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An absorbing analysis of a 1936 case that exonerated three black sharecroppers tortured into confessing a murder they did not commit
Donna Pierce might hear voices, but that doesn't mean she's crazy. Probably. The voices do serve their purpose, though—whenever Donna hears them, she knows she's in danger. So when they start yelling at the top of their proverbial lungs, it's no surprise she and her best friend, Deke, end up narrowly escaping a zombie horde. Alone without their families, they take refuge at their high school with the super-helpful nerds, the bossy head cheerleader, and—best of all?—Liam, hottie extraordinaire and Donna's long-time crush. When Liam is around, it's easy to forget about the moaning zombies, her dad's plight to reach them, and how weird Deke is suddenly acting toward her. But as the teens' numbers dwindle and their escape plans fall apart, Donna has to listen to the secrets those voices in her head have been hiding. It seems not all the zombies are shuffling idiots, and the half-undead aren't really down with kids like Donna...
Traces the recent history of the Ku Klux Klan, looks at the viewpoints of individual men and women active in the Klan, and describes the reasons for the Klan's decline
On June 21, 1964, three young civil rights workers—James Chaney, Andrew Goodman, and Michael Schwerner—were murdered near Philadelphia, Mississippi. Florence Mars, a native of Philadelphia, recounts the grim circumstances of the killings and describes what happened to a community confronted by a challenge to long-held beliefs.
“The work of a young writer with tremendous ambition, a bildungsroman of religion and revolution set during an obscure chapter of American history.” —The Washington Post A powerful and impressive debut novel from the winner of the Tennessee Williams/New Orleans Literary Festival Prize for fiction—first in the Woolsack family saga that continues with Secessia and The New Inheritors. The Blood of Heaven is the story of Angel Woolsack, a preacher’s son, who flees the hardscrabble life of his itinerant father, falls in with a charismatic highwayman, then settles with his adopted brothers on the rough frontier of West Florida, where American settlers are carving their place out of lands held by the Spaniards and the French. The novel moves from the bordellos of Natchez, where Angel meets his love Red Kate to the Mississippi River plantations, where the brutal system of slave labor is creating fantastic wealth along with terrible suffering, and finally to the back rooms of New Orleans among schemers, dreamers, and would-be revolutionaries plotting to break away from the young United States and create a new country under the leadership of the renegade founding father Aaron Burr. The Blood of Heaven is a remarkable portrait of a young man seizing his place in a violent new world, a moving love story, and a vivid tale of ambition and political machinations that brilliantly captures the energy and wildness of a young America where anything was possible. It is a startling debut. “Wascom is a craftsman, and each of his lengthy, winding sentences shimmers with the tang of blood and bone and sweat, and the archaic splendor of his language.” —The Boston Globe
Autobiographical accounts of former slaves compiled in the 1930s by the Federal Writers Project of the Works Progress Administration.
The internationally acclaimed author of the L.A. Quartet and The Underworld USA Trilogy, James Ellroy, presents another literary noir masterpiece of historical paranoia. We are behind, and below, the scenes of JFK's presidential election, the Bay of Pigs, the assassination--in the underworld that connects Miami, Los Angeles, Chicago, D.C. . . . Where the CIA, the Mob, J. Edgar Hoover, Howard Hughes, Jimmy Hoffa, Cuban political exiles, and various loose cannons conspire in a covert anarchy . . . Where the right drugs, the right amount of cash, the right murder, buys a moment of a man's loyalty . . . Where three renegade law-enforcement officers--a former L.A. cop and two FBI agents--are shaping events with the virulence of their greed and hatred, riding full-blast shotgun into history. . . . James Ellroy's trademark nothing-spared rendering of reality, blistering language, and relentless narrative pace are here in electrifying abundance, put to work in a novel as shocking and daring as anything he's written: a secret history that zeroes in on a time still shrouded in secrets and blows it wide open.