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It's been a picnic ground, an amusement park and home to million-dollar mansions, but few know the complex story behind the Canadian island adopted by Detroiters as their own. Bob-Lo: An Island in Troubled Waters brings to life with vivid detail not only the numerous changes that have swept over the island with the tides of time, but specifically the impact it has had on its longest-residing private citizen, Dorothy Tresness. Her story is as turbulent as the history of the island itself. The beloved Bob-Lo Boats are gone, the rides are dismantled but the story of Bob-Lo is far from over as Dorothy, in her 80s, steadfastly holds claim to her private slice of island paradise.
Article abstracts and citations of reviews and dissertations covering the United States and Canada.
"The Oxford Handbook of Community Singing shows in abundant detail that singing with others is thriving. Using an array of interdisciplinary methods, chapter authors prioritize participation rather than performance and provide finely grained accounts of group singing in community, music therapy, religious, and music education settings. Themes associated with protest, incarceration, nation, hymnody, group bonding, identity, and inclusivity infuse the 47 chapters. Written almost wholly during the 2020-21 COVID-19 pandemic, the Handbook features a section dedicated to collective singing facilitated by audiovisual or communications media (mediated singing), some of it quarantine-mandated. The last of eight substantial sections is a repository of new theories about how group singing practices work. Throughout, the authors problematize the limitations inherited from the western European choral music tradition and report on workable new remedies to counter those constraints"--
Six preeminent photographers show shots that launched their careers and document the acts that launched modern rock.
Contributions by Joshua Coleman, Christine Hand Jones, Kevin C. Neece, Charlotte Pence, George Plasketes, Jeffrey Scholes, Jeff Sellars, Toby Thompson, and Jude Warne After performing with Ronnie Hawkins as the Hawks (1957–1964), The Band (Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm) eventually rose to fame in the sixties as backing musicians for Bob Dylan. This collaboration with Dylan presented the group with a chance to expand musically and strike out on their own. The Band’s fusion of rock, country, soul, and blues music—all tinged with a southern flavor and musical adventurousness—created a unique soundscape. The combined use of multiple instruments, complex song structures, and poetic lyrics required attentive listening and a sophisticated interpretive framework. It is no surprise, then, that they soon grew to be one of the biggest bands of their era. In Rags and Bones: An Exploration of The Band, scholars and musicians take a broad, multidisciplinary approach to The Band and their music, allowing for examination through sociological, historical, political, religious, technological, cultural, and philosophical means. Each contributor approaches The Band from their field of interest, offering a wide range of investigations into The Band’s music and influence. Commercially successful and critically lauded, The Band created a paradoxically mythic and hauntingly realistic lyrical landscape for their songs—and their musicianship enlarged this detailed landscape. This collection offers a rounded examination, allowing the multifaceted music and work of The Band to be appreciated by audiences old and new.
Essays on Existence and Essence presents a series of writings--including several previously unpublished--by Bob Hale on the topics of ontology and modality. The essays develop and elucidate Hale's work on essence, truthmakers, and several other topics. Also included are an introduction by Kit Fine and a bibliography of Hale's work.