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Bodies and their Spaces: System, Crisis and Transformation in Early Modern Theatre explores the emergence of the distinctively modern "gender system" at the close of the early modern period. The book investigates shifts in the gendered spaces assigned to men and women in the "public" and "private" domains and their changing modes of interconnection; in concert with these social spaces it examines the emergence of biologically based notions of sex and a novel sense of individual subjectivity. These parallel and linked transformations converged in the development of a new gender system which more efficiently enforced the requirements of patriarchy under the evolving economic conditions of merchant capitalism. These changes can be seen to be rehearsed, contested and debated in literary artefacts of the early modern period - in particular the drama. This book suggests that until the closure of the English theatres in 1642, the drama not only reflected but also exacerbated the turbulence surrounding gender configurations in transition in early modern society. The book reads a wide range of dramatic and non-dramatic texts, and interprets them with the aid of the "systems theory" developed by the German sociologist Niklas Luhmann.
What happens to teaching when you consider the whole body (and not just "brains on sticks")?
How does a subculture appropriate space within the dominant culture? What is the city's relationship to the body? Geographers from England and New Zealand apply queer theory in their consideration of the human body as a vehicle for understanding relationships between people and place. These provocative essays examine the body as an entity constricted by gender, sexuality, race, class, nationality, and disability. They also look at sexual identity as it relates to communities, and how humans "do" gender through regulated practices such as heterosexuality. Pleasure Zones tackles topics such as the politics of gay men's health; the relationship of sex and death to the city; erotic urban landscapes, and how public policy labels lesbians. Each essay attempts to reconcile queer theory and social and cultural theory with the discipline of geography. The result is an illuminating and accessible look at the formation of personal and collective identities. Building on two decades of geography that recognizes the body as a politicized site of struggle, and applying the perspective of the sexual dissident, Pleasure Zones brings a fascinating variety of human experiences into sharp relief.
In Lionel Shriver’s entertaining send-up of today’s cult of exercise—which not only encourages better health, but now like all religions also seems to promise meaning, social superiority, and eternal life—an aging husband’s sudden obsession with extreme sport makes him unbearable. After an ignominious early retirement, Remington announces to his wife Serenata that he’s decided to run a marathon. This from a sedentary man in his sixties who’s never done a lick of exercise in his life. His wife can’t help but observe that his ambition is “hopelessly trite.” A loner, Serenata disdains mass group activities of any sort. Besides, his timing is cruel. Serenata has long been the couple’s exercise freak, but by age sixty, her private fitness regimes have destroyed her knees, and she’ll soon face debilitating surgery. Yes, becoming more active would be good for Remington’s heart, but then why not just go for a walk? Without several thousand of your closest friends? As Remington joins the cult of fitness that increasingly consumes the Western world, her once-modest husband burgeons into an unbearable narcissist. Ignoring all his other obligations, he engages a saucy, sexy personal trainer named Bambi, who treats Serenata with contempt. When Remington sets his sights on the legendarily grueling triathlon, MettleMan, Serenata is sure he’ll end up injured or dead. And even if he does survive, their marriage may not. The Motion of the Body Through Space is vintage Lionel Shriver written with psychological insight, a rich cast of characters, lots of verve and petulance, an astute reading of contemporary culture, and an emotionally resonant ending.
Kaia Rønsdal combines the perspective of production of space, ethical theory and fieldwork, focusing on the contradictions in lived space, by observing encounters and interactions between different groups of people in everyday public space. It is an interdisciplinary contribution to the science of diaconia. The interest lies with the lives that diaconia traditionally have been concerned with and the spaces where these lives are lived, exploring the concept of calling through narratives of these lives and spaces. The book challenges and contributes to traditional and contemporary notions of calling as it is understood in the Scandinavian tradition. These notions, stemming from interpretations of Luther, place the calling among humans, as opposed to it being something exclusively divine and ecclesiastical. The discussion on the calling is enriched with concepts stemming from French sociology and human geography, primarily from H. Lefebvre and M. Foucault, as well as phenomenological contributions. These are concerned with the significance of body, space, urbanity, and spatial interpretation as space is a relational, formative phenomenon constituted in practice and interaction. Through methodologies developed from phenomenology and spatial theory, where the researcher subject is an evident embodied participant, detailed accounts from the field form the material, describing everyday life in an Oslo cityscape. From this material, the concept of calling is explored, developing the discussion from the perspective of the spaces of others. The assumption being that it is in the spaces where people meet and bodies respond to other bodies, whether marginalised or not, that calling may manifest itself. Through spatial analysis of the minute details of bodies and socialities in everyday life, new material for ethical considerations is explored. The analysis and discussion may enrich and further deepen the understanding of what takes place in public spaces, recognising them as a source of knowledge in a range of disciplines. These everyday encounters may also be described and analysed as contributions to the development of theory and praxis of diaconia.
