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Martin R. Delany’s Blake (c. 1860) tells the story of Henry Blake’s escape from a southern plantation and his travels in the U.S., Canada, Africa, and Cuba on a mission to unite blacks of the Atlantic region in the struggle for freedom. Jerome McGann’s edition offers the first correct printing of the work and an authoritative introduction.
New edition of Delany's classic pre US Civil war slavery tale which follows an escaped slave who tries to ignite insurrection against the de-humanizing institutions of depravation. New edition with a new introduction. Delany's tale of Blake, an escaped slave in the era before the US Civil War, depicts the harrowing detail of life under slavery and offers a call to action for resistance. Casting beyond the misery of slavery, Delany's novel, located in the Southern United States and Cuba, demonstrates that alternatives are possible if only widespread insurrection could be ignited. A new title in the Foundations of Black Science Fiction series. FLAME TREE 451: From mystery to crime, supernatural to horror and myth, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and robots, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales, ancient and modern gathered specifically for the reader of the fantastic. The Foundations titles also explore the roots of modern fiction and brings together neglected works which deserve a wider readership as part of a series of classic, essential books.
Of the books authored by Martin R. Delany (1812-1885), The Origin of Races and Color is perhaps the most obscure. Out-of-print until now, it has been available to the public only through select libraries. At the time of its publication in 1879, this valuable resource presented a bold challenge to racist views of African inferiority. Delany wrote in opposition to a developing oppressive intellectualism that used Darwin's thesis, "the survival of the fittest," to support its demented theories of Black inferiority. Skillfully blending biblical history, archaeology and anthropology, Delany offered evidence to the "serious inquirer" suggesting the first humans were African, and that these Africans were ". . . builders of the pyramids, sculptors of the sphinxes, and original god-kings. . . ." With such radical assertions, Delany advanced a model of ancient history that contradicted the very foundation of intellectual racism. He believed knowledge of one's past was essential, and that it could provide Black people with the regenerative force necessary to inspire their self-improvement. Were he alive today, Delany would certainly feel at home with the present generation of Africancentrists, especially since he developed and articulated so many of their arguments more than a century ago.
Honorable Mention, 2019 MLA Prize for a First Book Sole Finalist Mention for the 2018 Lora Romero First Book Prize, presented by the American Studies Association Exposes the influential work of a group of black artists to confront and refute scientific racism. Traversing the archives of early African American literature, performance, and visual culture, Britt Rusert uncovers the dynamic experiments of a group of black writers, artists, and performers. Fugitive Science chronicles a little-known story about race and science in America. While the history of scientific racism in the nineteenth century has been well-documented, there was also a counter-movement of African Americans who worked to refute its claims. Far from rejecting science, these figures were careful readers of antebellum science who linked diverse fields—from astronomy to physiology—to both on-the-ground activism and more speculative forms of knowledge creation. Routinely excluded from institutions of scientific learning and training, they transformed cultural spaces like the page, the stage, the parlor, and even the pulpit into laboratories of knowledge and experimentation. From the recovery of neglected figures like Robert Benjamin Lewis, Hosea Easton, and Sarah Mapps Douglass, to new accounts of Martin Delany, Henry Box Brown, and Frederick Douglass, Fugitive Science makes natural science central to how we understand the origins and development of African American literature and culture. This distinct and pioneering book will spark interest from anyone wishing to learn more on race and society.
Martin R. Delany's Blake (c. 1860) tells the story of Henry Blake's escape from a southern plantation and his travels in the U.S., Canada, Africa, and Cuba on a mission to unite blacks of the Atlantic region in the struggle for freedom. Jerome McGann's edition offers the first correct printing of the work and an authoritative introduction.--
Martin R. Delany (1812-1885) was one of the leading and most influential Black activists and nationalists in American history. His ideas have inspired generations of activists and movements, including Booker T. Washington in the late nineteenth century, Marcus Garvey in the early 1920s, Malcolm X and Black Power in 1960s, and even today's Black Lives Matter. Extant scholarship on Delany has focused largely on his Black nationalist and Pan-Africanist ideas. Tunde Adeleke argues that there is so much more about Delany to appreciate. In the Service of God and Humanity reveals and analyzes Delany's contributions to debates and discourses about strategies for elevating Black people and improving race relations in the nineteenth century. Adeleke examines Delany's view of Blacks as Americans who deserved the same rights and privileges accorded Whites. While he spent the greater part of his life pursuing racial equality, his vision for America was much broader. Adeleke argues that Delany was a quintessential humanist who envisioned a social order in which everyone, regardless of race, felt validated and empowered. Through close readings of the discourse of Delany's humanist visions and aspirations, Adeleke illuminates many crucial but undervalued aspects of his thought. He discusses the strategies Delany espoused in his quest to universalize America's most cherished of values--life, liberty, and the pursuit of happiness--and highlights his ideological contributions to the internal struggles to reform America. The breadth and versatility of Delany's thought become more evident when analyzed within the context of his American-centered aspirations. In the Service of God and Humanity reveals a complex man whose ideas straddled many complicated social, political, and cultural spaces, and whose voice continues to speak to America today.
Delaney's hero is a West Indian slave who travels throughout the South advocating revolution, and later becomes the general of a black insurrectory fore in Cuba. Blake hopes that, with rebellion in Cuba and the expulsion of all Americans, Cuba's model as a self-governed black state will ultimately precipitate the downfall of slavery in the United States. Focusing on the political and social issues of the 1850s – slavery as an institution, Cuba as the prime interest of Southern expansionists, the practicality of militant slave revolution, and the possibilities of collective action – Blake is one of the most revealing novels of its period.
This classic novel, written in the midst of the Great Depression, translates the themes of Balzac to a Southern Appalachian setting. Lumpkin traces the path of the McClure family as they move from living as poor bootleggers in the mountains to living in a mill town, earning a pittance as factory workers. The McClures are navigating the treacherous path of industrialization without a safety net, even as the entire country reels with the effects of the Depression. Lumpkin weaves a story in poetic mountains speech, moving through powerful religious experiences, through lawless love, and reaching a tremendous climax in a mill strike waged with all the desperation of a life and death struggle. Without literary tricks or devices she achieves tremendous emotional effects through sincerity and realism.
How did slave-owning Southern planters make sense of the transformation of their world in the Civil War era? Matthew Pratt Guterl shows that they looked beyond their borders for answers. He traces the links that bound them to the wider fraternity of slaveholders in Cuba, Brazil, and elsewhere, and charts their changing political place in the hemisphere. Through such figures as the West Indian Confederate Judah Benjamin, Cuban expatriate Ambrosio Gonzales, and the exile Eliza McHatton, Guterl examines how the Southern elite connectedÑby travel, print culture, even the prospect of future conquestÑwith the communities of New World slaveholders as they redefined their world. He analyzes why they invested in a vision of the circum-Caribbean, and how their commitment to this broader slave-owning community fared. From Rebel exiles in Cuba to West Indian apprenticeship and the Black Codes to the Òlabor problemÓ of the postwar South, this beautifully written book recasts the nineteenth-century South as a complicated borderland in a pan-American vision.