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Fleeing the flashy, high dollar world of Kentucky horse racing for New York City,Harper had been content living the life of a successful painter. But escape isn't an option after the accidental death of her sister sends her back to the Bluegrass, a horse racing world filled with drugs and corruption. As the body count rises at Eden Hill, Harper becomes convinced her sister's death was no accident. She discovers Paris' death is tied to a deadly secret that's killing her racehorses. Finding the reason behind her sister's death and saving her family's stud farm will take every ounce of Harper's wit and courage. The culprit could be anyone: Is it JD, her childhood sweetheart; Marshall, their long- time trainer; or is it their nasty neighbor Red Cole, in partnership with her family for generations? Someone is on a killing spree, and though Harper doesn't know why,
The son of veteran sportwriter Mike Sullivan describes his two years following horses across the country.
The twentieth anniversary paperback edition, updated with a new preface Winner of the International Bluegrass Music Association Distinguished Achievement Award and of the Country Music People Critics' Choice Award for Favorite Country Book of the Year Beginning with the musical cultures of the American South in the 1920s and 1930s, Bluegrass: A History traces the genre through its pivotal developments during the era of Bill Monroe and his Blue Grass Boys in the forties. It describes early bluegrass's role in postwar country music, its trials following the appearance of rock and roll, its embracing by the folk music revival, and the invention of bluegrass festivals in the mid_sixties. Neil V. Rosenberg details the transformation of this genre into a self-sustaining musical industry in the seventies and eighties is detailed and, in a supplementary preface written especially for this new edition, he surveys developments in the bluegrass world during the last twenty years. Featuring an amazingly extensive bibliography, discography, notes, and index, this book is one of the most complete and thoroughly researched books on bluegrass ever written.
Kentucky Bluegrass Country by R. Gerald Alvey Horse breeding, the cultures of tobacco and bourbon, the forms of architecture, the codes of the hunt, the traditions of gambling and dueling, convivial celebrations, regional foodways-all of these are ingredients in the folklife of the Inner Bluegrass Region that is the focus of this fascinating book. R. Gerald Alvey (retired) was a professor of folklore and English at the University of Kentucky.
Genealogist and mother of three Torie O'Shea is out birding on the cliffs of the Mississippi River as part of New Kassell, Missouri's first ever bird-watching Olympics, when someone starts shooting at her and her partner. Disoriented and running for their lives, they stumble over an antique trunk and discover a badly beaten dead body stuffed inside. Soon after this disturbing event, musicologist Glen Morgan shows up at the Kendall House, Torie's new textile museum, claiming to be Torie's cousin and to have proof that Torie's grandfather secretly may have written a number of popular songs for the Morgan Family Players, who were famous country music singers. Being a genealogist and the head of the local historical society, Torie doesn't appreciate anyone shaking up a family tree that she has spent years putting together, but Glen's old recordings are more than she can resist. After a little digging in the library and some serious snooping into the shooting, Torie starts to uncover secrets about her family and the town that even she didn't know. Rett MacPherson's intricate plots and delightful small-town characters with long family histories hit all of the right notes in The Blood Ballad, the newest installment in her terrific Torie O'Shea series.
The Instant New York Times Besteller National Bestseller "[The] authors’ finest work to date." —Wall Street Journal The explosive true saga of the legendary figure Daniel Boone and the bloody struggle for America's frontier by two bestselling authors at the height of their writing power—Bob Drury and Tom Clavin. It is the mid-eighteenth century, and in the thirteen colonies founded by Great Britain, anxious colonists desperate to conquer and settle North America’s “First Frontier” beyond the Appalachian Mountains commence a series of bloody battles. These violent conflicts are waged against the Native American tribes whose lands they covet, the French, and the mother country itself in an American Revolution destined to reverberate around the world. This is the setting of Blood and Treasure, and the guide to this epic narrative is America’s first and arguably greatest pathfinder, Daniel Boone—not the coonskin cap-wearing caricature of popular culture but the flesh-and-blood frontiersman and Revolutionary War hero whose explorations into the forested frontier beyond the great mountains would become the stuff of legend. Now, thanks to painstaking research by two award-winning authors, the story of the brutal birth of the United States is told through the eyes of both the ordinary and larger-than-life men and women who witnessed it. This fast-paced and fiery narrative, fueled by contemporary diaries and journals, newspaper reports, and eyewitness accounts, is a stirring chronicle of the conflict over America’s “First Frontier” that places the reader at the center of this remarkable epoch and its gripping tales of courage and sacrifice.
To many antebellum Americans, Appalachia was a frightening wilderness of lawlessness, peril, robbers, and hidden dangers. The extensive media coverage of horse stealing and scalping raids profiled the regionÕs residents as intrinsically violent. After the Civil War, this characterization continued to permeate perceptions of the area and news of the conflict between the Hatfields and the McCoys, as well as the bloodshed associated with the coal labor strikes, cemented AppalachiaÕs violent reputation. Blood in the Hills: A History of Violence in Appalachia provides an in-depth historical analysis of hostility in the region from the late eighteenth to the early twentieth century. Editor Bruce E. Stewart discusses aspects of the Appalachian violence culture, examining skirmishes with the native population, conflicts resulting from the regionÕs rapid modernization, and violence as a function of social control. The contributors also address geographical isolation and ethnicity, kinship, gender, class, and race with the purpose of shedding light on an often-stereotyped regional past. Blood in the Hills does not attempt to apologize for the region but uses detailed research and analysis to explain it, delving into the social and political factors that have defined Appalachia throughout its violent history.