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A collection of articles and photographs about the pop/new wave rock band, Blondie, and its lead singer, Deborah Harry.
From Blondie's earliest days, performing at legendary New York punk venues such as Max's Kansas City and CBGB's, to their ultimate ascension to global superstardom at the end of the 1970s, Roberta Bayley was present to record the dramatic rise of Blondie and the unique phenomenon of Debbie Harry. The images collected in Blondie: Unseen 1976-1980 provide an inimitable evocation of one of the most creative and exciting periods in popular culture.
Blondie -- the most successful band of the punk/new wave movement -- have sold over 40-million records worldwide.The Rock & Roll Hall Of Fame-inductees effortlessly cross genres such as pop, rock, disco, reggae, rap, jazz and dance -- as evidenced by their #1 hit singles Denis, Heart Of Glass, Sunday Girl, Atomic, Call Me, The Tide Is High, Rapture and Maria, and their entries on Billboard's pop, rock, adult contemporary, R&B and dance charts. Fronted by the striking Deborah Harry, Blondie have achieved 26 certified records and a 34-year span of hit albums, with 1978's Parallel Lines remaining one of the best-selling and most critically-acclaimed albums of all-time.
A startling and energetic visual record of the band that spawned power pop at the peak of their success and their sultry-cool lead singer, now in paperback Blondie were the most successful rock act to emerge from New York's seminal and anarchic downtown punk scene of the mid-1970s. Their beautiful, multi-talented lead singer, Debbie Harry, became the most photogenic and photographed rock performer of all time. Mick Rock lived and lensed cutting-edge culture like no other in the 1970s, and their collaboration yielded iconic photos that transcended and transformed the public perception of rock'n'roll imagery. This book explores in depth, both visually and verbally, the unique natural charm and charisma of Debbie's "punk Marilyn Monroe" persona in its prime, and her successful reinvention of that persona for Blondie's glorious comeback of recent years. Mick Rock provides a vivid, memorable account of his larger-than-life adventures behind the camera; revealing, like no other book, just what made Debbie Harry and Blondie so distinctive.
Drawing upon extensive new first hand interview material from Debbie Harry, Chris Stein and many other significant players in the band's long history and a huge archive of personal materials and unpublished interviews, Blondie: Parallel Lines is the definitive eye-witness account of the group's long and often tumultuous existence. Beginning with the band members' childhoods, backgrounds and influences, the book is also an evocative homage to the unique New York scene of the 1970s. It charts the development of Blondie to their massive popular success and eventual break up. It also details how Debbie Harry set her career aside to nurse Chris through a debilitating and life-threatening genetic disease. It recounts the group's 1997 reformation, subsequent renaissance with their No Exit album, the controversies surrounding the 2006 induction to the Rock 'n' Roll Hall of Fame, ending in the present with the release of Panic of Girls. Co-author Kris Needs established a friendship with Harry, Stein and the rest of the band that endures to this day. As a trusted confidante, he now recounts the full story.
Blondie's emergence at New York's CBGB's and other haunts with lead singer and frontwoman Debbie Harry brought an instant glamour to punk and made superstars of the band. Harry, an ex-Playboy bunny, also made rock star wannabes of many fans. In this large-format book, Mick Rock documents the beginnings, the highs, and the lows of the group--with particular emphasis on Harry--in 150 powerful images of Blondie at work and play. Included is a DVD that features an exclusive interview with the photographer and the lead singer. A foreword by Debbie Harry gives an insider perspective on the images and the heady times they portray.
A new collection of unseen photographs of New York City's 1970s punk heyday, by one of the icons of the city's golden age of new wave, Blondie's Chris Stein. A new collection of unseen photographs of New York City's 1970s punk heyday, by one of the icons of the city's golden age of music, Blondie's Chris Stein. For the duration of the 1970s - from his days as a student at the School of Visual Arts through the foundation of the era-defining band Blondie and his subsequent reign as epicenter of punk's golden age - Chris Stein kept an unrivaled photographic record of the downtown New York City scene. Following in the footsteps of the successful book Negative, this spectacular new book presents a more personal and more visceral collection of Stein's photographs of the era. The images presented here take readers from self-portraits in his run-down East-Village apartment to candid photographs of pop-cultural icons of the time and evocative shots of New York City streetscapes in all their most longed-for romance and dereliction. An eclectic cast of cultural characters - from William Burroughs to Debbie Harry, Andy Warhol to Iggy Pop - appear here exactly as they were in the day, juxtaposed with children playing hopscotch on torn-down blocks, riding the graffiti-ridden subway, or cruising the burgeoning clubs of the Bowery. At once a chronicle of one music icon's life among his punk and New-Wave heroes and peers, and a love letter to the city that was the backdrop and inspiration for those scenes, Point of View transports us to another place and time.