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The internationally acclaimed crime thriller set in the Italian Alps: “Written in a style both colorful and ironic [by] a great storyteller” (Suspense Magazine). Getting into serious trouble with the wrong people, deputy prefect of police Rocco Schiavone is exiled to Aosta, a small, touristy alpine town far from his beloved Rome. The sophisticated and crotchety Roman despises mountains and snow as much as he disdains his superiors and their petty rules. But when a body is discovered on a ski run above Champoluc, Rocco is once again at home—on the trail of a killer. Identifying the victim is a challenge in itself, complicated by Rocco’s ignorance of local customs and history. As he encounters the enigmatic folk of Aosta—and a few beautiful locals eager to give him a warm welcome—Rocco realizes that murder is never a simple affair. “The ranks of impressive Euro Noir novelists is swelled by the gritty Antonio Manzini, whose Black Run . . . underlines its genre-credentials with a superstructure of diamond-hard crime writing.” —Financial Times
The epic second novel from the author of the acclaimed Anthrax Island. ‘Black Run grabs the attention like a fire alarm and never lets up’ The Times John Tyler has a new mission: capture a heavily protected target from a ski resort in the Alps and smuggle him back to the UK. The abduction was a success, and Tyler boards the Tiburon, a rusting freighter crewed by smugglers and mercenaries, for the last leg of his journey. But his mark’s security team is hot on his heels, and won’t be deterred by an ocean. When Tyler's prisoner is found murdered inside a sealed hold on the ship, everyone on board becomes a suspect. In the flickering light of the Tiburon’s passageways, there’s nowhere to run but everywhere to hide. Ronin meets Bond in this high-octane thriller with a locked-room mystery at its heart. Perfect for fans of Alistair MacLean. Praise for Black Run ‘Marshall... is very quickly establishing himself as the go-to in a new wave of thriller writers who emulate and better the grand masters of the genre’ The Sun ‘Black Run is an absolutely stunning sequel to Anthrax Island that will delight action and mystery fans in equal measure’ Chris McGeorge, author of Half-Past Tomorrow ‘A rip-roaring, rollicking rollercoaster of a read! Another ingenious locked-room mystery unravelled amidst a series of high-velocity action sequences, the tension and drama expertly maintained throughout. John Tyler is rapidly becoming one of my favourite action heroes’ Russ Thomas, author of Nighthawking ‘I slalomed my way through Black Run like a downhill skier on acid. Marshall has again combined an adrenaline-fuelled adventure yarn with an unfathomable locked-room mystery. Packed with brutal action and bodies galore, Black Run is a treat for all the senses’ Trevor Wood, author of One Way Street ‘Nobody fuses action and mystery with such punch, panache and verve as D. L. Marshall, sending him straight to the genre’s top table alongside Cussler and MacLean – with a flair for impossible enigmas echoing the best of Christie. A simply outstanding, breakout novel’ Rob Parker, author of Far from the Tree ‘Spectacular... Brilliantly constructed action sequences so realistic it feels like bullets are whizzing past your head, smart as hell and expertly paced. Tyler would snap Bond in two then send him back to the 20th century in a body bag...’ Adam Simcox, author of The Dying Squad ‘Blistering action and brilliant plotting. Black Run grabs you from the first page and never lets up’ Tim Glister, author of Red Corona ‘Black Run is a brilliantly hectic thrill ride, razor-sharp and full of dark humour. A joy to read’ Doug Johnstone, author of The Big Chill ‘D. L. Marshall just keeps getting better and better... This is an adrenaline-fuelled charge from start to finish, and John Tyler drives the action in a way that makes Bond look like an also-ran’ Alison Belsham, author of The Tattoo Thief ‘One of the finest action thrillers in years’ Robert Scragg, author of End of the Line
From Appomattox to World War I, blacks continued their quest for a secure position in the American system. The problem was how to be both black and American -- how to find acceptance, or even toleration, in a society in which the boundaries of normative behavior, the values, and the very definition of what it meant to be an American were determined and enforced by whites. A few black leaders proposed self-segregation inside the United States within the protective confines of an all-black community as one possible solution. The black-town idea reached its peak in the fifty years after the Civil War; at least sixty black communities were settled between 1865 and 1915. Norman L. Crockett has focused on the formation, growth and failure of five such communities. These include Nicodemus, Kansas; Mound Bayou, Mississippi; Langston, Oklahoma; and Boley, Oklahoma. The last two offer opportunity to observe aspects of Indian-black relations in this area.
In this #1 New York Times bestseller, Ijeoma Oluo offers a revelatory examination of race in America Protests against racial injustice and white supremacy have galvanized millions around the world. The stakes for transformative conversations about race could not be higher. Still, the task ahead seems daunting, and it’s hard to know where to start. How do you tell your boss her jokes are racist? Why did your sister-in-law hang up on you when you had questions about police reform? How do you explain white privilege to your white, privileged friend? In So You Want to Talk About Race, Ijeoma Oluo guides readers of all races through subjects ranging from police brutality and cultural appropriation to the model minority myth in an attempt to make the seemingly impossible possible: honest conversations about race, and about how racism infects every aspect of American life. "Simply put: Ijeoma Oluo is a necessary voice and intellectual for these times, and any time, truth be told." ―Phoebe Robinson, New York Times bestselling author of You Can't Touch My Hair
Living in a segregated society, white Americans learn about African Americans through the images the media show. This text offers a look at the racial patterns in the mass media and how they shape the ambivalent attitudes of whites toward blacks.
