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A potent symbol of black power and radical inspiration, the Black Panthers still evoke strong emotions. This edition of Jane Rhodes's acclaimed study examines the extraordinary staying power of the Black Panthers in the American imagination. Probing the group's longtime relationship to the media, Rhodes traces how the Panthers articulated their message through symbols and tactics the mass media could not resist. By exploiting press coverage through everything from posters to public appearances to photo ops, the Panthers created a linguistic and symbolic universe as salient today as during the group's heyday. They also pioneered a sophisticated version of mass media activism that powers contemporary African American protest. Featuring a timely new preface by the author, Framing the Black Panthers is a breakthrough reconsideration of a fascinating phenomenon.
This new collection of essays, contributed by scholars and former Panthers, is a ground-breaking work that offers thought-provoking and pertinent observations about the many facets of the Party. By placing the perspectives of participants and scholars side by side, Dr. Jones presents an insider view and initiates a vital dialogue that is absent from most historical studies.
The tide of 1960s political upheaval, while mistaken at the time by some as a unified assault against America carried out by revolutionaries at home and abroad, was actually hundreds of locally constructed expressions of political discourse, reflecting the influences of race, class, gender, and local conditions on each unique group of practitioners. This is a comparative study of how radicals at the local level staged, displayed, and ultimately narrated symbolic acts of performative violence against the symbols of the American system. The term performative violence refers to a method of public protest whereby participants create the conditions in which their violent actions become a political text, a powerful symbol with a strong historical precedent. Recognizing the textuality of history, this interdisciplinary examination deconstructs the performative violence within its historically specific and socially constructed contexts using four representative case histories of late 1960s and early 1970s activism. These are the African-American rioters in Kansas City, the Black Panther Party in Detroit, campus radicals at Kansas State University, and activists at the University of Kansas. Rather than focusing on the major clashes of the Vietnam era, this book contributes to recent scholarship on the 1960s which has attempted to offer a more textured analysis of the era's activism, particularly its political violence, based on more local studies.
Florida Book Awards, Silver Medal for General Nonfiction In the tumultuous year after Martin Luther King Jr.’s assassination, 29-year-old Pete O’Neal became inspired by reading The Autobiography of Malcolm X and founded the Kansas City branch of the Black Panther Party (BPP). The same year, FBI director J. Edgar Hoover declared the BPP was the “greatest threat to the internal security of the country.” Black Panther in Exile is the gripping story of O’Neal, one of the influential members of the movement, who now lives in Africa—unable to return to the United States but refusing to renounce his past. Arrested in 1969 and convicted for transporting a shotgun across state lines, O’Neal was free on bail pending his appeal when Fred Hampton, chairman of the Illinois chapter of the BPP, was assassinated by the police. O’Neal and his wife fled the United States for Algiers. Eventually they settled in Tanzania, where the O’Neals continue the social justice work of the Panthers through community and agricultural programs and host study-abroad programs for American students. Paul Magnarella—a veteran of the United Nations Criminal Tribunals and O’Neal’s attorney during his appeals process from 1997 to 2001—describes his unsuccessful attempts to overturn what he argues was a wrongful conviction. He lucidly reviews the evidence of judicial errors, the prosecution’s use of a paid informant as a witness, perjury by both the prosecution’s key witness and a federal agent, as well as other constitutional violations. He demonstrates how O’Neal was denied justice during the height of the COINTELPRO assault on black activists in the United States.