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Blake's comic brilliance has been variously dismissed as the nervous ramblings of a neglected genius, the tomfool doodles of a distracted youngster, or a crude tool for destabilizing textual authority. But, for the eighteenth century, comedy played a pivotal role in debates on aesthetics, education, spirituality and morality. This exciting new study blends a close reading of Blake's early work with fascinating historical research to demonstrate that the comic was an essential component of Blake's artistic Vision.
This, William Wordsworth's masterful autobiographical work, composed in blank verse, is generally considered the poem at the heart of the Romantic movement and one of the great confessional poems of the English language. In this fully illustrated and annotated edition, it finally receives the treatment it deserves. Inspired by his dear friend, Samuel Taylor Coleridge, the poem charts the development of the author's mind, from childhood to Cambridge, London, the Alps, and France, touching on subjects ranging from leisure to literature, nature to imagination (and pretty much everything in between). A meditation on the self, this work still stands as a masterpiece of English literature, and is here complemented and enhanced by 200 contemporary color plates that both illuminate and elucidate the text. Scrupulously selected and edited from the definitive manuscripts, the marginal notes and glosses provide an extra touch that makes this edition a glorious addition to any library.
It is not surprising that visitors to Blake’s cosmology – the most elaborate in the history of British text and design – often demand a map in the form of a reference book. The entries in this volume benefit from the wide range of historical information made available in recent decades regarding the relationship between Blake’s text and design and his biographical, political, social, and religious contexts. Of particular importance, the entries take account of the re-interpretations of Blake with respect to race, gender, and empire in scholarship influenced by the groundbreaking theories that have arisen since the first half of the twentieth century. The intricate fluidity of Blake’s anti-Newtonian universe eludes the fixity of definitions and schema. Central to this guide to Blake's work and ideas is Kathryn S. Freeman's acknowledgment of the paradox of providing orientation in Blake’s universe without disrupting its inherent disorientation of the traditions whereby readers still come to it. In this innovative work, Freeman aligns herself with Blake’s demand that we play an active role in challenging our own readerly habits of passivity as we experience his created and corporeal worlds.