Winner of the Bancroft Prize Winner of the David J. Langum Prize Winner of the Lillian Smith Book Award Winner of the Order of the Coif Book Award Winner of the OAH Liberty Legacy Foundation Award A New York Times Critics’ Top Book of the Year “This extraordinary book is a powerful addition to the history of travel segregation...Mia Bay shows that Black mobility has always been a struggle.” —Ibram X. Kendi, author of How to Be an Antiracist “In Mia Bay’s superb history of mobility and resistance, the question of literal movement becomes a way to understand the civil rights movement writ large.” —Jennifer Szalai, New York Times “Traveling Black is well worth the fare. Indeed, it is certain to become the new standard on this important, and too often forgotten, history.” —Henry Louis Gates, Jr., author of Stony the Road From Plessy v. Ferguson to #DrivingWhileBlack, African Americans have fought to move freely around the United States. But why this focus on Black mobility? From stagecoaches and trains to buses, cars, and planes, Traveling Black explores when, how, and why racial restrictions took shape in America and brilliantly portrays what it was like to live with them. Mia Bay rescues forgotten stories of passengers who made it home despite being insulted, stranded, re-routed, or ignored. She shows that Black travelers never stopped challenging these humiliations, documenting a sustained fight for redress that falls outside the traditional boundaries of the civil rights movement. A riveting, character-rich account of the rise and fall of racial segregation, it reveals just how central travel restrictions were to the creation of Jim Crow laws—and why free movement has been at the heart of the quest for racial justice ever since.
“A dynamic story line that grips from the first chapter and doesn't let go.” --Midwest Book Review, Diane Donovan (regarding Once Gone) From #1 bestselling mystery author Blake Pierce comes a new masterpiece of psychological suspense. In CAUSE TO RUN (An Avery Black Mystery—Book 2), a new serial killer is stalking Boston, killing his victims in bizarre ways, taunting the police with mysterious puzzles that reference the stars. As the stakes are upped and the pressure is on, the Boston Police Department is forced to call in its most brilliant—and most controversial—homicide detective: Avery Black. Avery, still reeling from her last case, finds herself up against a rival precinct and a brilliant, cunning killer who is always one step ahead of her. She is forced to enter his dark, twisted mind as he lays clues for his next killing, and forced to look into places in her own mind she would rather not go. She finds herself compelled to seek the counsel of Howard Randall, the twisted serial killer she’d put behind bars years ago, all while her new burgeoning life with Rose and Ramirez is falling apart. And just as things cannot get any worse, she finds out something else: she herself may be the target. In a game of psychological cat and mouse, a frantic race against time leads Avery through a series of shocking and unexpected twists—culminating in climax that even Avery could not imagine. A dark psychological thriller with heart-pounding suspense, CAUSE TO RUN is book #2 of a riveting new series—with a beloved new character—that will leave you turning pages late into the night. Book #3 in the Avery Black series is also now available! “A masterpiece of thriller and mystery. Pierce did a magnificent job developing characters with a psychological side, so well described that we feel inside their minds, follow their fears and cheer for their success. The plot is very intelligent and will keep you entertained throughout the book. Full of twists, this book will keep you awake until the turn of the last page.” --Books and Movie Reviews, Roberto Mattos (re Once Gone)
Still not over Janiece, K.P. wants her back. He is shocked to find out that she is now married and expecting her first child, and there is no chance for them to start over. Unable to move on, K.P. decides to try to be a friend, causing drama and turbulence with Janiece's in-laws while Isaiah is away serving his country. Her older sister, Janelle, tries to be a comfort for Janiece during her pregnancy and separation from her husband, but Janelle has issues of her own to worry about. Her marriage takes a turn for the worse as her husband, Gregory, puts business before family and neglects his duties as a husband, along with his fatherly responsibilities to their twins. Janelle finds herself walking in someone else's shoes, and she realizes that what goes around sometimes comes back around.
This epic adventure picks up where the famous novel left off. Logan has found Sanctuary a challenging existence. It's not the Utopia of Runner myths. He jumps at the chance to take on a dangerous mission to destroy Hourglass, the facility that controls the palm flowers-the implanted device dictating how long each person may live. However Hourglass is now under the control of another former Sandman-the ever dangerous Gant. Logan's Run Black Flower is the continuation of the iconic story started by science fiction masters William F. Nolan and George Clayton Johnson.
Black or Right: Anti/Racist Campus Rhetorics explores notions of Blackness in white institutional—particularly educational—spaces. In it, Louis M. Maraj theorizes how Black identity operates with/against ideas of difference in the age of #BlackLivesMatter. Centering Blackness in frameworks for antiracist agency through interdisciplinary Black feminist lenses, Black or Right asks how those racially signifying “diversity” in US higher education (and beyond) make meaning in the everyday. Offering four Black rhetorics as antiracist means for rhetorical reclamation—autoethnography, hashtagging, inter(con)textual reading, and reconceptualized disruption—the book uses Black feminist relationality via an African indigenous approach. Maraj examines fluid, quotidian ways Black folk engage anti/racism at historically white institutions in the United States in response to violent campus spaces, educational structures, protest movements, and policy practice. Black or Right’s experimental, creative style strives to undiscipline knowledge from academic confinement. Exercising different vantage points in each chapter—autoethnographer, digital media scholar/pedagogue, cultural rhetorician, and critical discourse analyst—Maraj challenges readers to ecologically understand shifting, multiple meanings of Blackness in knowledge-making. Black or Right’s expressive form, organization, narratives, and poetics intimately interweave with its argument that Black folk must continuously invent “otherwise” in reiterative escape from oppressive white spaces. In centering Black experiences, Black theory, and diasporic Blackness, Black or Right mobilizes generative approaches to destabilizing institutional whiteness, as opposed to reparative attempts to “fix racism,” which often paradoxically center whiteness. It will be of interest to both academic and general readers and significant for specialists in cultural rhetorics, Black studies, and critical theory.