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Caverns of Ornolac is volume two of the Blue Shaman Trilogy. Obsessed with the mystery of Caron's resurrection, the shaman Morgon Kara undertakes to weave a pattern that will betray the secret and subject the knight to him. Returning to Europe with the lost hallow, the stone of sovereignty, Caron is drawn into the intrigues of an ancient order that made and destroyed both Cathar Church and Knights Templar, and sees in him their once and future king. Blue Shaman Trilogy Volume 1: Stone of Sovereignty Volume 2: Caverns of Ornolac Volume 3: Master of Hallows
Unravelling the history, ideologies and rites of shamanism, Margaret Stutley provides an authoritative guide to one of the world's most ancient, notorious and frequently misrepresented spiritual traditions.
Pickleworth, Blue and Durham, meet at the US Naval Training facility in San Diego 1952. Early 1953 finds them in Sasebo, Japan near the end of the Korean Conflict. Murder or gay suicide, stolen WWII Japanese gold, Yakazu gangsters, Oil Tanker explosion and the Korean Police Action Armistice on July 27, 1953, brings the participants to center stage as each adventure and predestined love story reaches their own individual climax.
Healing with Gemstones is a compiled manual that shows you what gemstones can be used to assist in healing. God said that he has "given us everything we need to heal ourselves." The gemstones are not to replace medicine but to assist with the healing process. Every chemical that is on this planet is in our bodies, and when we start having problems (pains, etc.), it is usually because, as we age, our bodies start losing some of these chemicals. Wearing the gemstones puts the needed chemicals back in our bodies gently. I have made over 450 pieces of healing jewelry to date and have had only 7 that had a negative reaction to a gemstone. I exchanged it with another gemstone, and it worked well. There are four sections in the book. Section 1 is on the ailments and the gemstones that may help Section 2 is the gemstones, their countries of origin, and their properties Section 3 is on the chakras and shaman stones Section 4 is healing gemstones for pets. I hope you find this book interesting and helpful.
With Exile, Robert Nichols concludes his innovative utopian tetralogy, Daily lives in Nghsi-Altai. Thus far, we have peered at this imaginary central Asian land through the eyes of exploring Westerners and the inhabitants themselves, learning the ways of both city dwellers and country folk.
The value Limited Entry and Individual quota of the different crab species and fish species represented to the participant in the fisheries in Alaska, including both Processing Permits achieved by the Vedoys, was a motive that triggered malicious acts by accountant, bankers, attorneys and different people who got involved with the Vedoys. This report is also directed towards the Supreme Court of the United States, to make it aware of how some attorneys conduct themselves when representing the law of United States when only attorneys are allowed to submit "facts" to the Judge when companies are involved. Attorneys with no concern for justice, conspire to fabricate an outcome of a dispute, because they are aware that if their client submits evidence to the Judge, this evidence is not to be taken into account by the Judge anyway.
A story-based guide to the techniques of shamanic healing • Details indigenous medicine tools and soul healing techniques, including diagnosis and energy cleansing with plants, stones, fire, flower essences, and sound • Offers protection and self-defense techniques for confronting negative energies such as spirit attachment and possession • Shares healing stories that each address a specific condition, such as panic attacks, PTSD, depression, cancer, chronic pain, grief, and relationship problems Shamanic healing is making an astonishing comeback all over the modern technology-driven and consumerist world. Millions of people have felt called to integrate both ancient and modern healing systems into a new model of healthcare. But what makes shamanic healing so powerful? Why have indigenous healers kept it alive for thousands of years? Revealing his personal journey and stories from his more than 20 years as a shamanic healer, Itzhak Beery explains who a shaman is and how he or she works, demystifying and destigmatizing the shamanic healing worldview. He shares shamanic wisdom from two of his teachers: a Yachak from Ecuador and a well-known Brazilian Pagé. He details indigenous medicine tools and soul healing techniques that you can practice with your own clients or in your own personal healing, including diagnosis and energy cleansing with plants, stones, fire, rum, eggs, flower essences, and sound. He shares protection and self-defense techniques for confronting negative energies, such as spirit attachment and possession. Sharing healing stories that each address a specific condition, such as panic attacks, PTSD, depression, cancer, chronic pain, grief, and relationship problems, Beery explains how a shaman is not responsible for curing everyone and will consult with the patient’s soul to determine its needs, which sometimes includes learning from the illness experience. By sharing these healing methods, Beery reveals the importance of shamanic practices in resolving our 21st-century emotional and physical problems and their importance to the future of humanity and the planet.
Huichol Indian yarn paintings are one of the world's great indigenous arts, sold around the world and advertised as authentic records of dreams and visions of the shamans. Using glowing colored yarns, the Huichol Indians of Mexico paint the mystical symbols of their culture—the hallucinogenic peyote cactus, the blue deer-spirit who appears to the shamans as they croon their songs around the fire in all-night ceremonies deep in the Sierra Madre mountains, and the pilgrimages to sacred sites, high in the central Mexican desert of Wirikuta. Hope MacLean provides the first comprehensive study of Huichol yarn paintings, from their origins as sacred offerings to their transformation into commercial art. Drawing on twenty years of ethnographic fieldwork, she interviews Huichol artists who have innovated important themes and styles. She compares the artists' views with those of art dealers and government officials to show how yarn painters respond to market influences while still keeping their religious beliefs. Most innovative is her exploration of what it means to say a tourist art is based on dreams and visions of the shamans. She explains what visionary experience means in Huichol culture and discusses the influence of the hallucinogenic peyote cactus on the Huichol's remarkable use of color. She uncovers a deep structure of visionary experience, rooted in Huichol concepts of soul-energy, and shows how this remarkable conception may be linked to visionary experiences as described by other Uto-Aztecan and Meso-American cultures.