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Easy Rawlins, L.A.'s most reluctant detective, comes home one day to find Easter, the daughter of his friend Chrismas Black, left on his doorstep. Easy knows that this could only mean that the ex-marine Black is probably dead, or will be soon. Easter's appearance is only the beginning, as Easy is immersed in a sea of problems. The love of his life is marrying another man and his friend Mouse is wanted for the murder of a father of twelve. As he's searching for a clue to Christmas Black's whereabouts, two suspicious MPs hire him to find his friend Black on behalf of the U.S. Army. Easy's investigation brings him to Faith Laneer, a blonde woman with a dark past. As Easy begins to put the pieces together, he realizes that Black's dissappearance has its roots in Vietnam, and that Faith might be in a world of danger.
Essays by Owen E. Brady, Kelly C. Connelly, Juan F. Elices, Keith Hughes, Derek C. Maus, Jerrilyn McGregory, Laura Quinn, Francesca Canadé Sautman, Daniel Stein, Lisa B. Thompson, Terrence Tucker, and Albert U. Turner, Jr. In Finding a Way Home, thirteen essays by scholars from four countries trace Walter Mosley's distinctive approach to representing African American responses to the feeling of homelessness in an inhospitable America. Mosley (b. 1952) writes frequently of characters trying to construct an idea of home and wrest a sense of dignity, belonging, and hope from cultural and communal resources. These essays examine Mosley's queries about the meaning of “home” in various social and historical contexts. Essayists consider the concept—whether it be material, social, cultural, or virtual—in all three of Mosley's detective/crime fiction series (Easy Rawlins, Socrates Fortlow, and Fearless Jones), his three books of speculative fiction, two of his “literary” novels (RL's Dream, The Man in My Basement), and in his recent social and political nonfiction. Essays here explore Mosley's modes of expression, his testing of the limitations of genre, his political engagement in prose, his utopian/dystopian analyses, and his uses of parody and vernacular culture. Finding a Way Home provides rich discussions, explaining the development of Mosley's work.
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
The weekly source of African American political and entertainment news.
When Walter Mosley burst onto the literary scene in 1990 with his first Easy Rawlins mystery, Devil in a Blue Dress—a combustible mixture of Raymond Chandler and Richard Wright—he captured the attention of hundreds of thousands of readers (including future president Bill Clinton). Eleven books later, Easy Rawlins is one of the few private eyes in contemporary crime fiction who can be called iconic and immortal. In the incendiary and fast-paced Little Green, he returns from the brink of death to investigate the dark side of L.A.’s 1960s hippie haven, the Sunset Strip. We last saw Easy in 2007’s Blonde Faith, fighting for his life after his car plunges over a cliff. True to form, the tough WWII veteran survives, and soon his murderous sidekick Mouse has him back cruising the mean streets of L.A., in all their psychedelic 1967 glory, to look for a young black man, Evander “Little Green” Noon, who disappeared during an acid trip. Fueled by an elixir called Gator’s Blood, brewed by the conjure woman Mama Jo, Easy experiences a physical, spiritual, and emotional resurrection, but peace and love soon give way to murder and mayhem. Written with Mosley’s signature grit and panache, this engrossing and atmospheric mystery is not only a trip back in time, it is also a tough-minded exploration of good and evil, and of the power of guilt and redemption. Once again, Easy asserts his reign over the City of (Fallen) Angels.
They're back! Sexy, manipulative real estate agent Kendra Vaughn and her karate champ boyfriend Race Richards are back in Minnesota, taking a much needed break from Los Angeles and their combined stress-load. A year and a half has passed since they first met, first hunted each other down in the great northern woodlands. Now, armed with an ancient longbow, a few arrows, and not much else, Kendra heads back into the bushes, looking for something legitimate to kill. Meanwhile, Race hits the local casino, playing blackjack and downing a few too many shot of whiskey as he waits for the phone call that will make-or-break his movie career. Also on the scene is Gretania, a murderous mail-order-bride with a wild scheme to rip-off a million dollar payout intended for the local Native American tribe. Aided by street-toughened twins Torque and Recoil, the red-headed Russian might just get away with it. Race and Kendra, pulled in by mistake, swing into action. But they just may be in over their heads...especially once the snow storm hits. For fans of the original "KickBack," look out--this time IT IS hunting season!
"Sixty-five of the world's leading writers open up about the books and authors that have meant the most to them. These wide-ranging interviews are conducted by Pamela Paul, the editor of the The New York Times Book Review, featuring personalities as varied as David Sedaris, Hilary Mantel, Michael Chabon, Khaled Hosseini, Anne Lamott, and James Patterson. These questions and answers admit us into the private worlds of these authors, as they reflect on their work habits, reading preferences, inspirations, pet peeves, and recommendations.By the Book contains the full uncut interviews, reflecting a range of experiences and observations that deepens readers' understanding of the literary sensibility and the writing process." --
Jean Aspen, daughter of arctic explorer and author Constance Helmericks, began life in the wilderness. Throughout six decades, the natural world has remained central to her. What began as a series of letters to her son, Lucas, when she and her husband Tom set out to search for a different future, evolved over the seasons into a many snapshots of her remarkable life. All those seemingly random threads have woven the tapestry of her journey and the journey of the river flowing by the remote cabin. In Trusting the River, she closes the circle of her mother's books and her own early work, Arctic Daughter.
Quiet, sensitive Faith starts middle school already worrying about how she will fit in. To her surprise, Amanda, a popular eighth grader, convinces her to join the school soccer team, the Bloodhounds. Having never played soccer in her life, Faith ends up on the C team, a ragtag group that’s way better at drama than at teamwork. Although they are awful at soccer, Faith and her teammates soon form a bond both on and off the soccer field that challenges their notions of loyalty, identity, friendship, and unity. The Breakaways from Cathy G. Johnson is a raw, and beautifully honest graphic novel that looks into the lives of a diverse and defiantly independent group of kids learning to make room for themselves in the world.