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Posing as a merchant's warrior, the Avenging Shadow sneaks into the Northlands to learn what the rogue mages have in store for Amica, but the enemy is waiting for him and seals the mountain pass that is his only path of escape.
Ages ago the continent was invaded by massive armies intent on creating a new home for themselves. The peaceful indigenous peoples fled before the marauding hordes and hid defiantly in the mountain peaks awaiting a signal from god. They learned the arts of magic and warfare as they hid from the intruders, who divided the land amongst themselves and set up a civilization where the many toil and slave for the elite few. The Forgotten Legacy series begins with Young Lord of Khadora as Marak, a young soldier in the service of one of the clans of Khadora, is chosen as a sacrifice for the benefit of his lord. Marak is sent on a fool's mission to defeat one of the small bands of indigenous people known as the Chula, a race of dreaded cat-people. Volume 1 of Forgotten Legacy.
The New York Times–bestseller set in a divided Naples—now a Netflix original series—from the acclaimed author of My Brilliant Friend and The Lost Daughter. A BEST BOOK OF 2020 The Washington Post·O, The Oprah Magazine·TIME Magazine·NPR·People Magazine·The New York Times Critics·The Guardian·Electric Literature·Financial Times·Times UK·Irish Times·New York Post·Kirkus Reviews·Toronto Star·The Globe and Mail·Harper’s Bazaar·Vogue UK·The Arts Desk Giovanna’s pretty face is changing, turning ugly, at least so her father thinks. Giovanna, he says, looks more like her Aunt Vittoria every day. But can it be true? Is she really changing? Is she turning into her Aunt Vittoria, a woman she hardly knows but whom her mother and father clearly despise? Surely there is a mirror somewhere in which she can see herself as she truly is. Giovanna is searching for her reflection in two kindred cities that fear and detest one another: Naples of the heights, which assumes a mask of refinement, and Naples of the depths, a place of excess and vulgarity. She moves from one to the other in search of the truth, but neither city seems to offer answers or escape. “Another spellbinding coming-of-age tale from a master.” —People Magazine, Top 10 Books of 2020 “The literary event of the year.” —Elle “Ms. Ferrante once again, with undiminished skill and audacity, creates an emotional force field that has at its heart a young girl on the brink of womanhood.” —The Wall Street Journal
The international bestseller, now in B-format paperback with a brand new cover.
Over four hundred years ago, Terrus the Liberator ended the Mage Wars by banishing the mage lords to the island of Lantana. The world was at peace, but that era of peace has ended. Alfor and his rogue mages have seized control of the Northlands of Amica and are bringing about the return of the mage lords. As the world rushes to war, the Amican Alliance is faced with an ever-widening front in the north while Alfor tries to bring the mages of Lantana into the war as his allies. If all of the mages unite against Amica, the world is certainly doomed, but there is a single ray of hope standing in the way of that destruction. The Avenging Shadow wields the Sword of Articus, and he plans to take on Alfor and the mages, even if he must do so alone.
As two continents prepare for a world-wide war, a small group of Alceans plot to free the Dielderal elves from the grip of the Federation. The goal is to make the elves simply disappear, but over a thousand elven children are held captive in the four major cities of the Federation, and the Dielderal elves will not flee while their children are endangered. Complicating matters are the 'births' of a new breed of demonkin, the Claws of Alutar. While the K'san demonkin are charged with crushing Alcea, the Claws of Alutar are singular in purpose. Their goal is to assassinate the heroes of the Mage, and their victory would spell far more than defeat for Alcea, as the world would crumble into a decaying ball of misery.
Michel de Certeau considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of commerce, politics, and culture. In exploring the public meaning of ingeniously defended private meanings, de Certeau draws on an immense theoretical literature in analytic philosophy, linguistics, sociology, semiology, and anthropology--to speak of an apposite use of imaginative literature.
She’s too prim Lilah Holcutt dislikes Constantine Moreland from the moment she meets him. He may be handsome, but he’s frivolous, rash, impulsive and, worst of all, a flirt. Now that Con’s twin brother has married Lilah’s best friend, she’s seeing way more of Con than she’d like. And when Con’s sisters are inexplicably kidnapped, Lilah’s own curiosity and stubbornness get the better of her, and she finds herself swept into Con’s investigation. He’s indifferent to propriety Con knows that Lilah hates him—he just wishes she weren’t so devastatingly beautiful, that he weren’t so attracted to her. Especially since they’re working closely together to solve the kidnapping, an adventure that leads them to Lilah’s peculiar childhood home, Barrow House, which sits atop an ancient fen and features an eerie maze on its grounds. They’ll have to join together to conquer a sinister force The more Con and Lilah uncover, the more they’re convinced that the answers lie buried deep within Barrow House—answers to a mystery darker than either of them could ever have realized.