Download Free Bodhran Beyond The Basics Book in PDF and EPUB Free Download. You can read online Bodhran Beyond The Basics and write the review.

This is the follow-up volume to Bodhrán: the Basics and is designed for those who want to improve their technique and expand their rhythmic repertoire. It contains exercises and solos in 4/4, 6/8, 3/4, and 9/8 time. the 568 one-measure exercises are designed to improve a player's technical skill and demonstrate how to use the basic building blocks of rests, accents, rolls, and syncopation to create interesting and varied rhythmic patterns. the 64 short solos show how to combine the one-measure rhythmic patterns into longer compositions.In addition to the exercises and solos, there are sections on time signatures, counting, syncopation, playing on the backbeat, vocalizing rhythmic patterns, developing speed, controlling pitch and timbre, and playing with both hands. Audio CD included.•
Bill Woods has used his decades of experience as a successful bodhrán performer and teacher to create this integrated instruction book and CD for the beginning bodhrán player. Using photographs, text, and audio examples, it takes you in easy steps from holding the bodhrán and stick through playing along with traditional Irish dance tunes. It shows you the basic accompaniment patterns for reels and jigs and demonstrates ways to make these patterns more interesting using rests, accents, and rolls.In addition to the audio examples, the CD has traditional Irish dance tunes recorded at different tempos so you can start playing along almost immediately and increase your speed as your skill improves.Also covered are the correct pronunciation of bodhrán, the history of the bodhrán in traditional Irish music, suggestions on playing with other musicians, suggestions on what to look for when choosing a bodhrán and stick, instructions on a simple and inexpensive way to make your own stick, and the basic structure of Irish dance tunes.An integrated bodhrán instruction book and CD for the beginning player Teaches the basic accompaniment patterns for reels and jigs Discusses what to look for when choosing a bodhrán and stick CD has traditional Irish tunes recorded at different tempos
This comprehensive book presents a wealth of information about the Brazilian frame drum known to musicians as the pandeiro. Pandeiro Basics presents so much more than a method or set of playing techniques; herein, you will find a historical introduction to numerous Brazilian musical styles, rhythm patterns with contextual references typically performed on the pandeiro, and an introduction to principal pioneer performers on the instrument. These patterns are represented in standard percussion notation with note values represented on a single line. In addition, you will learn the secret to playing the pandeiro with constant 16th note rotation in one hand while playing the patterns with your other. Technique will include how to get varying kinds of sounds out of the drumhead, as well as muting and technical-style differences. The author provides dozens of listening suggestions for readers. Consulting these recordings will familiarize you with some great choro and samba soloists and groups that use the pandeiro, guaranteeing stylistic authenticity in your own renditions as you learn pandeiro parts for choro, samba, maxixe, baião, côco, valsa, frevo, afoxé, funk rhythms, and more. The book culminates in a pandeiro duet followed by a pandeiro-specific FAQ list. For example, “How do you get a roll out of the pandeiro?” The answer is in here. The author—herself an outstanding percussionist, recording artist and player of the 10-inch choro model—offers extensive tips on finding, selecting, holding, tuning, practicing, developing tone, amplifying, avoiding injury, and maintaining this most versatile of hand percussion instruments, the pandeiro! Great for any beginner or advanced player!
This book and accompanying audio show you how to play the frame drum using your fingers and hand surfaces. The method uses text, photographs, and the audio examples to demonstrate the various strokes and rhythms. Three ways of looking at rhythms are presented: Middle Eastern, Western and Balkan, with over 160 demonstrated rhythms.
"Colin F. Harte traces the bodhrán from its early origins in Irish traditional music to its present-day resurgence in Irish American folk music. Harte includes chapters on the instrument's historical and organological development, experimentation and innovation in playing styles over time, and a study of the instrument's performative practices. The central academic focus of the text is the recent, rapid developments in bodhrán design, performance practices, and teaching the bodhrán to a new generation of musicians"--
The third edition of Song Sheets to Software: A Guide to Print Music, Software, Instructional Media, and Web Sites for Musicians includes completely revised and updated listings of music software, instructional media, and web sites of use to all musicians, whether hobbyist or professional. New to the third edition is a CD-ROM with sections including Live Links, an expanded and easily searchable Tech Talk, and sample print music scores. Also new to the third edition are sections on digital sheet music and video game music, as well as an updated bibliography.
