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By investigating the sites of historical battlefields, this book shows that an insight can be developed into the minds of those who fought, and into some of our own expectations about war. It reveals differences in landscape type between battlefields from the tenth to nineteenth century in Britain, Belgium, France, Spain and Portugal.
By investigating the sites of historical battlefields, this book shows that an insight can be developed into the minds of those who fought, and into some of our own expectations about war. It reveals differences in landscape type between battlefields from the tenth to nineteenth century in Britain, Belgium, France, Spain and Portugal.
The massacre at Mountain Meadows on September 11, 1857, was the single most violent attack on a wagon train in the thirty-year history of the Oregon and California trails. Yet it has been all but forgotten. Will Bagley’s Blood of the Prophets is an award-winning, riveting account of the attack on the Baker-Fancher wagon train by Mormons in the local militia and a few Paiute Indians. Based on extensive investigation of the events surrounding the murder of over 120 men, women, and children, and drawing from a wealth of primary sources, Bagley explains how the murders occurred, reveals the involvement of territorial governor Brigham Young, and explores the subsequent suppression and distortion of events related to the massacre by the Mormon Church and others.
Digging, recording, and writing are the three main processes that archaeologists undertake to analyze a site, yet the relationships between these processes is rarely considered critically. Reconsidering Archaeological Fieldwork asserts that each of these processes involves at least a bit of subjective interpretation. As a group of archaeologists work together to reconstruct an objective view of the past, at a particular time, at a particular site, their field methods and subjective interpretations affect the final analysis. This volume explores the important nature of the relationship between fieldwork, analysis, and interpretation. Containing contributions from a diverse group of archaeologists, both academic and professional, from Europe and the Americas, it critically analyzes accepted practices in field archaeology, and provide thoughtful and innovative analysis of these procedures. By combining the experiences of both academic and professional archaeologists, Reconsidering Archaeological Fieldwork highlights key differences and key similarities in their concerns, theories, and techniques. This volume will incite discussion on fundamental questions for all archaeologists, both old and new to the field.
The development of key methodologies for the study of battlefields in the USA in the 1980s inspired a generation of British and European archaeologists to turn their attention to sites in their own countries. The end of the Cold War and key anniversaries of the World Wars inspired others, especially in the UK, to examine the material legacy of those conflicts before they disappeared. By 2000 the study of war was again firmly on the archaeological agenda. The overall purpose of the book is to encourage proponents and practitioners of Conflict Archaeology to consider what it is for and how to develop it in the future.The central argument is that, at present , Conflict Archaeology is effectively divided into closed communities who do not interact to any large extent. These separate communities are divided by period and by nationality, so that a truly international Conflict Archaeology has yet to emerge. These divisions prevent the exchange of information and ideas across boundaries and thereby limit the scope of the field. This book discusses these issues in detail, clearly outlining how they affect the development of Conflict Archaeology as a coherent branch of archaeology.
There have been many studies of the Scandinavians in Britain, but this is the first collection of essays to be devoted solely to their engagement with Wessex. New work on the early Middle Ages, not least the excavations of mass graves associated with the Viking Age in Dorset and Oxford, drew attention to the gaps in our understanding of the wider impact of Scandinavians in areas of Britain not traditionally associated with them. Here, a multidisciplinary and interdisciplinary approach to the problems of their study is presented. While there may not have been the same degree of impact, discernible particularly in place-names and archaeology, as in those areas of Britain which had substantial influxes of Scandinavian settlers, Wessex was a major theater of the Viking wars in the reigns of Alfred and Æthelred Unræd. Two major topics, the Viking wars and the Danish landowning elite, figure strongly in this collection but are shown not to be the sole reasons for the presence of Danes, or items associated with them, in Wessex. Multidisciplinary approaches evoke Vikings and Danes not just through the written record, but through their impact on real and imaginary landscapes and via the objects they owned or produced. The papers raise wider questions too, such as when did aggressive Vikings morph into more acceptable Danes, and what issues of identity were there for natives and incomers in a province whose founders were believed to have also come from North Sea areas, if not from parts of Denmark itself? Readers can continue for themselves aspects of these broader debates that will be stimulated by this fascinating and significant series of studies by both established scholars and new researchers.
