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Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called “low” culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly “high” modernists and avant-gardists looked at and represented the “low”. As such, this book will appeal to all those with an interest in the dynamic of modern experimental arts and literatures.
An unprecedented portrait of the civil rights movement and the fight against white supremacy, told through voices that resonate with passion and strength—including Maya Angelou, James Baldwin, Ralph Ellison, Alice Walker, Richard Wright, and John Lewis “Jon Meacham . . . has done about the best job of anthologizing the movement that I’ve ever seen.”—Tom Wicker, Mother Jones Editor and Pulitzer Prize–winning author Jon Meacham has chosen pieces by journalists, novelists, historians, and artists, bringing together a wide range of perspectives and experiences. The result is a literary anthology of important and artful interpretations of the movement’s spirit and struggle. Maya Angelou takes us on a poignant journey back to her childhood in the Arkansas of the 1930s. On the front page of The New York Times, James Reston marks the movement’s apex as he describes what it was like to watch Martin Luther King, Jr., deliver his heralded “I Have a Dream” speech in real time. Alice Walker takes up the movement’s progress a decade later in her article “Choosing to Stay at Home: Ten Years After the March on Washington.” And John Lewis chronicles the unimaginable courage of the ordinary African Americans who challenged the prevailing order, paid for it in blood and tears, and justly triumphed. Voices in Our Blood is a compelling look at the movement as it actually happened, from the days leading up to World War II to the anxieties and ambiguities of this new century. The story of race in America is a never-ending one, and Voices in Our Blood tells us how we got this far—and how far we still have to go to reach the Promised Land. This powerful anthology contains works from: Maya Angelou • Russell Baker • James Baldwin • Taylor Branch • Hodding Carter • Ellis Cose • Stanley Crouch • Ralph Ellison • William Faulkner • Marshall Frady • Henry Louis Gates, Jr. • Peter Goldman • David Halberstam • Alex Haley • Elizabeth Hardwick • Charlayne Hunter-Gault • Murray Kempton • John Lewis • Louis E. Lomax • Benjamin E. Mays • Willie Morris • Flannery O’Connor • Walker Percy • Howell Raines • James Reston • Carl T. Rowan • John Steinbeck • William Styron • Calvin Trillin • Alice Walker • Robert Penn Warren • Pat Watters • Bernard Weinraub • Eudora Welty • Rebecca West • E. B. White • Gary Wills • Tom Wolfe • Richard Wright
The Terror of 1793-94, the Paris Commune of 1871, the Dreyfus Affair—explosions of violence punctuated French history from the start of the Revolution until the Liberation at the close of World War II. The distinguished scholar Richard D. E. Burton here offers a stunningly original account of these outbursts, concluding that recourse to political violence was not occasional and abnormal, but rather the usual pattern, in French history. Instead of adhering to conventional chronological lines, Blood in the City is structured topologically around a number of major Parisian "sites of memory," including Place de la Concorde, Sacré Coeur, and the Eiffel Tower. For thirty years Burton has visited and revisited Paris, criss-crossing the streets on foot, and lived with great nineteenth- and twentieth-century literary depictions of the city. Drawing on historical, literary, visual, anthropological, and psychological sources, he develops a wide-ranging account of violence in modern French politics. In so doing, he provides powerful insights into political violence, scapegoating, the idea of sacrifice, and the widespread French obsession with conspiracy. Burton demonstrates that time and again the same basic scenario has been acted out on the streets of Paris: one or more people would be singled out from the community and imprisoned, exiled, or, more often, subjected to violence by the crowd or the state. In particular, he explores how Catholicism—in its extreme, ultrareactionary form—shaped the worldviews of Parisians and how the killing of a sacrificial victim came to be seen as a reenactment of the crucifixion of Christ.
Winner of the Howard R. Marraro Prize for Italian History from the American Historical Association Nobles were slaughtered and their castles looted or destroyed, bodies were dismembered and corpses fed to animals—the Udine carnival massacre of 1511 was the most extensive and damaging popular revolt in Renaissance Italy (and the basis for the story of Romeo and Juliet). Mad Blood Stirring is a gripping account and analysis of this event, as well as the social structures and historical conflicts preceding it and the subtle shifts in the mentality of revenge it introduced. This new reader's edition offers students and general readers an abridged version of this classic work which shifts the focus from specialized scholarly analysis to the book's main theme: the role of vendetta in city and family politics. Uncovering the many connections between the carnival motifs, hunting practices, and vendetta rituals, Muir finds that the Udine massacre occurred because, at that point in Renaissance history, violent revenge and allegiance to factions provided the best alternative to failed political institutions. But the carnival massacre also marked a crossroads: the old mentality of vendetta was soon supplanted by the emerging sense that the direct expression of anger should be suppressed—to be replaced by duels.
Munich at the start of June 1914 exuded taste and refinement, and was renowned for its history and heritage. But behind this facade, thousands of its people suffered poor working conditions and poverty. The city was on the brink of despair by January 1919, its economy left in tatters following Germany's defeat in the First World War and in the wake of the country's subsequent revolution. The polymath Max Weber described the situation as a 'bloody carnival' and, for Munich, the worst was yet to come. It would soon witness assassination, murder, class warfare and a brutal counter-revolutionary clampdown at the hands of the dreaded Freikorps. This introductory book explores what happened and why, and considers events within their wider context. It also comes with numerous photos, including several rare images.
A satirical novel about one man's attempt to maintain sanity and sense of humour in the face of mounting odds.
Slavoj Žižek is one of today's leading theorists, whose polemical works span topics from German idealism to Lacanian psychoanalysis, from Shakespeare to Beckett, and from Hitchcock to Lynch. Critical through and through of both post-modern ideological complacencies-e.g., the death of the subject and the return to ethics-and pre-modern ones-e.g., the re-enchantment of the world, the embrace of postcritique-Žižek doubles down on the virtues of the modern, on what it means to be modern, and to ask modern questions (about the subject, nature, and political economy) in the age of the Anthropocene. This volume takes up the challenges laid out by Žižek's iconoclastic thinking and its reverberations in an array of fields: philosophy, psychoanalysis, political theory, literary studies, and film studies, among others. Žižek's multi-disciplinary appeal attests to the provocation, if not scandal, of his politically incorrect thought. Understanding Žižek, Understanding Modernism makes the force and inventiveness of Žižek's writings accessible to a wide range of students and scholars invested in the open question of modernism and its legacies.
This volume combines elements of human geography, historical demography, economic history and folk culture in a depiction of a great agrarian cycle, lasting from the Renaissance to the Enlightenment. It describes the conflicts and contradictions of a traditional peasant society in whic the rise in population was not matched by increases in wealth and food production.
A World History of Tax Rebellions is an exhaustive reference source for over 4,300 years of riots, rebellions, protests, and war triggered by abusive taxation and tax collecting systems around the world. Each of the chronologically arranged entries focuses on a specific historical event, analyzing its roots, and socio-economic context.