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»Award-Winner of the National Flute Association's Newly Published Music Competition« The Blocki Flute Method Book 1 is an award-winning method designed to the give beginners an excellent foundation in beautiful tone, embouchure flexibility, rhythm and technique. This comprehensive and step-by-step approach was written to ensure success and also includes theory and composition projects. The method is designed so students can play in both octaves without having to read the notes in both octaves. This is an incredibly important aspect of teaching beginners. The Blocki Flute Method's unique approach to teaching Five-Note patterns has proven to consistently help even the youngest students develop exceptional technical abilities. Five-note patterns are used as the foundation for teaching new notes, technique, moving between beat levels, simple transposition and fun and easy ear training. Because of the combination of a systematic approach to note reading, fun composition projects, ear training games, and basic theory, this book is also an excellent supplementary book for Suzuki students. As of August 2010: The Blocki Flute Method has been completely updated with the Third Edition. Listen to Samples Katelyn After One and a Half Years of Lessons - YouTube Video What's New in the Third Edition? After using the method for over 10 years, we knew which pieces the students loved and which one were just "okay." Anything that was just "okay" has been replaced with kid tested exciting pieces. There are many new duets and since students love trills we've included many more. These trills have transformed boring octave exercises into motivating pieces such as Half Pipe Stunts, Trampoline Tricks, and Bungee Jumping A's. Other new favorites include the Yankee Doodle Theme and Variations, The Sad Singing Swan, and the Daring Detective.
For the first time the exercises and teaching methods of world-renowned flutist William Bennett are featured in one workbook. After more than a decade of study with Bennett and many of his students, Roderick Seed has documented the tools that have made Bennett known for his ability to give the flute the depth, dignity, and grandeur of the voice or the stringed instrument. Topics range from how to overcome basic technical difficulties, such as pitch control, to the tools for phrasing, prosody, tone, and intonation needed for playing with different dynamics and ranges of expression. Advanced musicians will find useful exercises and techniques in this book that will deepen their knowledge and enjoyment of making music and help them in their quest to master the flute.
The book begins with flexibility exercises and begins with having the ability to easily bend pitches. Planning to Play in Tune offers a variety of exercises that will not only develop this flexibility, but also greatly improve core tone quality. The "Full Spectrum Tone" exercises use the concepts of polyphonic singing and apply them to flute.The Just Tuning System is explained in the second section of the book. Learning to hear difference tones is a key element of playing with excellent intonation in an ensemble. It begins with exercises that help to zero in on these quiet tones and progress to using the difference tone as a reference for being in tune. A variety of methods of training ensembles is given in the third section. I use these faithfully for warming up flute ensembles and find them to be highly effective.Of course, one the most difficult aspects of playing in tune involves the use of dynamics. An entire section of the book is dedicated to progressively mastering the art of playing in tune when tackling extreme dynamics changes.The final section applies all the concepts to the famous flute solo in Ravel's Daphnis et Chloé. The harmony is discussed so that flutists are well-informed of how to listen and adjust pitch while playing with the orchestra.
The award-winning Book 2 has been carefully designed to be versatile, so that it can be used after any beginning band method book. Each of the six key-based units (beginning with B-flat major) opens with a foundation page to be used throughout the unit, which includes scales, arpeggios, finger exercises, a flexibility exercise, and trills. Next, a new rhythm pattern is introduced using our "fill in the note value" approach to ensure correct understanding and execution. This method of teaching has been highly successful, especially with students who have had difficulty learning new rhythms. Each unit provides much systematic review so that the students can master the new rhythms and techniques. Often students learn to play a rhythm pattern in a piece, but cannot sight read that same rhythm in a new piece. This is like teaching students by rote to read "The Cat in the Hat" and then having to start all over when they pick up "Are You My Mother?" Our goal is that the students will quickly become excellent sight readers. Other features in this 97-page book include an abundance of duets and rounds, theory projects, transposition exercises, and composition pages. One of the most unique features of this method is the inclusion of the many composition projects which allow the students to be creative and "think outside the box" but, at the same time, to teach the basic concepts of music theory. Parameters are given as guidelines, and then "the sky's the limit!" After two years of sorting through thousands of melodies, only those that would both systematically help students to master new techniques and make students excited about practicing made it into the book.