With cities increasingly following rigid rules for designing out crime and producing spaces under surveillance, this book asks how information shapes bodies, space, and, ultimately, policymaking. In recent years, public spaces have changed in Western countries, with the urban realm becoming an ever-more monitored, privatised, homogeneous, and aseptic space that has lost its character, uniqueness, and diversity in the name of ‘security’. This underpins precise moral and political choices in terms of what a space should be, how it can be used, and by whom. These choices generate material consequences concerning urban inequality and freedom, or otherwise, of movement. Based on ethnographic and autoethnographic explorations in London’s ‘criminal’ spaces, this book illustrates how rules, policies, and moral values, far from being abstract concepts, are in fact material. Outlining the basis of a new urban information ethics, the book both exposes and challenges how moral values and predefined categories are applied to, and materially shape, the movement of bodies in urban space with regard to crime and security policies. Drawing on Gilbert Simondon’s information theory and a wide range of work in urban studies, geography, and planning, as well as in surveillance studies, object-oriented ontology, and contemporary theoretical work on both materiality and affect, the book provides a radically new perspective on urban space in general, and crime and security in particular. This book uses a balanced mix of theoretical concepts and empirical study to bring theory and practice together in an intertwining of ethnography and autoethnography. This book will be of interest to students and scholars in the fields of urban studies, urban geography, sociology, surveillance studies, legal theory, socio-legal studies, planning law, environmental law, and land law.
This book considers various ways in which the body is, and has been, addressed and depicted overtime while also working to redefine the body and its relation to historical time and social space.
This book seeks to understand the coexistence of bodily regimes and the politics that emerge from the clash between them: Presents a novel conceptual model for understanding the relationship between bodies and affects Reworks Rancière's notions of the distribution of the sensible and the aesthetic unconscious Establishes a dynamic and multiple understanding of the repressive, distributive and communicative unconscious by rethinking Freudian psychoanalysis Utilizes a variety of empirical materials, from Hollywood movies to Freud's case studies Sets its argument about politics within the context of significant social events to ensure its conceptual and empirical material is relevant to the contemporary political moment
Covering the intersecting subjects of gender, space and architecture, this text guides readers through theoretical and multi-disciplinary texts to considerations of gender, in relation to particular architectural sites, projects and ideas.
This book explores the notion of affective space in relation to architecture. It helps to clarify the first-person, direct experience of the environment and how it impacts a person's emotional states, influencing their perception of the world around them. Affective space has become a central notion in several discussions across philosophy, geography, anthropology, architecture and so on. However, only a limited selection of its key features finds resonance in architectural and urban theory, especially the idea of atmospheres, through the work of German phenomenologist Gernot Böhme. This book brings to light a wider range of issues bound to lived corporeal experience. These further issues have only received minor attention in architecture, where the discourse on affective space mostly remains superficial. The theory of atmospheres, in particular, is often criticized as being a surface-level, shallow theory as it is introduced in an unsystematic and fragmented fashion, and is a mere "easy to use" segment of what is a wider and all but impressionistic analytical method. This book provides a broader outlook on the topic and creates an entry point into a hitherto underexplored field. The book's theoretical foundation rests on a wide range of non-architectural sources, primarily from philosophy, anthropology and the cognitive sciences, and is strengthened through cases drawn from actual architectural and urban space. These cases make the book more comprehensible for readers not versed in contemporary philosophical trends.