the growing body of literature emerging from collaborative art-science research projects, and the wider area of disability studies. This book will be of particular interest to those with personal, scholarly, and creative interests in the experience of transplantation, or illness in general.
Focusing on three representation of posthuman bodies as cloned bodies in Kazuo Ishiguro’s Never Let Me Go (2005), toxic bodies in Indra Sinha’s Animal’s People (2007), and cyborg bodies in Justina Robson’s Natural History (2004) from the theoretical perspectives of posthuman definition of what it means to be human, this study discusses the changing concept of the body. In this context, the integral and dynamic connection between a human body and the world is of special significance, which opens up new possibilities to reconfigure the human body that is no longer conceded separate from the nonhuman world but embodied in it. Each of the novels significantly displays the in-betweenness of humans by making them interact with chemical substances, machines, and other nonhuman entities, and shows how clear-cut distinctions between the human and the nonhuman bodies have collapsed.
"A marvelous, organ-by-organ journey through the body eclectic…Irresistible [and] impressive." —John J. Ross, Wall Street Journal The human body is the most fraught and fascinating, talked-about and taboo, unique yet universal fact of our lives. It is the inspiration for art, the subject of science, and the source of some of the greatest stories ever told. In Anatomies, acclaimed author of Periodic Tales Hugh Aldersey-Williams brings his entertaining blend of science, history, and culture to bear on this richest of subjects. In an engaging narrative that ranges from ancient body art to plastic surgery today and from head to toe, Aldersey-Williams explores the corporeal mysteries that make us human: Why are some people left-handed and some blue-eyed? What is the funny bone, anyway? Why do some cultures think of the heart as the seat of our souls and passions, while others place it in the liver? A journalist with a knack for telling a story, Aldersey-Williams takes part in a drawing class, attends the dissection of a human body, and visits the doctor’s office and the morgue. But Anatomies draws not just on medical science and Aldersey-Williams’s reporting. It draws also on the works of philosophers, writers, and artists from throughout history. Aldersey-Williams delves into our shared cultural heritage—Shakespeare to Frankenstein, Rembrandt to 2001: A Space Odyssey—to reveal how attitudes toward the human body are as varied as human history, as he explains the origins and legacy of tattooing, shrunken heads, bloodletting, fingerprinting, X-rays, and more. From Adam’s rib to van Gogh’s ear to Einstein’s brain, Anatomies is a treasure trove of surprising facts and stories and a wonderful embodiment of what Aristotle wrote more than two millennia ago: "The human body is more than the sum of its parts."
After the atomic bombing at the end of World War II, anxieties about survival in the nuclear age led scientists to begin stockpiling and freezing hundreds of thousands of blood samples from indigenous communities around the world. These samples were believed to embody potentially invaluable biological information about genetic ancestry, evolution, microbes, and much more. Today, they persist in freezers as part of a global tissue-based infrastructure. In Life on Ice, Joanna Radin examines how and why these frozen blood samples shaped the practice known as biobanking. The Cold War projects Radin tracks were meant to form an enduring total archive of indigenous blood before it was altered by the polluting forces of modernity. Freezing allowed that blood to act as a time-traveling resource. Radin explores the unique cultural and technical circumstances that created and gave momentum to the phenomenon of life on ice and shows how these preserved blood samples served as the building blocks for biomedicine at the dawn of the genomic age. In an era of vigorous ethical, legal, and cultural debates about genetic privacy and identity, Life on Ice reveals the larger picture—how we got here and the promises and problems involved with finding new uses for cold human blood samples.