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A collection of 20 different 4-bar patterns and 10 original solo compositions by one of Europe's finest guitarists. Designed for the serious fingerstyle guitar student, this book presents rhythm patterns in a wide range of moods written in standard notation and tablature, along with new concepts about blues and jazz. In the solos, beautiful and impressive melodies are paired with alternate and walking basses. an accompanying audio CD includes a demonstration of each concept and a performance of each solo.
Through examples, writing assignments, and clear expository text, this landmark book teaches the novice or professional musician to create solo arrangements for fingerstyle jazz guitar. the book is divided in three main sections: Beginning fingerstyle guitar, Creating fingerstyle jazz solos, and Professional fingerstyle guitar. Kent Murdick systematically presents clear explanations of fingerstyle technique, blues basics, harmonized scales, advanced jazz harmony, various arranging and accompaniment concepts, a discussion of the expressive devices used in jazz, and several full-length solos. Futhermore, the author communicates this information with an engaging off-the-wall, self-deprecating sense of humor. Written in standard notation and tablature.
This is a collection of jazz music arranged for fingerstyle guitar and spanning the years from the turn of the last century until the end of the 1930s. There are classical ragtime numbers, jazz band tunes, stride piano, and blues. All are a part of an important musical legacy that shaped the beginnings of popular music. Written in standard notation and tablature.
Builds fingerstyle blues technique and independence through musical phrases and licks
Blues-guitarskole.
(Guitar Educational). A comprehensive source designed to help guitarists develop both lead and rhythm playing. Covers: Texas, Delta, R&B, early rock and roll, gospel, blues/rock and more. Includes 21 complete solos; chord progressions and riffs; turnarounds; moveable scales and more. The audio features leads and full band backing.
"Descriptive analysis and musical transcriptions, in standard notation and tablature" of the works of various blues guitarists.
This book is complete in the sense that there is something for everyone: beginners, intermediate players and professionals. Along with learning the basics, this book teaches fingerstyle guitar players to play two-string harmonies, accompaniment styles and much more. Alan De Mause has filled the companion CD to capacity with 90 examples of music from his landmark text. the recording features nylon-string guitar throughout in both solo and midi-accompanied settings. A full range of jazz guitar stylings is offered, starting from square one and proceeding through advanced fingerstyle solo material.
In these lessons for the intermediate fingerstyle guitarist Dave Van Ronk presents his arrangements of blues and a classic rag. The book includes a conversation with Dave, a discography, 6 tunes in notation and tablature, and 3 CDs teaching each tune phrase by phrase. LESSON ONE: A blues in 12/8 with Leroy Carr's Midnight Hour Blues. Blood Red Moon follows played in a dropped D tuning. The lesson ends with Blind Lemon Jefferson's One Kind Favor. LESSON TWO: Sunday Street is an original Dave Van Ronk song and is an excellent example of Dave's arranging skills. Four choruses are taught demonstrating how this tune can develop. Bessie Smith's classic blues You've Been A Good Old Wagon is taught in the key of E. LESSON THREE: Dave's arrangement of St. Louis Tickle was the first great challenge for fingerpickers interested in classic ragtime. This four sectioned rag is played in the keys of C and F. It is an excellent example of contemporary ragtime guitar.