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Third graders travel through time to keep history on track! Abigail loves Mondays, and so does the rest of class 305. That's the day Mr. Caruthers asks them cool questions about history. Today Mr. C asks, "What if Abraham Lincoln never freed the slaves?" Abigail and her friends are ready to put their thinking caps on. But this time Mr. C wants them to do more than put their heads together-he wants them to travel back in time! Turns out the "What If?" questions are real, and Mr. C has just come back from a visit to the past. He needs their help because it looks like President Lincoln might quit and never free the slaves! With a time-travel gadget and only two hours to spare, Abigail and her friends are going back to the past. But even though time traveling isn't hard, convincing Abraham Lincoln not to give up isn't going to be easy.... With a dollop of The Magic Tree House, a dash of Back to the Future, and pinch of Bill & Ted's Excellent Adventure, Blast to the Past is a recipe for fun!
A blow on the head sends PI Kinky Friedman back in time to his early days as a private eye. One of his first cases involved his girlfriend, Judy, claiming to have seen her old lover, Tom, alive. Officially, he was killed during the Vietnam War and was buried with full military honors.
This book discusses the fast, thrilling world of speedboats! Readers will learn how these powerful vehicles speed through water. Difficult concepts, such as density and engine workings, are broken down for readers, and a comprehensive diagram highlights major speedboat parts. Also explained is how a speedboat is used for recreation, racing, patrolling, and military work. Additionally, readers will learn about speedboat safety and history. Vibrant graphics, oversized, action-packed photographs, and short, engaging sentences will encourage reluctant readers to steer their way toward learning more about the amazing speedboat! Included are table of contents, fast facts, glossary with phonetic spellings, and index. Buddy Books is an imprint of ABDO Publishing Company.
Did Betsy Ross really sew the first American flag? Babs Magee wants to take the credit for it, so Abigail and her friends travel back in time to set history straight.
Looks at superbikes, examining how they work, the parts they have, how they are used, and some of their history.
Looks at dragsters, examining how they work, the parts they have, how they are raced, and some of their history.
In 1974 Jim and Tammy Bakker launched their television show, the PTL Club, from a former furniture store in Charlotte, N.C. with half a dozen friends. By 1987 they stood at the center of a ministry empire that included their own satellite network, a 2300-acre theme park visited by six million people a year, and millions of adoring fans. The Bakkers led a life of conspicuous consumption perfectly aligned with the prosperity gospel they preached. They bought vacation homes, traveled first-class with an entourage and proclaimed that God wanted everyone to be healthy and wealthy. When it all fell apart, after revelations of a sex scandal and massive financial mismanagement, all of America watched more than two years of federal investigation and trial as Jim was eventually convicted on 24 counts of fraud and conspiracy. He would go on to serve five years in federal prison. PTL is more than just the spectacular story of the rise and fall of the Bakkers, John Wigger traces their lives from humble beginnings to wealth, fame, and eventual disgrace. At its core, PTL is the story of a group of people committed to religious innovation, who pushed the boundaries of evangelical religion's engagement with American culture. Drawing on trial transcripts, videotapes, newspaper articles, and interviews with key insiders, dissidents, and lawyers, Wigger reveals the power of religion to redirect American culture. This is the story of a grand vision gone wrong, of the power of big religion in American life and its limits.
This book discusses the fast, thrilling world of ATVs! Readers will learn how these powerful vehicles travel off road on various surfaces. Difficult concepts, such as engine workings and four-wheel drive, are broken down for readers, and a comprehensive diagram highlights major ATV parts. Also explained is how ATVs are used for recreation, racing, and work on farms and in the military. Additionally, readers will learn about ATV safety and history. Vibrant graphics, oversized, action-packed photographs, and short, engaging sentences will encourage reluctant readers to steer their way toward learning more about the amazing ATV! Included are table of contents, fast facts, glossary with phonetic spellings, and index. Buddy Books is an imprint of ABDO Publishing Company.
In the spring of 1970, seventeen women set out from Vancouver in a big yellow convertible, a Volkswagen bus, and a pickup truck. They called it the Abortion Caravan. Three thousand miles later, they “occupied” the prime minister’s front lawn in Ottawa, led a rally of 500 women on Parliament Hill, chained themselves to their chairs in the visitors’ galleries, and shut down the House of Commons, the first and only time this had ever happened. The seventeen were a motley crew. They argued, they were loud, and they wouldn't take no for an answer. They pulled off a national campaign in an era when there was no social media, and with a budget that didn't stretch to long-distance phone calls. It changed their lives. And at a time when thousands of women in Canada were dying from back street abortions, it pulled women together across the country.
Hollywood Online provides a historical account of motion picture websites from 1993 to 2008 and their marketing function as industrial advertisements for video and other media in the digital age. The Blair Witch Project is the most important example of online film promotion in cinema history. Over the last thirty years only a small number of major and independent distributors have converted internet-created buzz into box-office revenues with similar levels of success. Yet readings of how the film's internet campaign broke new ground in the summer of 1999 tend to minimize, overlook or ignore the significance of other online film promotions. Similarly, claims that Blair initiated a cycle of imitators have been repeated in film publications and academic studies for more than two decades. This book challenges three major narratives in studies about online film marketing: Hollywood's major studios and independents had no significant relationship to the internet in the 1990s; online film promotions only took off after 1999 because of Blair; and Hollywood cashed-in by initiating a cycle of imitators and scaling up corporate activities online. Hollywood Online tests these assumptions by exploring internet marketing up to and including the film's success online (Pre-Blair, 1993-9), then by examining the period immediately after Blair (Post-Blair, 2000-8) which broadly coincides with the rise and decline of DVD, as well as the emergence of the social media sites MySpace, Facebook and Twitter.