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It was now almost too dark to distinguish objects; duskier and vaguer became the flat world of marshes, set here and there with cypress and bounded only by far horizons; and at last land and water disappeared behind the gathered curtains of the night. There was no sound from the waste except the wind among the withered reeds and the furrowing splash of wheel and hoof over the submerged causeway. The boy who was driving had scarcely spoken since he strapped Marche's gun cases and valise to the rear of the rickety wagon at the railroad station. Marche, too, remained silent, preoccupied with his own reflections. Wrapped in his fur-lined coat, arms folded, he sat doubled forward, feeling the Southern swamp-chill busy with his bones. Now and then he was obliged to relight his pipe, but the cold bit at his fingers, and he hurried to protect himself again with heavy gloves.
It was now almost too dark to distinguish objects; duskier and vaguer became the flat world of marshes, set here and there with cypress and bounded only by far horizons; and at last land and water disappeared behind the gathered curtains of.
A little bluebird wanted to fly but she thought she had to have her friend the wind to help her. She couldn't find her friend, but in the end she learned to she didn't need the wind to fly.
A complete natural history of one of the best-loved birds in America--illustrated with brilliant color photos from some of the country's top nature photographers. It's all here: where the bluebird lives, what it eats, how it catches its food and communicates with other bluebirds, how it breeds and takes care of its young, and how humans have helped it survive in the wild.
Gary Giddins's Weather Bird is a brilliant companion volume to his landmark in music criticism, Visions of Jazz, winner of the National Book Critics Circle Award in Criticism. More then 140 pieces, written over a 14-year period, are brought together for the first time in this superb collection of essays, reviews, and articles. Weather Bird is a celebration of jazz, with illuminating commentaryon contemporary jazz events, today's top muscicians, the best records of the year, and on leading figures from jazz's past. Readers will find extended pieces on Louis Armstrong, Erroll Garner, Benny Carter, Sonny Rollins, Dave Brubeck, Ornette Coleman, Billie Holiday, Cassandra Wilson, Tony Bennett, and many others. Giddins includes a series of articles on the annual JVC Jazz Festival, which offers a splendid overview of jazz in the 1990s. Other highlights include an astute look at avant-garde music ("Parajazz") and his challenging essay, "How Come Jazz Isn't Dead?" which advances a theory about the way art is born, exploited, celebrated, and sidelined to the museum. A radiant compendium by America's leading music critic, Weather Bird offers an unforgettable look at the modern jazz scene.