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According to Steve Raymond, tying flies requires “imagination and skill, creativity and discipline, patience and vision.” But for the fly fisher, tying flies is more than that—it is the creation of a living insect from fur, feathers, or synthetic materials and is an art and a passion. Blue Upright discusses the fly patterns that have served Steve Raymond most faithfully over the years. There are well-known and famous flies, such as the Crazy Charlie; there are flies that wouldn’t be recognized outside of the Pacific Northwest; and, more interestingly, there are flies of his own creation, which he uses alone or shares with only a few close friends. Here, he shares not only the flies but also the stories that go along with some of those flies, which include the Carey Special, Thompson’s Delectable Chronomoid, the Green Machine, and the Blue Upright. Each of Steve Raymond’s favorite flies call to mind memories of landscapes, anglers, and fish that have passed through his life, and each of his stories will appeal to beginners and experienced fly tyers alike. Skyhorse Publishing is proud to publish a broad range of books for fishermen. Our books for anglers include titles that focus on fly fishing, bait fishing, fly-casting, spin casting, deep sea fishing, and surf fishing. Our books offer both practical advice on tackle, techniques, knots, and more, as well as lyrical prose on fishing for bass, trout, salmon, crappie, baitfish, catfish, and more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.

Bulletin

Michigan State University. Agricultural Experiment Station

Published: 1899

Total Pages: 452


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Rudolf Steiner’s architectural masterpiece, the double-domed building known as the first Goetheanum, featured decorated ceilings that were designed and partly painted by Steiner himself, utilizing vegetable colors and a new layering technique. Steiner emphasized that he was seeking a new artistic conception based on a conscious understanding of the nature of color. Contemporaries report the extraordinary effect of the domed ceilings’ paintings combined with the multicolored light emanating from the engraved glass windows. The cupolas depicted the creation and ages of the world, the initiators of the various cultural epochs and the figure of Christ. Tragically, the ‘complete work of art’ that was the first Goetheanum burned down on New Year’s Eve 1922 – so today we can only get an impression of the lost paintings and windows from Rudolf Steiner’s pastel sketches and drawings and a handful of photographs. In this lavish volume, the result of decades of research and study, Hilde Raske provides a detailed examination of the artistic work on the two cupolas, including Rudolf Steiner’s draft sketches and his written and verbal statements. Featuring 30 color and more than 100 black-and-white illustrations, this printing is a high-quality facsimile of the long out-of-print original edition from 1983.