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A compelling anthology of Black voices from England, America, Africa and the Caribbean, from people who lived, worked, campaigned and travelled in Britain from the eighteenth to the early twentieth century. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. Professor Hakim Adi draws on a variety of published works in Black Voices on Britain, all of which describe powerful experiences: James Gronniosaw and his family endure poverty, illness and unemployment; Mary Prince is driven out by her cruel owners and turns to London charities for help; Frederick Douglass, on a lecture tour around Britain, reveals how the Christian clergy built churches with slave-owners’ money; and William Wells Brown gives his impressions of England as he travels around a country which welcomes him more readily than America. These and other voices offer a fascinating and thought-provoking portrayal of Black experiences in Britain.
‘A timely book and a conversation starter on race in Britain.’ Rachel Edwards, Author of Darling and Lucky ‘A timely book in a year that has made clear that Britain still has a very long way to go towards becoming the model of racial equality it aims to be.’ Kenya Hunt ‘Powerful and sometimes painful testimonies but they also provide uplifting and enriching experiences.’ Stephen Bourne ‘I'm so proud to hold this book in my hand. We are here in all our richness.’ Adjoa Andoh, Actor, Director ‘This book is such a moving read for everyone of all ages and races.’ Colin Jackson, CBE ‘A reinforcement of evocative truths that hurt and sting deeply but also empower tremendously.’ Sharon Duncan-Brewster The whole world is watching. 25 May, 2020. George Floyd, a 46-year-old black man, is killed in Minneapolis while being arrested. His death, witnessed by horrified bystanders, is captured on camera – and within hours has spread far and wide across social media. We’re all bystanders now. The protests that follow express shock, sorrow, and outrage. Because what’s happened, has happened before – away from witnesses and cameras. The story didn’t begin here, and this is not where it ends… STILL BREATHING assembles a cast of 100 black voices to talk about their experiences of racism in Britain. Actresses Suzette Llewellyn (Eastenders) and Suzanne Packer (Holby City) are joined by musicians, Members of Parliament, poets, artists, athletes, civil servants, doctors, lawyers, and more. Touching on Windrush and the workplace, race riots and reforms, these essays seek to educate, to bear witness – and to offer hope for a better future, in Britain and around the world.
A powerful document of the day-to-day realities of Black women in Britain The Heart of the Race is a powerful corrective to a version of Britain’s history from which black women have long been excluded. It reclaims and records black women’s place in that history, documenting their day-to-day struggles, their experiences of education, work and health care, and the personal and political struggles they have waged to preserve a sense of identity and community. First published in 1985 and winner of the Martin Luther King Memorial Prize that year, The Heart of the Race is a testimony to the collective experience of black women in Britain, and their relationship to the British state throughout its long history of slavery, empire and colonialism. This new edition includes a foreword by Lola Okolosie and an interview with the authors, chaired by Heidi Safia Mirza, focusing on the impact of their book since publication and its continuing relevance today
The first photographic history of black people in the British Isles by a distinguished academic.
Staying Power is a panoramic history of black Britons. First published in 1984 amid race riots and police brutality, Fryer's history performed a deeply political act, revealing how Africans, Asians, and their descendants had been erased from British history. Stretching back to the Roman conquest, encompassing the court of Henry VIII, and following a host of characters from the pioneering nurse and war hero Mary Seacole to the abolitionist Olaudah Equiano, Peter Fryer paints a picture of two thousand years of black presence in Britain. By rewriting black Britons into British history, showing where they influenced political traditions, social institutions, and cultural life, Staying Power presented a radical challenge to racist and nationalist agendas. This edition includes a new foreword by Gary Younge examining the book's continued significance in shaping black British identity today, alongside the now-classic introduction by Paul Gilroy.
Black Studies is a hugely important, and yet undervalued, academic field of enquiry that is marked by its disciplinary absence and omission from academic curricula in Britain. There is a long and rich history of research on Blackness and Black populations in Britain. However Blackness in Britain has too often been framed through the lens of racialised deficits, constructed as both marginal and pathological. Blackness in Britain attends to and grapples with the absence of Black Studies in Britain and the parallel crisis of Black marginality in British society. It begins to map the field of Black Studies scholarship from a British context, by collating new and established voices from scholars writing about Blackness in Britain. Split into five parts, it examines: Black studies and the challenge of the Black British intellectual; Revolution, resistance and state violence; Blackness and belonging; exclusion and inequality in education; experiences of Black women and the gendering of Blackness in Britain. This interdisciplinary collection represents a landmark in building Black Studies in British academia, presenting key debates about Black experiences in relation to Britain, Black Europe and the wider Black diaspora. With contributions from across various disciplines including sociology, human geography, medical sociology, cultural studies, education studies, post-colonial English literature, history, and criminology, the book will be essential reading for scholars and students of the multi- and inter-disciplinary area of Black Studies.
Black theology as a discipline emerged in 1960s America, growing out of the experiences of Black people of the African Diaspora as they sought to re-interpret the central ideas of Christianity in light of struggle and oppression. However, a form of Black theology has been present in Britain since the time of slavery. 'Black Theology in Britain' offers the first comprehensive survey of Black theology, tracing its development in Britain from the eighteenth century to today. The essays cover a wide range of topics: Black Liberation; drama as a medium for Black theology; the perspective of Black women; Black theology in the pulpit and pastoral care; and the work of Robert Beckford and Anthony Reddie. 'Black Theology in Britain' is a key resource for students of British history, cultural studies, Black theology, and religious studies.
An atmospheric and utterly compelling debut novel about a Jamaican immigrant living in postwar London, This Lovely City shows that new arrivals have always been the prime suspects — but that even in the face of anger and fear, there is always hope. London, 1950. With the war over and London still rebuilding, jazz musician Lawrie Matthews has answered England’s call for labour. Arriving from Jamaica aboard the Empire Windrush, he’s rented a tiny room in south London and fallen in love with the girl next door. Playing in Soho’s jazz clubs by night and pacing the streets as a postman by day, Lawrie has poured his heart into his new home — and it’s alive with possibility. Until one morning, while crossing a misty common, he makes a terrible discovery. As the local community rallies, fingers of blame point at those who were recently welcomed with open arms. And before long, London’s newest arrivals become the prime suspects in a tragedy that threatens to tear the city apart. Immersive, poignant, and utterly compelling, Louise Hare’s debut examines the complexities of love and belonging, and teaches us that even in the face of anger and fear, there is always hope.