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Inspired by and responding to Jack Kerouacs Dharma Bums, this memoir details the psychological and spiritual triumph over severe psychological difficulties caused by a series of traumas endured in the Peace Corps in West Africa in 1978. Surveying the spiritual landscape of America through the seventies to the present in Zen, Tibetan Buddhist, New Age and Christian movements, this memoir describes the journey of author Philip A. Bralichs life, beginning as a twenty-something, leftist, married, seventies idealist in the Peace Corps in West Africa, through an accident in the bush that cost his wife her life and himself much of the use of he left leg, and through the growing and debilitating psychological difficulties that were finally resolved through wide reading and personal experience of many of the spiritual and psychological movements of those four decades. The book commences in West Africa in 1978 but also goes back to as early as 1973, just four years after Jack Kerouac died.
The emails in this volume chronicle and document some of the story presented in the memoir. There are perhaps one hundred or so more, which may be added in later editions or a separate volume. The earlier emails demonstrate a far weaker, far less studied experienced relationship to the topics discussed in the book. Those in this volume are a good example of the later emails. There is also a second project by the author with a similar set of email chronicles. This is TaxTheRichDotName email series and reflects the authors involvement in recent political efforts to redress the current distribution of wealth in the country. For more on either of the Email Chronicles and on both projects, the reader is referred to http://www.blamingjaphyrider.com and http://www.taxtherich.name. The blog for Blaming Japhy Rider is at http://www.philip.bralich.authorxpress.com
The TaxTheRichDotName e-mails evolved as an effort to draw attention and popularize the authors view of a quick and easy solution to the problem of income disparity and the distribution of wealth in the United States today. Specifically, that solution is to obviate the need for all of Marxist (both sides, communist and capitalist) idealism and all of aristocratic excess via movement to tax the rich thoroughly, profoundly, repeatedly, and punitively via the vote until the wealthy sit up straight, fold their hands on the table, admit they were wrong, apologize, and put the money bank. Votes, not money, move the US system, and voters, not the wealthy, are the true authority. There is no need to kill the aristocrats and no need to oppress the poor. All that is required is to tax the rich.
A recent compilation of new and old taxtherichdotname e-mails on the subject of stopping the growing aristocracy.
In this first biography of Jack Kerouac to fully portray the intense inner life that inspired his work, Kerouac's last editor addresses the writer's homosexual relationships with men, and sheds a new light on their profound impact upon his life. of photos.
Essays, poems, photographs, and letters explore the link between Buddhism and the Beats--with previously unpublished material from several beat writers, including Jack Kerouac, Allen Ginsberg, Lawrence Ferlinghetti, Gary Snyder, and Diane diPrima.
The first and only full-length biography of one of the most charismatic spiritual innovators of the twentieth century. Through his widely popular books and lectures, Alan Watts (1915-1973) did more to introduce Eastern philosophy and religion to Western minds than any figure before or since. Watts touched the lives of many. He was a renegade Zen teacher, an Anglican priest, a lecturer, an academic, an entertainer, a leader of the San Francisco renaissance, and the author of more than thirty books, including The Way of Zen, Psychotherapy East and West and The Spirit of Zen. Monica Furlong followed Watts's travels from his birthplace in England to the San Francisco Bay Area where he ultimately settled, conducting in-depth interviews with his family, colleagues, and intimate friends, to provide an analysis of the intellectual, cultural, and deeply personal influences behind this truly extraordinary life.
This book examines posttraumatic autobiographical projects, elucidating the complex relationship between the ‘science of trauma’ (and how that idea is understood across various scientific disciplines), and the rhetorical strategies of fragmentation, dissociation, reticence and repetitive troping widely used the representation of traumatic experience. From autobiographical fictions to prison poems, from witness testimony to autography, and from testimonio to war memorials, otherwise dissimilar projects speak of past suffering through a limited and even predictable discourse in search of healing. Drawing on approaches from literary, human rights and cultural studies that highlight relations between trauma, language, meaning and self-hood, and the latest research on the science of trauma from the fields of clinical, behavioral and evolutionary psychology and neuroscience, I read such autobiographical projects not as ‘symptoms’ but as complex interrogative negotiations of trauma and its aftermath: commemorative and performative narratives navigating aesthetic, biological, cultural, linguistic and emotional pressure and inspiration.
For the full course of his remarkable career, Gary Snyder has continued his study of Eastern culture and philosophies. From the Ainu to the Mongols, from Hokkaido to Kyoto, from the landscapes of China to the backcountry of contemporary Japan, from the temples of Daitokoji to the Yellow River Valley, it is now clear how this work has influenced his poetry, his stance as an environmental and political activist, and his long practice of Zen. Growing up in the Pacific Northwest, Asia became a vocation for Snyder. While most American writers looked to the capitals of Europe for their inspiration, Sndyer looked East. American letters is profoundly indebted to this geographical choice. Long rumored to exist, The Great Clod collects more than a dozen chapters, several published in The Coevolution Quarterly almost forty years ago when Snyder briefly described this work as "The China Book," and several others, the majority, never before published in any form. "Summer in Hokkaido," "Wild in China," "Ink and Charcoal, " "Stories to Save the World," "Walking the Great Ridge," these essays turn from being memoirs of travel to prolonged considerations of art, culture, natural history and religion. Filled with Snyder's remarkable insights and briskly beautiful descriptions, this collection adds enormously to the major corpus of his work, certain to delight and instruct his readers now and forever.