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An instant USA Today bestseller! From fan-favorite Scarlett St. Clair, the bestselling author of the Hades & Persephone series, comes a new fantasy filled with danger, darkness, and insatiable romance. Their union is his revenge. Isolde de Lara considers her wedding day to be her death day. To end a years-long war, she is to marry vampire king Adrian Aleksandr Vasiliev, and kill him. But her assassination attempt is thwarted, and Adrian threatens that if Isolde tries to kill him again, he will raise her as the undead. Faced with the possibility of becoming the thing she hates most, Isolde seeks other ways to defy him and survive the brutal vampire court. Except it isn't the court she fears most—it's Adrian. Despite their undeniable chemistry, she wonders why the king—fierce, savage, merciless—chose her as consort. The answer will shatter her world. Adrian X Isolde Series King of Battle and Blood Queen of Myth and Monsters
25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
"What a pretty flower to keep locked in a big, rocky tower." Nineteen years ago, I was plucked from the heart of a bloody massacre that spared nobody else. Small. Fragile. An enigma. Now ward to a powerful High Master who knows too much and says too little, I lead a simple life, never straying from the confines of an imaginary line I've drawn around the castle grounds. Stay within. Never leave. Out there, the monsters lurk. Inside, I'm safe...though at a cost far greater than the blood I drip into a goblet daily. Toxic, unreciprocated love for a man who's utterly unavailable. My savior. My protector. My almost executioner. I can't help but be enamored with the arcane man who holds the power to pull my roots from the ground. When voracious beasts spill across the land and threaten to fray the fabric of my tailored existence, the petals of reality will peel back to reveal an ugly truth. But in a castle puddled with secrets, none are greater than the one I've kept from myself. No tower is tall enough to protect me from the horror that tore my life to shreds. To Bleed a Crystal Bloom is a dark Rapunzel reimagining full of immersive imagery and breathtaking angst.
A dapper vampire. A sullen merman. Two heirs to a great conflict--and each needs to claim a beloved to become his kindred's champion. High school senior Ember Goodwin never had a sister, but after her mom's remarriage, she now has two. The eldest is no stranger to her--Ivy is a witty girl in her grade who's almost never spoken to the shy bookworm before--but she's surprised to find the popular girl quite amiable. Their burgeoning friendship is tested, however, when Dean Horne, a pale, besuited charmer, shows interest in them both and plans to reveal his appetite for blood to the one who'll stand by his side. Seventeen-year-old Ivy Sheppard is tired of splitting her time between her dad's and her mom's, particularly when her dad uproots their lives to move them in with his new wife and step-daughter. Used to rolling with her parents' whims, she tries to make the best of it and befriend her nerdy new step-sister. Her hectic life grows more unwieldy when she catches the eye of junior Calder Poole, whom she swears she sees swap well-toned legs for a pair of fins during a dip in a lake. Now she's fending off suitors left and right, all while trying to get to the bottom of the strange happenings in her town. The first book in the Blood, Bloom, & Water series sets family against family and friend against friend as an epic, ancient war comes to a head in a supposedly sleepy suburb.
A traumatized former faery champion. The beguiling former faery prince who manipulated her once before. A chance to correct the past mistakes that haunt her as the battle between blood, bloom, and water fades into memory. Autumn Sheppard could once grow vines from her hands, but if she shared that with anyone, they'd think she was delusional. She's spent the past ten years suppressing the nightmare of her actions during the battle between faeries, vampires, and mermaids, even as her older sister and step-sister moved on with their lives. When Orin, the conniving faery prince, asks for her help, she wants to run, but he's the only one who still has faith that she can make things right. Tasked with finding a fallen angel, Autumn discovers the hottest boy in school is exactly the guy she needs on her side. If only he could see past her geeky, outcast personality-and believe that magic is real. The fifth and final book in the Blood, Bloom, & Water series takes the story ten years into the future, when the former champion of bloom is the only hope for the resurrection of lost friends and foes alike. With the help of a fallen angel, she might succeed-even if her wish comes with fatal consequences.
Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New York - from experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fuguelike and fieldlike densities of late-twentieth-century life. McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirs believers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate. A mirror of manners, the book is also a meditation on the languages, rich, ludicrous, exact, and also American, in which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.