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The early migration of Cuban refugees to the United States after the ascent to power of the Cuban Revolution in 1959, was made up in disproportionate numbers by white (or lighter skin) Cubans. As part of that migration, Operación Pedro Pan reflected the racial make-up of those seeking to leave the island. In Black Pedro Pan, the author recounts his childhood and major family influences that gave shape to his life. As he entered his teenage years, his life is abruptly interrupted by his participation in Operacion Pedro Pan, a program that saw the mass exodus of over 14,000 unaccompanied Cuban minors ages 6 to 18 to the United States, where the vast majority were received and sheltered by the Catholic Welfare Bureau. He then briefly describes his participation in the program, his personal experiences and observations after his reunification with his exiled parents at age 17. As he continues his life's journey, he offers, through a series of vignettes and anecdotes, his outlook on racial issues in general, his insights into the Cuban exile and African-American communities and the relationship between the two, and, from a distance, his impressions on the state of his native country, all from the perspective of a Black Cuban (or perhaps as appropriate, a Cuban Black).
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
A childhood in a privileged household in 1950s Havana was joyous and cruel, like any other-but with certain differences. The neighbour's monkey was liable to escape and run across your roof. Surfing was conducted by driving cars across the breakwater. Lizards and firecrackers made frequent contact. Carlos Eire's childhood was a little different from most. His father was convinced he had been Louis XVI in a past life. At school, classmates with fathers in the Batista government were attended by chauffeurs and bodyguards. At a home crammed with artifacts and paintings, portraits of Jesus spoke to him in dreams and nightmares. Then, in January 1959, the world changes: Batista is suddenly gone, a cigar-smoking guerrilla has taken his place, and Christmas is cancelled. The echo of firing squads is everywhere. And, one by one, the author's schoolmates begin to disappear-spirited away to the United States. Carlos will end up there himself, without his parents, never to see his father again. Narrated with the urgency of a confession, WAITING FOR SNOW IN HAVANA is both an ode to a paradise lost and an exorcism. More than that, it captures the terrible beauty of those times in our lives when we are certain we have died-and then are somehow, miraculously, reborn.
A New York Public Library "Best Books for Kids 2019" choice in nonfiction history. Discover the whimsical tale of friendship between one man and his gold pan, and their journey in the wake of the Gold Rush. Pedro and his pan go on an exciting adventure together--to strike gold! They hike mountains, whack through bushes, and wade through streams as they sift through dirt and gravel in search of the hidden nuggets. But as time goes by without any success, Pan begins to worry that he is broken. Will he and Pedro ever find what they're looking for? Inspired by the true story of Felix Pedro, a prospector who launched one of the richest gold rushes in Alaska's history, Pedro's Pan offers a glimpse into American history as well as educates how gold panning works in a fun and exciting way.
"A wordless graphic novel in which twelve-year-old Marisol must adapt to a new life 1960s Brooklyn after her parents send her to the United States from Cuba to keep her safe during Castro's regime."--
"All children grow up. All except one." That special child is Peter Pan, and since making his debut on the stage in 1904, this eternal youth has carried boys and girls off to magical, marvelous Neverland. It's a trip that all kids want to make, and with this easy-to-read version of the classic, everyone can fly "second to the right, and straight on till morning" with Peter. Along with Wendy, John, and Michael Darling, they'll meet the fairy Tinkerbell, the Lost Boys, and the menacing Captain Hook.
Caribbean Studies Association Gordon K. and Sybil Lewis Award - Honorable Mention The initial push for a federation among British Caribbean colonies might have originated among colonial officials and white elites, but the banner for federation was quickly picked up by Afro-Caribbean activists who saw in the possibility of a united West Indian nation a means of securing political power and more. In Building a Nation, Eric Duke moves beyond the narrow view of federation as only relevant to Caribbean and British imperial histories. By examining support for federation among many Afro-Caribbean and other black activists in and out of the West Indies, Duke convincingly expands and connects the movement's history squarely into the wider history of political and social activism in the early to mid-twentieth century black diaspora. Exploring the relationships between the pursuit of Caribbean federation and black diaspora politics, Duke convincingly posits that federation was more than a regional endeavor; it was a diasporic, black nation-building undertaking--with broad support in diaspora centers such as Harlem and London--deeply immersed in ideas of racial unity, racial uplift, and black self-determination. A volume in this series New World Diasporas, edited by Kevin A. Yelvington
The Red Umbrella is a moving tale of a 14-year-old girl's journey from Cuba to America as part of Operation Pedro Pan—an organized exodus of more than 14,000 unaccompanied children, whose parents sent them away to escape Fidel Castro's revolution. In 1961, two years after the Communist revolution, Lucía Álvarez still leads a carefree life, dreaming of parties and her first crush. But when the soldiers come to her sleepy Cuban town, everything begins to change. Freedoms are stripped away. Neighbors disappear. And soon, Lucía's parents make the heart-wrenching decision to send her and her little brother to the United States—on their own. Suddenly plunked down in Nebraska with well-meaning strangers, Lucía struggles to adapt to a new country, a new language, a new way of life. But what of her old life? Will she ever see her home or her parents again? And if she does, will she still be the same girl? The Red Umbrella is a touching story of country, culture, family, and the true meaning of home. “Captures the fervor, uncertainty and fear of the times. . . . Compelling.” –The Washington Post “Gonzalez deals effectively with separation, culture shock, homesickness, uncertainty and identity as she captures what is also a grand adventure.” –San Francisco Chronicle
“Portrays the vitality and dynamism of indigenous actors in what is arguably one of the most foundational and central zones in the making of modern world history: the Caribbean.”—Maximilian C. Forte, author of Ruins of Absence, Presence of Caribs “Brings together historical analysis and the compelling stories of individuals and families that labored in the island economies of the Caribbean.”—Cynthia Radding, coeditor of Borderlands in World History, 1700–1914 During the colonial period, thousands of North American native peoples traveled to Cuba independently as traders, diplomats, missionary candidates, immigrants, or refugees; others were forcibly transported as captives, slaves, indentured laborers, or prisoners of war. Over the half millennium after Spanish contact, Cuba also served as the principal destination and residence of peoples as diverse as the Yucatec Mayas of Mexico; the Calusa, Timucua, Creek, and Seminole peoples of Florida; and the Apache and Puebloan cultures of the northern provinces of New Spain. Many settled in pueblos or villages in Cuba that endured and evolved into the nineteenth century as urban centers, later populated by indigenous and immigrant Amerindian descendants and even their mestizo, or mixed-blood, progeny. In this first comprehensive history of the Amerindian diaspora in Cuba, Jason Yaremko presents the dynamics of indigenous movements and migrations from several regions of North America from the sixteenth through nineteenth centuries. In addition to detailing the various motives influencing aboriginal migratory processes, Yaremko uses these case studies to argue that Amerindians—whether voluntary or involuntary migrants—become diasporic through common experiences of dispossession, displacement, and alienation within Cuban colonial society. Yet, far from being merely passive victims acted upon, he argues that indigenous peoples were cognizant agents still capable of exercising power and influence to act in the interests of their communities. His narrative of their multifaceted and dynamic experiences of survival, adaptation, resistance, and negotiation within Cuban colonial society adds deeply to the history of transculturation in Cuba, and to our understanding of indigenous peoples, migration, and diaspora in the wider Caribbean world.
Ani, a 12-year-old Basque girl, and Mathias, a 14-year-old German Jew, become friends and then spies in the weeks leading up to the bombing of Guernica in April 1937.