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Bloomsbury, Beasts and British Modernist Literature reveals how the Bloomsbury group's fascination with beasts – from pests to pets, tiny insects to big game – became an integral part of their critique of modernity and conceptualisation of more-than-human worlds. Through a series of close readings, it argues that for Leonard Woolf, David Garnett, Virginia Woolf and E. M. Forster, profound shifts in interspecies relations were intimately connected to questions of imperialism, race, gender, sexuality and technology. Whether in their hunting narratives, zoo fictions, canine biographies or (un)entomological aesthetics, these writers repeatedly test the boundaries between, and imagine transformations of, human and nonhuman by insisting that we attend to the material contexts in which they meet. In demonstrating this, the book enrichens our understanding of British modernism while intervening in debates on the cultural significance of animality from the turn of the twentieth century to the Second World War.
Argues that the Bloomsbury group's fascination with beasts was integral to their exploration of imperialism, race, gender, sexuality and technology.
This book explores representations of animals and animality across the span of literary history, from the Middle Ages to the present.
Global Literature and the Environment analyses literatures from across the world that connect readers to the localized impacts of the climate and ecological emergencies. The book contextualizes ecological breakdown within the history of imperialist-capitalism, exploring how literature helps us to imagine and create a habitable and just world for all forms of life. The four chapters are organised according to the elements of the climate system that are at risk. ‘Earth’ examines Caribbean, American, South African, and British literatures that explore how dominant human groups have exploited soils, minerals, metals, and oil in pursuit of economic aims. ‘Water’ engages with poetic representations of, and responses to, extraction, pollution, and global warming in the fresh- and saltwaters of Nigeria and the icescapes of Alaska. ‘Air’ analyses prose and poetry that depicts atmospheric pollution caused by gas flaring in the Niger Delta and the production of pesticides in India. ‘Life’ attends to the ways in which literature contextualizes the drivers of, and proposed solutions to, mass species extinction across North America, Africa, Australasia, and Aotearoa New Zealand. This accessible and engaging book explores novels, plays and poetry by writers including Octavia Butler, C.L.R. James, dg nanouk okpik, Ken Saro-Wiwa, Imbolo Mbue, Indra Sinha, Witi Ihimaera, J.M. Coetzee, and Henrietta Rose-Innes, amongst many others. It introduces readers to the concept of the Anthropocene alongside perspectives that challenge the assumption that the climate crisis is caused by an undifferentiated humanity. In doing so, the book draws on, and combines, a range of theoretical approaches, including postcolonialism, Indigenous studies, ecocriticism, cultural materialism, and animal studies.
Modernism's Inhuman Worlds explores the centrality of ecological precarity, species indeterminacy, planetary change, and the specter of extinction to modernist and contemporary metamodernist literatures. Modernist ecologies, Rasheed Tazudeen argues, emerge in response to the enigma of how to imagine inhuman being—including soils, forests, oceans, and the earth itself—through languages and epistemologies that have only ever been humanist. How might (meta)modernist aesthetics help us to imagine (with) inhuman worlds, including the worlds still to be made on the other side of mass extinction? Through innovative readings of canonical and emergent modernist and metamodernist works, Tazudeen theorizes inhuman modernism as a call toward further receptivity to the worlds, beings, and relations that tend to go unthought within Western humanist epistemologies. Modernist engagements with the figures of enigma, riddle, and metaphor, according to the book's central argument, offer a means toward what Franz Kafka calls an "otherwise" speaking, based on language's obliqueness to inhuman and planetary being. Drawing on ecocriticism, decolonial and feminist science studies, postcolonial theory, inhuman geography, and sound studies, Tazudeen analyzes an inhuman modernist lineage—spanning from Darwin, Carroll, and Flaubert, through Joyce, Kafka, and Woolf, to contemporary poetic works—as both part of a collaborative rethinking of modernism's planetary and inhuman aesthetics, as well as occasions for imagining new modes of livingness for the extinctions to come.
The magical world of J.K. Rowling's Fantastic Beasts meets the real-world experts of the world-famous Natural History Museum, in an awe-inspiring exhibition devoted to the wonders of nature, science and adventure - and their fictional counterparts from Harry Potter and Fantastic Beasts. Fantastic Beasts: The Wonder of Nature is the official book inspired by the spectacular exhibition, shining a light on beasts in all their fantastic forms. Taking inspiration from Newt Scamander, this gorgeous colour gift book invites the whole family to explore the inspiration and links between the magic of J.K. Rowling's creatures and the astonishing real-world wildlife that has roamed the earth, seas and skies of our planet throughout history. Prepare to pore over ancient maps of sea monsters; naturalists' field notes crammed with intricately painted chameleons and caterpillars; and dinosaurs such as the mighty Dracorex Hogwartsia, the 'Dragon King of Hogwarts'. The Natural History Museum boasts one of the finest collections in the world - some 80 million animals, plants, minerals, rocks and fossils. These scientific specimens sit beside breathtaking artwork of J.K. Rowling's magical creatures; fascinating props and artefacts from the Fantastic Beasts and Harry Potter films; and stunning wildlife photography. Readers are invited to meet unicorns and merpeople, Nifflers and Bowtruckles, pythons and tigers, and observe their amazing and endlessly surprising behaviours. Each chapter begins with an original essay by a well-known writer, environmental expert or natural history scientist, offering their own unique insight into the exhibition. Uplifting and absorbing, this is a book that evokes the true magic and majesty of nature in all its myriad forms. Fantastic Beasts: The Wonder of Nature inspires us to protect our precious planet - a must-have for Harry Potter and Fantastic Beasts fans of all ages, budding explorers and readers who aren't able to visit the exhibition in person.
Derek Ryan demonstrates how materiality is theorised in Woolf's writings by focusing on the connections she makes between culture and nature, embodiment and environment, human and nonhuman, life and matter.
This book illuminates the genesis and development of modern war writing in relation to Romanticism, biopolitics and disciplinary theory.
Each chapter of Literary Allusion in Harry Potter consists of an in-depth discussion of the intersection between Potter and a canonical literary work; a discussion which aims to transform the reader’s understanding of Rowling’s literary achievement as well as to encourage wider reading and discovery of writers with who they may not be familiar.
When Elizabeth von Arnim anonymously published her debut Elizabeth and Her German Garden (1898), she became a literary star overnight. The mystery surrounding the identity of this witty aristocratic diarist in her romantic garden kept readers guessing: Who was Elizabeth? A Prussian Princess? The daughter of Queen Victoria? Throughout her long and successful career as one of England’s best satirical novelists, von Arnim never officially revealed her identity. Instead, to her readers and friends she simply became known as “Elizabeth.” From her first book to her capricious autobiography All the Dogs of My Life (1936), throughout her career von Arnim would explore questions of identity and self-representation. And in spite of von Arnim’s love of masquerades and guises, her books include funny and surprisingly personal meditations on the challenges of being a woman writer wrestling with a masculine literary tradition, of taking pride in one’s commercial success while moving in Modernist circles, and of being both a hard-working professional and an elegant hostess. In tracing the conflict between femininity and authorship in von Arnim’s works, this book engages with key literary issues of the time. Von Arnim’s early books offer a witty critique of New Woman fiction. Von Arnim’s self-positioning on the literary market and her relationships with writers like Katherine Mansfield, Henry James, and Virginia Woolf shed light on the relationship between middlebrow and modernist literature. Von Arnim’s complex autobiography, finally, gives a tentative answer to the all-important question: can a writing woman be a lady?