What is — or makes a place — a 'historic battlefield'? From one perspective the answer is simple — it is a place where large numbers of people came together in an organised manner to fight one another at some point in the past. Yet from another perspective it is far more difficult to say. Why any such location is a place of battle rather than any other kind of event, and why it is especially historic, is hard to identify. This book sets out an answer to the question of what a historic battlefield is in the modern imagination, drawing upon examples from prehistory to the 20th century. Treating battles as events in the past and battlefields as places in the present, this book exposes the complexity of the concept of a historic battlefield and how it forms part of a Western understanding of the world. Taking its lead from new developments in battlefield study, especially archaeological approaches, it establishes a means by which these new approaches can contribute to a more radical thinking about war and conflict, especially to Critical Military and Critical Security studies. The book goes beyond the study of battles as separate and unique events to consider what they mean to us and why we need them to have particular characteristics. It will be of interest to archaeologists, historians, and students of modern war in all its forms.
The Archaeology of Violence is an interdisciplinary consideration of the role of violence in social-cultural and sociopolitical contexts. The volume draws on the work of archaeologists, anthropologists, classicists, and art historians, all of whom have an interest in understanding the role of violence in their respective specialist fields in the Mediterranean and Europe. The focus is on three themes: contexts of violence, politics and identities of violence, and sanctified violence. In contrast to many past studies of violence, often defined by their subject specialism, or by a specific temporal or geographic focus, this book draws on a wide range of both temporal and spatial examples and offers new perspectives on the study of violence and its role in social and political change. Rather than simply equating violence with warfare, as has been done in many archaeological cases, the volume contends that the focus on warfare has been to the detriment of our understanding of other forms of "non-warfare" violence and has the potential to affect the ways in which violence is recognized and discussed by scholars, and ultimately has repercussions for understanding its role in society.
Matériel culture encompasses the material remains of conflict, from buildings and monuments to artefacts and militia, as well as human remains. This collection of essays, from an international range of contributors, illustrates the diversity in this material record, highlights the difficulties and challenges in preserving, presenting and interpreting it, and above all demonstrates the significant role matériel culture can play in contemporary society. Among the many studies are: * the 'culture of shells' * the archaeology of nuclear testing grounds * Cambodia's 'killing fields' * the Berlin Wall * and the biography of a medal *the reappearance of Argentina's 'disappeared' *World War II concentration camps.
Military manuals have been used as a source through a range of historical studies, but only recently has their potential to Conflict Archaeology truly been recognized. Military manuals allowed the progression of the Military Revolution from the informed amateur towards the scientific, mathematical choreography for massed troops at the height of the Military Revolution, and their use as a viable historical resource often taken at face value - negating their worth. Using correlated GIS, landscape archaeology, metal detecting, military knowledge and experimental archaeology, we might understand more fully the limitations and strengths drill books provide us. Like a dance, military theory provides a certain number of ways individuals may progress through a landscape. Using examples taken from recent investigations at sites such as Edgehill, Lutzen and Lostwithiel, this paper shall examine to what extent individual drill can be identified in the archaeological record. This publication hopes to prove to what level and extent this can be applied to predictive modeling of artifact collections on battlefields - thus providing depth to the archaeological study of fields of conflict. Like investigations on the Little Bighorn battlefield, through use of wear analysis of the material remains of conflict, we can effectively tell the nuances of individual drill, practice and movement of people across a landscape; their drill actively mirroring subtleties in our understanding of interpretation. Taking the works of such writers and artists as Bariffe, de Gheyn and Ward, the author attempts to actively break down how individual and group drill will leave material remains and the archaeological means these might be taken down, but equally, this work also attempts to investigate and breach the subject of whether such manuals can also be used to dictate the survivability of 17th century fortifications - often within urban landscapes devoid of their civil war origins, as can be seen at Alton and Basing House. Theoretical in its nature and utilizing and combining elements of research not previously collaborated, The Arte Militaire is unique in not merely showing how military manuals were used, but rather how they can still be seen within the historical landscape.