These 102 lilting slow airs with suggested chord changes are suitable for violin, flute, penny whistle, recorder, concertina, accordion, keyboard, harp, hammered dulcimer, etc., accompanied by any chord-capable instrument. Ancient to 19th-century in origin, most of these melodies will seem refreshingly new to modern-day musicians, audiences and even connoisseurs of the Celtic style. The author encourages readers to add their own ornaments once they have learned the basic tunes. Most of the tune titles appear in their original Scots Gaelic or Irish with helpful English translations; the original titles, however, lend this collection an air of authenticity. These melodies are worthy of performance and recording by modern musicians, and one Christmas tune in particular, “Taladh Chriosta” (Christ Child’s Lullaby”), ranks right up there with “What Child Is This/Greensleeves” in its originality and sheer beauty. This collection includes access to online audio of all 102 melodies.
Now you can learn the art of drum circle facilitation from master percussionist, educator, and award winning drum circle facilitator, Kalani. His Drum Circle Music approach makes it easy to effectively create and facilitate programs for music education, health & wellness, personal & professional development, and recreation. Help people from all walks of life reach their full potential, develop valuable life skills, and embrace the joys of music as we all come Together in Rhythm.
Built around the life and teachings of master percussionist, Michel Merhej Baklouk, this book has been designed as a biographical tribute, a teaching manual, and a resource guide for anyone wishing to develop a deeper understanding of the role that percussion plays in Near Eastern Arabic music. This book differs from most technique manuals in that it includes historical information on about Arabic music as it pertains to the life and work of a single artist, Michel Merhej Baklouk. the book is composed of three parts: Introduction, Lessons, and Reference Information. Each part is written to stand on its own as well as fit with the whole so that readers can approach the book either as individual articles and lessons, or in its entirety, to be read from cover to cover. By presenting Michel's work in this way, we hope to appeal to a wider audience—percussion students at varying skill levels and from varying music disciplines and backgrounds, students of music and Middle Eastern studies, or anyone else interested in twentieth century Arab music and culture. the first part, Introduction, contains several essays about Michel's life, his teaching philosophy, pedagogical practices, musical aesthetics and performance practices. Although these sections may be read independently, they are also designed to help percussion students apply the book's lessons to their own playing and musical interpretations. the technical focus of this book is on the riqq; however, students of Arabic music (beginning through advanced) can adapt the practical exercises to gain mastery of the percussion instrument(s) of their choice. the second part, Lessons, begins with information about how to hold the percussion instrument (case in point: the riqq) and how to practice effectively. It then presents the body of exercises that Michel developed for his students. These exercises have been taken directly from Michel's notated lessons, which he developed into units corresponding to levels of proficiency, or academic years as he taught them at the Conservatory in Beirut; however, for the purposes of this book, the exercises are reorganized to correspond to subject matter and only roughly mirror Michel's conservatory sequence. Unit 1, Technique Building Exercises, is aimed at novice players or anyone who is new to reading music. Units 2 through 5 focus on specific rhythmic structures with increasing complexity. Students should master each unit of exercises before proceeding to the next unit. the third part, Reference Information, includes a notation reference, a list of rhythms, a list of further reading recommendations, and a glossary of Arabic music terms, many of which are used in the text. All Arabic words in this book appear in italics, except proper names, and with the exception of some proper Arab names, the text is essentially written in the standard system of transliteration used by the Library of Congress and most academic literature Throughout the book you will see quotations from Michel offset in the text. These prosaic tidbits may be words of wisdom, interesting anecdotes about Michel's life, or insights into his work and world of music. Each provides a glimpse into the personality of this exceptional musician. As a technical manual for students of Arabic percussion, Classical Riqq Technique provides specific exercises and explores important concepts—some of which are rarely taught, even in private lessons. At the same time, this book strives for a broader goal—to present and preserve classical percussion from the perspective of a master who not only lived in but also influenced the golden age of Arabic music. Free audio download.
Have you always wanted to play the 30-button Anglo concertina with more than just a simple one-note melody? This tutor will teach you how to play with chords and full harmonies in a wide variety of musical styles.The book includes 60 tunes with full chords and increasingly complex arrangements. Of all the other Anglo tutors out there, the tablature system presented here is by far and away the easiest to understand and play.In addition to tunes and exercises for beginning players, this tutor also presents more difficult tunes that have been carefully transcribed from recordings of the top Anglo concertina players of the last several decades.The playing of William Kimber, John Kirkpatrick, Jody Kruskal, Bertram Levy, Kenneth N.J. Loveless, Brian Peters, Andy Turner, John Watcham and many others are showcased to help you learn and develop your own unique style on this surprisingly versatile acoustic little squeezebox.Instead of including a CD with the book, most of the tunes can be found on the "anglotutor" playlist on YouTube where you can both see and hear them being played on a 30-button C/G Anglo concertina.