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With dashing originality and in prose that sings like an entire choir of sirens, Cynthia Ozick relates the life and times of her most compelling fictional creation. Ruth Puttermesser lives in New York City. Her learning is monumental. Her love life is minimal (she prefers pouring through Plato to romping with married Morris Rappoport). And her fantasies have a disconcerting tendency to come true - with disastrous consequences for what we laughably call "reality." Puttermesser yearns for a daughter and promptly creates one, unassisted, in the form of the first recorded female golem. Laboring in the dusty crevices of the civil service, she dreams of reforming the city - and manages to get herself elected mayor. Puttermesser contemplates the afterlife and is hurtled into it headlong, only to discover that a paradise found is also paradise lost. Overflowing with ideas, lambent with wit, The Puttermesser Papers is a tour de force by one of our most visionary novelists. "The finest achievement of Ozick's career... It has all the buoyant integrity of a Chagall painting." -San Francisco Chronicle "Fanciful, poignant... so intelligent, so finely expressed that, like its main character, it remains endearing, edifying, a spark of light in the gloom." -The New York Times "A crazy delight." -The New York Time Book Review
'Sparky, mischievous, witty, dazzlingly clever' Ali Smith 'A cause for celebration. Here we have a heroine to love, a story we can't let go of' Ann Patchett It had always been my habit-- privately I felt it to be an ecstasy-- to enter, as into a mysterious vault, any public library. 1930s New York is filling with Europe's ousted dreamers, turned overnight into refugees. Rose Meadows, book-loving and orphaned at eighteen, takes a job as assistant to the eccentric Professor Mitwisser. Cast out from Berlin's elite, the Mitwisser family's household is chaotic and Rosie's fate there hangs on the arrival of the Mitwissers' mysterious benefactor, James A'Bair. Inspired by the real Christopher Robin, James is the Bear Boy, the son of a famous children's author. Running from his own fame, James was boy adored by the world but has grown into a bitter man. It falls to Rosie to help them all resist James's reckless orbit.
“Told with a true storyteller’s voice: clear, singing, persuasive, and wonderfully moving . . . a truly wonderful book.”—Jane Yolen From #1 New York Times bestselling author George R. R. Martin and acclaimed author Lisa Tuttle comes a timeless tale that brilliantly renders the struggle between the ironbound world of tradition and a rebellious soul seeking to prove the power of a dream. Among the scattered islands that make up the water world of Windhaven, no one holds more prestige than the silver-winged flyers, romantic figures who cross treacherous oceans, braving shifting winds and sudden storms, to bring news, gossip, songs, and stories to a waiting populace. Maris of Amberly, a fisherman’s daughter, wants nothing more than to soar on the currents high above Windhaven. So she challenges tradition, demanding that flyers be chosen by merit rather than inheritance. But even after winning that bitter battle, Maris finds that her troubles are only beginning. Now a revolution threatens to destroy the world she fought so hard to join—and force her to make the ultimate sacrifice. “Martin and Tuttle make wonderful professional music together . . . shifting easily from moments of almost unbearable tension to others of sheer poetry and exhilaration.”—Fort Worth Star-Telegram “A powerful flight of the imagination . . . an entirely enjoyable reading experience, wrought by a pair of writers noted for excellence.”—Roger Zelazny “It’s romance. It’s science fiction. It’s beautiful.”—A. E. van Vogt “I didn’t mean to stay up all night to finish Windhaven, but I had to!”—Anne McCaffrey
A collection of readings relevant to the development of an intercultural psychology which takes into account the different circumstances, needs, values, constructions of reality, and worldviews and belief systems that significantly shape the experience and behavior of cultural groups. The 34 papers and introductory essay are arranged in four parts: the politics of difference; development, adaption, and the acquisition of culture; self and other in cultural context; and diagnostic assessment, treatment, and cultural bias. Annotation copyright by Book News, Inc., Portland, OR
The first book in the New York Times bestselling epic fantasy trilogy by award-winning author Laini Taylor Around the world, black handprints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky. In a dark and dusty shop, a devil's supply of human teeth grown dangerously low. And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherworldly war. Meet Karou. She fills her sketchbooks with monsters that may or may not be real; she's prone to disappearing on mysterious "errands"; she speaks many languages--not all of them human; and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she's about to find out. When one of the strangers--beautiful, haunted Akiva--fixes his fire-colored eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?
Discussing Jewish themes in Ozick's writings, examines the literary evocation of the Holocaust in the novels "Trust" (1966), "The Messiah of Stockholm" (1987), and in the story "The Shawl" (1989).
Every Serial Killer Knows. . . The vicious burns scarring the victims' flesh reveal the agony of their last moments. Each woman was branded with a star, then stabbed through the heart. With every death, a vengeful killer finds a brief, blissful moment of calm. But soon it's time for the bloodshed to start again. . . The Perfect Time. . . Ten years ago, Eva Rayburn and her sorority sisters were celebrating the end of the school year. That party turned into a nightmare Eva can't forget. Now she's trying to start over in her Virginia hometown, but a new nightmare has begun. Every victim is linked to her. And Detective Deacon Garrison isn't sure whether this mysterious woman needs investigating--or protecting. . . To Make His Mark Only Eva's death will bring peace. Only her tortured screams will silence the rage that has been building for ten long years. Because what started that night at the sorority can never be stopped--not until the last victim has been marked for death. . . Praise for the novels of Mary Burton "A twisted tale. . .I couldn't put it down!" --Lisa Jackson on Dying Scream "Taut, compelling. . .delivers a page-turner." --Carla Neggers on I'm Watching You "A chilling thriller." --Beverly Barton on Dead Ringer "Mary Burton's latest romantic suspense has it all--terrific plot, complex and engaging protagonists, a twisted villain, and enough crime scene detail to satisfy the most savvy suspense reader."--Erica Spindler, New York Times bestselling author of Blood Vines
When an imperial family is found butchered, Officers of God are called to investigate. Evidence points to a rebel group trying to stab fear into the very heart of the empire. Inspector Khlid begins a harrowing hunt for those responsible, but when a larger conspiracy comes to light, she struggles to trust even the officers around her.
From one of our most preeminent writers, a tale that captures the shifting meanings of the past and how our experience colors those meanings In Antiquities, Lloyd Wilkinson Petrie, one of the seven elderly trustees of the now-defunct (for thirty-four years) Temple Academy for Boys, is preparing a memoir of his days at the school, intertwined with the troubling distractions of present events. As he navigates, with faltering recall, between the subtle anti-Semitism that pervaded the school's ethos and his fascination with his own family's heritage--in particular, his illustrious cousin, the renowned archaeologist Sir William Matthew Flinders Petrie--he reconstructs the passions of a childhood encounter with the oddly named Ben-Zion Elefantin, a mystifying older pupil who claims descent from Egypt's Elephantine Island. From this seed emerges one of Cynthia Ozick's most wondrous tales, touched by unsettling irony and the elusive flavor of a Kafka parable, and weaving, in her own distinctive voice, myth and mania, history and illusion.