"I read My Body Politic with admiration, sometimes for the pain that all but wept on the page, again for sheer exuberant friendships, for self-discovery, political imagination, and pluck. . . . Wonderful! In a dark time, a gift of hope. -Daniel Berrigan, S.J. "The struggles, joys, and political awakening of a firecracker of a narrator. . . . Linton has succeeded in creating a life both rich and enviable. With her crackle, irreverence, and intelligence, it's clear that the author would never be willing to settle. . . . Wholly enjoyable." -Kirkus Reviews "Linton is a passionate guide to a world many outsiders, and even insiders, find difficult to navigate. . . . In this volume, she recounts her personal odyssey, from flower child . . . to disability-rights/human rights activist." -Publishers Weekly "Witty, original, and political without being politically correct, introducing us to a cast of funny, brave, remarkable characters (including the professional dancer with one leg) who have changed the way that 'walkies' understand disability. By the time Linton tells you about the first time she was dancing in her wheelchair, you will feel like dancing, too." ---Carol Tavris, author of Anger: The Misunderstood Emotion "This astonishing book has perfect pitch. It is filled with wit and passion. Linton shows us how she learned to 'absorb disability,' and to pilot a new and interesting body. With verve and wonder, she discovers her body's pleasures, hungers, surprises, hurts, strengths, limits, and uses." -Rosemarie Garland-Thomson, author of Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature "An extraordinarily readable account of life in the fast lane... a brilliant autobiography and a great read." -Sander L. Gilman, author of Fat Boys: A Slim Book While hitchhiking from Boston to Washington, D.C., in 1971 to protest the war in Vietnam, Simi Linton was involved in a car accident that paralyzed her legs and took the lives of her young husband and her best friend. Her memoir begins with her struggle to regain physical and emotional strength and to resume her life in the world. Then Linton takes us on the road she traveled (with stops in Berkeley, Paris, Havana) and back to her home in Manhattan, as she learns what it means to be a disabled person in America. Linton eventually completed a Ph.D., remarried, and began teaching at Hunter College. Along the way she became deeply committed to the disability rights movement and to the people she joined forces with. The stories in My Body Politic are populated with richly drawn portraits of Linton's disabled comrades, people of conviction and lusty exuberance who dance, play-and organize--with passion and commitment. My Body Politic begins in the midst of the turmoil over Vietnam and concludes with a meditation on the U.S. involvement in the current war in Iraq and the war's wounded veterans. While a memoir of the author's gradual political awakening, My Body Politic is filled with adventure, celebration, and rock and roll-Salvador Dali, James Brown, and Jimi Hendrix all make cameo appearances. Linton weaves a tale that shows disability to be an ordinary part of the twists and turns of life and, simultaneously, a unique vantage point on the world.
The Tipbook Series books are handy, accessible, thorough and convenient guides for players who want to get the most out of their instrument. They are written in collaboration with and proofread by musicians, teachers, technicians and other experts - for beginners, students and advanced players. Features include: lessons, teachers and practicing * all jargon explained * basic background information * price indications * the history and the family of the instrument * and more. The flute and piccolo book covers topics such as selecting and play-testing flutes and piccolos, choosing headjoints, playing tips, maintenance and more. "Highly recommended for flute players of all levels." (Matthew Bright, Flutewise) "The Tipbook concept is excellent. These attractively presented little books show clear layout and accessibly short paragraphs. The layout and information are clear and concise." (Australian Music Teacher Magazine)
The instrument -- Performance -- The music -- Repertoire catalog -- Fingering chart for the Boehm flute -- Flute manufacturers -- Repair shops -- Sources for instruments and accessories -- Sources for music and books -- Journals, societies, and service organizations -- Flute clubs and societies.
Blocki Flute Method Book 3 is an advanced method book designed to thoroughly prepare students for studying advanced literature. This fun and challenging book helps students master the extreme octaves in a systematic method. 1) By the end of the book, students will be able to play all major, natural and harmonic minor two octave scales and arpeggios in less than 8 minutes. 2) Each unit is packed with rhythmic exercises systematically presented to enable students to master new concepts. The 2nd ed. includes systematically learning advanced rhythms and includes quarter note triplets. Though this book contains several etudes in each unit, it serves as a bridge to using the standard etude books and solos. 3) Each unit contains an abundance of duets. Many of these duets are based on the original flute parts from famous orchestral scores including: Capriccio Espagnol's Fandango Asturaino, , Wm Tell Overture, Carmen's The Mountain Garden and Habenera, Pictures at an Exhibition: The Great Gate at Kiev, Brandenburg Concerto no. 4, and Sousa's Stars and Stripes. Other duets include the Mozart Flute Sonata no. 5, pieces from Kabalevsky's opus 24, Boccherini Minuet, La Gioconda, and the March from the Nutcracker. 4) An abundance of tone and technique practice throughout all octaves of the flute. This book is appropriate for advanced junior high and high school students and as a remedial book for college students. It also provides excellent and challenging sight-reading material for the advanced college flutist. Students will learn standard literature such as Stars and Stripes, The William Tell Overture, and etudes written in duet form.