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Blast Counterblast is a multifaceted, fascinating examination of the way intellectuals interact--through influence, through argumentation, and through criticism. Looking at both Wyndham Lewis's modernist publication BLAST and Marshall McLuhan's 1969 response to it, COUNTERBLAST, the contributors to this volume--a selection of writers, visual artists, performers, and filmmakers--skewer relational aesthetics and identity politics in order to restate what the role of identity formation is today. Taking McLuhan and Lewis as starting points, the essays in this volume develop and push the ideas presented in both BLAST and COUNTERBLAST while the book design pays homage to both thinkers' experiments in typography. Blast Counterblast includes the writings of Maria Fusco, Michael Hoolboom, My Barbarian, Lane Relyea, and Ryan Trecartin.
Description: The feminine spirit soars in Power of a Woman as Eleanor of Aquitaine, toughest of medieval women, relates her memoirs: of caring and loyalties, triumphs and trials; of her marriages to two warring kings, Louis VII of France, then Henry II of England. She speaks intimately, emotionally of her too many quarreling sons, including Richard the Lionheart and John, of Magna Carta fame. A patron of troubadours, Eleanor commissions poetry as propaganda. She regales her readers with intrigues, crusades and tales of ruthless diplomacy against barons, kings, popes and Thomas Becket, while confessing her loves, her hopes for her many children, and their fates. In midlife her sense of community leads her to set up her Court of Ladies to balance male-dominated worlds of Church and state. Her mission: to empower women with the Grace she enjoyed as the femme fatale of her day. Eleanor's power of a woman lets her pluck triumph from her defeats as well as her victories. Reviews: Those of you who know me know that for me to give a work of historical fiction a high rating, it has to offer something extraordinary. This Robert Fripp has done in Power of a Woman. In this highly unusual fictional autobiography, Mr. Fripp tells Eleanor of Aquitaine's story in her own words, as if she is dictating to a young lady in her household. Power of a Woman: review by Melissa Snell, Your Guide to Medieval History at About.com, which posts her full review at: http: //historymedren.about.com/od/ewho/fr/fripp_eleanor.htm -Melissa Snell, Your Guide to Medieval History at About.com Finally! Power of a Woman brings us an autobiography of Eleanor of Aquitaine that is accessibleand entertaining. Telling her story in Eleanor's voice, Robert Fripp brings us medieval Europe through her eyes. At eighty-one, she hasn't much time. We feel her urgency, the chill in her bones. Impeccable research and storytelling combine to make this a must for all who want to know more about this fascinating woman. Her definition of love survives to this day! What a great read. This is so gripping. I got so totally caught up in this story one night that I woke up with images of Eleanor in my mind, and Kate Hepburn's voice in my ear. I love this tale. -Veronica Prior, Round Rock, TX Power of a Woman is gripping in its wealth of detail. It makes me feel like I am in the midst of the action. Of all books I have read, this is the only one that makes me experience what it must have felt like to have lived through those troublesome, exciting times. Such a wonderful, exciting book! -Lady Shirley Cassidy, Dublin, Ireland Author Bio: British-born Robert Fripp gained a medieval outlook from five years on a choral scholarship in the choir of Salisbury Cathedral, the model for Lord of the Flies. He went on to study earth sciences before producing current affairs television for CBC in Toronto. He also: created IBM Visions magazine about high-performance computing; worked for Japan's public broadcaster; and wrote a book with great reviews, Let There Be Life, about cosmic and organic origins. Power of a Woman tells the memoirs of Eleanor of Aquitaine. Robert Fripp is hard to typecast; RobertFripp.ca may help.
BLAST at 100 makes an original contribution to the understanding of a major modernist magazine. Providing new critical readings that consider the magazine’s influence within contexts that have not been acknowledged before – in the development of Irish and Spanish literature and culture in the twentieth century, for example, as well as in the areas of cultural studies, performance studies and the scholarship of teaching and learning – BLAST at 100 reconsiders the magazine’s complex legacy. In addition to situating the magazine in new and often unexpected contexts, BLAST at 100 also offers important new insights into the work of some of its most significant contributors, including Wyndham Lewis, Ezra Pound, and Rebecca West. Contributors are: Philip Coleman, Simon Cutts, Andrzej Gąsiorek, Angela Griffith, Nicholas E. Johnson, Kathryn Laing, Christopher Lewis, J.C.C. Mays, Kathryn Milligan, Yolanda Morató, Nathan O’Donnell, Alex Runchman, Colm Summers, Tom Walker
King James I's A Counter Blast to Tobacco was written in 1604 and stands as one of the earliest anti-tobacco publications ever written. In the treatise, James blames Native Americans for introducing tobacco to Europe, warns readers of the danger tobacco poses to the lungs, and complains about passive smoking. Demonology, written by the king in 1597, takes aim at witches in early modern England.
"Seymour's obsessively researched, impressive first book holds its place as the most authoritative historical analysis of its kind."—Resurgence All empires spin self-serving myths, and in the United States the most potent of these is that America is a force for democracy around the world. Yet there is a tradition of American anti-imperialism which gives the lie to this mythology. Richard Seymour examines this complex relationship from the Revolution to the present-day. Richard Seymour is a socialist writer and runs the blog Lenin's Tomb. He is the author of The Liberal Defense of Murder. His articles have appeared in the Guardian and New Statesman.
Situating the intellectual inheritance of Canadian Vorticists in a multidisciplinary assemblage of authors and artists.
An optimistic assessment of the prospects for a new international order - acting as a counter-blast to global pessimism. The text explains how the international system operates, the pressures it faces and the changes it must undergo, and offers concrete ideas to re-frame international relations, foreign aid and humanitarian intervention, without using jargon or simplistic judgements.
Demonstrates how McLuhan extended insights derived from advances in physics and artistic experimentation into a theory of acoustic space which he then used to challenge the assumptions of visual space that had been produced through print culture.