Download Free Bloomington Normal In Vintage Postcards Book in PDF and EPUB Free Download. You can read online Bloomington Normal In Vintage Postcards and write the review.

Bloomington and Normal have grown from small, pioneer settlements into the "Twin Cities" of central Illinois, linked by their proximity and shared history. Surviving and rebuilding after a devastating fire in 1900, the area has continued to grow and prosper. It is home to many businesses, including State Farm, the nation's largest auto and homeowners insurance company. The vintage postcards in this collection feature the delights and difficulties of Bloomington-Normal at the turn-of-the-century. These images capture historic events such as the Street Car Strike of 1917 in which workers took their demands to the streets. The businesses that closed-up shop years ago are opened again through these historic postcards, many of which were originally produced by Bloomington-based postcard publisher C.U. Williams.
Discover the haunting history—and supernatural mysteries—of this Midwestern city and its resident ghosts. Includes photos! From the clamor of bygone parades to the phantom scent of burned rubber on Route 66, ghoulish and supernatural visions flourish in Bloomington-Normal . . . Claimed by a devastating fire in 1859, the spirit of a young girl haunts Kelly’s Bakery. Visitors to Kemp Hall report seeing the specter of a lady in red. Cantankerous pitcher Charles “Old Hoss” Radhourn trolls Evergreen Memorial Cemetery. In this spooky book, Deborah Carr Senger embarks on a tour of Bloomington-Normal’s haunted heritage.
Founded in 1821, Columbus, Indiana, had grown into a thriving manufacturing region by the end of the 19th century. Columbus might have remained a community like most other small towns, but a group of citizens with an extraordinary vision developed a program to bring world-renowned architects to the city. Beginning in the mid-20th century, Columbus was transformed into a center of modern architectureranked sixth in the United States in architectural innovation by the American Institute of Architects (after Chicago, New York, Washington, San Francisco, and Boston). This collection of more than 200 vintage postcards features some of Columbuss earliest important buildings and its later architectural gems.
Collecting paper ephemers is one of the busiest and most popular areas of the antiques and collectables market. Affordable and accessible, its popularity spans many collecting categories. This all-in-one reference provides essential information for dealers, collectors, or anyone interested in paper antiques and collectables.
Dogs are as ubiquitous in American culture as white picket fences and apple pie, embracing all the meanings of wholesome domestic life—family, fidelity, comfort, protection, nurturance, and love—as well as symbolizing some of the less palatable connotations of home and family, including domination, subservience, and violence. In Picturing Dogs, Seeing Ourselves, Ann-Janine Morey presents a collection of antique photographs of dogs and their owners in order to investigate the meanings associated with the canine body. Included are reproductions of 115 postcards, cabinet cards, and cartes de visite that feature dogs in family and childhood snapshots, images of hunting, posed studio portraits, and many other settings between 1860 and 1950. These photographs offer poignant testimony to the American romance with dogs and show how the dog has become part of cultural expressions of race, class, and gender. Animal studies scholars have long argued that our representation of animals in print and in the visual arts has a profound connection to our lived cultural identity. Other books have documented the depiction of dogs in art and photography, but few have reached beyond the subject’s obvious appeal. Picturing Dogs, Seeing Ourselves draws on animal, visual, and literary studies to present an original and richly contextualized visual history of the relationship between Americans and their dogs. Though the personal stories behind these everyday photographs may be lost to us, their cultural significance is not.