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In the final days of World War II in Europe, Georgians serving in the Wehrmacht on Texel island off the Dutch coast rose up and slaughtered their German masters. Hitler ordered the island to be retaken and fighting continued for weeks, well after the war's end. The uprising had it origins in the bloody history of Georgia in the twentieth century, a history that saw the country move from German occupation, to three short years of independence, to Soviet rule after it was conquered by the Red Army in 1921. A bloody rebellion against the Soviets took place in 1924, but it remained under Russian Soviet rule. Thousands of Georgians served in the Soviet forces during World War II and among those who were captured, given the choice of “starve or fight”, some took up the German offer to don Wehrmacht uniforms. The loyalty of the Georgians was always in doubt, as Hitler himself suspected, and once deployed to the Netherlands, the Georgian soldiers made contact with the local Communist resistance. When the opportunity arose, the Georgians took the decision to rise up and slaughter the Germans, seizing control of the island. In just a few hours, they massacred some 400 German officers using knives and bayonets to avoid raising the alarm. An enraged Hitler learned about the mutiny and ordered the Germans to fight back, showing no mercy to either the Georgians or the Dutch civilians who hid them. It was not until 20 May, 12 days after the war had ended, that Canadian forces landed on the island and finally put an end to the slaughter. Eric Lee explores this fascinating but little known last battle of the Second World War: its origins, the incredible details of the battle and its ongoing legacy.
Originally published in 1961, author Carl Berger has “attempted to encompass the story of propaganda and subversion in the American Revolutionary War. The archives and literature of the Revolution contain many intriguing references to “secret arts and machinations,” some relating to incidents familiar to us, others touching on events long forgotten. This book for the first time brings them together in a single narrative, examining their role and importance.”
"In this military history, Gaff documents the British and French influence, the famed battle at Fallen Timbers, and the Treaty of Greeneville, which ended hostilities in the region. His account brings to light alliances between Indian forces and the British military, demonstrating that British troops still conducted operations on American soil long after the supposed end of the American Revolution."--BOOK JACKET.
The bayonet is an essential item of a soldier's kit even on today's modern hi-tech battlefield. This work examines the origins of this humble weapon and the 'cult of the bayonet' as espoused by the Russian General Alexander Suvorov who asserted that The bullet misses, the bayonet does not. The first bayonets appeared in France in the early 17th century and soon they were being used by every army in Europe. The author examines the spread of this simple weapon and how it led to fundamental changes being made in battlefield tactics. Over 300 years later, in the age of hi-tech warfare and weapons of mass destruction, the bayonet is still in service with armies around the world. British and US forces in Afghanistan regularly have their bayonets fixed. Fix Bayonets illustrates how tactics changed and the design of the weapon, although fundamentally the same, has evolved over the centuries.Much myth and legend surrounds the subject of bayonet charges and the weapon has become an icon of defiance and the determination to do whatever it takes to win. The author examines evidence for the reality of such actions. How did the ordinary soldier feel to be told 'fix bayonets'? John Norris draws on personal accounts of soldiers using bayonets in combat from the Napoleonic and Crimean Wars, various Colonial campaigns, through the World Wars, Falklands War and into the 21st century in Afghanistan. In so doing he explains the seemingly anachronistic survival of this simple weapon on the modern battlefield.
As the country hurdles toward Civil War, David Carter finds employment as an artist for a New York illustrated paper -- and becomes the lover of a fellow newsman. Stricken with guilt for the "sin" of loving another man, David volunteers as a war correspondent covering Grant's 1864 drive toward Richmond. Faced with the horrors of bloody Civil War battles, David is forced into a final confrontation with his own nature.
In this, his fifth collection, a retired Justice of the Ontario Court again offers his wise and often wry insights, tinged by frailty and tolerance.