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Kyler Centaurus isn't your typical runaway. All he wanted was a quick trip to the legendary Fasti Sun Festival. Who wouldn't want to see new stars being born? Um, try Kyler's entire family. They couldn't care less about mind-blowing wonders of science. When an accidental launch sequence ends with Kyler hurtling through space on the family cruiser, the thrill of freedom is cut short by two space pirates determined to steal his ship. Not happening! Luckily, Kyler bumps into Fig, a savvy young Wanderer who makes a living by blowing up asteroids. She could really use a ride to Earth and Kyler could really use a hand with the pirates. But when Kyler learns the truth about Fig's mission, the two must put aside their differences long enough to stop the threat of astronomical proportions racing towards Earth...
Young is back with the eagerly awaited follow-up to his account of a hilariously failed attempt to conquer the Manhattan social and professional scene in How to Lose Friends and Alienate People. All the elements that turned Toby's earlier memoir into a bestseller from coast to coast and on both sides of the Atlantic are back, too. Well, some things have changed for Toby-he has married his girlfriend from How to Lose Friends and Alienate People and now has two kids, and he has moved from the Manhattan that treated him none too kindly to London. But Toby remains Toby, and what Graydon Carter of Vanity Fair called Toby's "brown thumb" continues to work its magic, transforming opportunities into cringeworthy debacles and leading to situations that are classic Toby Young territory. Toby gleefully recounts such dubious journalistic assignments as posing as a patient at a penis-enlargement clinic and as a greeter at a Wal-Mart. He has misadventures in Los Angeles as a screenwriter for films that never quite get made, he's been a contestant on an abysmal reality show that absolutely no one watched, and he has acted in a one-man play that was utterly savaged by the critics. Yes, Toby has become a dutiful husband and a devoted dad, but he's as relentlessly self-sabotaging as ever, with a demonstrated knack for attracting misfortune, publicity-and devoted readers.
Give students that extra boost they need to acquire important concepts in specific areas of math. The goal of these How to books is to provide the information and practice necessary to master the math skills established by the National Council of Teachers of Mathematics. Each book is divided into units containing concepts, rules, terms, and formulas, followed by corresponding practice pages.
3…2…1…Blastoff! Join the ultimate voyage into the great unknown, one that will race you to the farthest stars and most distant worlds where only the strangest and most exciting adventures will be found. This collection of 18 stories by Star Trek and Doctor Who author Robert Jeschonek will dazzle you, thrill you, and make you think. The universe in all its brightest and darkest glories will unfold before you, changing the way you see the final frontier forever. Don’t miss these stories of spacefaring furries, edible companions, metal-obsessed sky-miners, serial killers giving murder lessons to aliens, giant microbes crewing a starship propelled by honest-to-goodness dog power, and much more. These 18 stories, gathered together for the first time anywhere, will launch you out to the bleeding edge of known space…and so far beyond, you might never come home again.
From the bestselling author of the classic book on ADD, Driven to Distraction, a memoir of the strange upbringing that shaped Dr. Edward M. Hallowell's celebrated career. When Edward M. Hallowell was eleven, a voice out of nowhere told him he should become a psychiatrist. A mental health professional of the time would have called this psychosis. But young Edward (Ned) took it in stride, despite not quite knowing what "psychiatrist" meant. With a psychotic father, alcoholic mother, abusive stepfather, and two so-called learning disabilities of his own, Ned was accustomed to unpredictable behavior from those around him, and to a mind he felt he couldn't always control. The voice turned out to be right. Now, decades later, Hallowell is a leading expert on attention disorders and the author of twenty books, including Driven to Distraction, the work that introduced ADD to the world. In Because I Come from a Crazy Family, he tells the often strange story of a childhood marked by what he calls the "WASP triad" of alcoholism, mental illness, and politeness, and explores the wild wish, surging beneath his incredible ambition, that he could have saved his own family of drunk, crazy, and well-intentioned eccentrics, and himself. Because I Come from a Crazy Family is an affecting, at times harrowing, ultimately moving memoir about crazy families and where they can lead, about being called to the mental health profession, and about the unending joys and challenges that come with helping people celebrate who they are. A portion of the author's proceeds of this book will go to NAMI (National Alliance on Mental Illness).
Eric is the new kid in seventh grade. Griffin wants to be his friend. When you're new in town, it's hard to know who to hang out with—and who to avoid. Griffin seems cool, confident, and popular. But something isn't right about Griffin. He always seems to be in the middle of bad things. And if Griffin doesn't like you, you'd better watch your back. There might be a target on it. As Eric gets drawn deeper into Griffin's dark world, he begins to see the truth about Griffin: he's a liar, a bully, a thief. Eric wants to break away, do the right thing. But in one shocking moment, he goes from being a bystander . . . to the bully's next victim. This title has Common Core connections.
Drawing on a wide range of films from the 1920s to the 1990s—from Keaton’s Our Hospitality to Casablanca to Terminator 2, Kristin Thompson offers the first in-depth analysis of Hollywood’s storytelling techniques and how they are used to make complex, easily comprehensible, entertaining films.
Animation is one of the fastest growing mediums in the film and television world – whether it's Frozen or Paw Patrol, Family Guy or Rick and Morty. This book is the definitive guide to storytelling for writers, directors, storyboard artists and animators. Suitable for both the student and the professional, it provides indispensable knowledge on the entire process of writing for animated movies, TV series and short films. The reader will be provided with all the tools necessary to produce professional quality scripts that will start, or further, their career in animation. Beginning with the fundamentals of 'why animation?' this book will lead the reader through a series of principles that will raise the level of their storytelling. These principles are tried and tested on a daily basis by the authors who have a twenty-year track record in the animation industry. Many people are trying to break into the world of writing for animation and a lot of the people who are 'already in' would like to get more work. The reality is that writing for animation is a very specific craft that can be learnt like any other craft. This book will give the reader both the basic and advanced techniques that will put them ahead of the rest of the field.