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Join the authors of Horrified Press in this anthology as seen through feline eyes. Dare you walk in the steps of the black cat?
“Tequila is my soul mate,” Lucinda Hutson exclaims. “Mexico in a bottle, its flavor is as melodic to the mouth as a mariachi tune is to the ear—bold, spicy, and full of life!” For nearly forty years, Lucinda has trekked through tequila country, distilling adventures and knowledge to present them to enthusiastic readers around the world. Her 1995 book Tequila! Cooking with the Spirit of Mexico helped usher in the boom that transformed the tequila industry. Now in ¡Viva Tequila! she returns to her lifelong passion, bringing us deeper into the traditions and vibrant present of Mexico, and creates fabulous, flavorful recipes for drinks and dishes made with Mexico’s agave spirits. ¡Viva Tequila! begins with a lively tour of the history and culture of spirits made from the miraculous maguey—pulque, mezcal, and tequila. Lucinda follows her chosen elixir from fields of blue agave, to distilleries both family-owned and internationally operated, to the bewildering array of brands now available in the market. She offers advice on how to host a tequila tasting, discover your favorites, and stock your home cantina. With imaginative garnishes and presentations, and inspiration drawn from her travels throughout Mexico, Lucinda presents recipes for dozens of drinks featuring favorite Mexican libations, while also highlighting mezcal and tequila in new and bright ways that go far beyond the ubiquitous margarita. And because no fiesta is complete without festive food, Lucinda shows you how to use agave spirits in delightful dishes that feature fresh produce, fragrant herbs, and chiles picantes, prepared with techniques from Mexico's kitchen. For occasions ranging from lavish buffets to morning meriendas, leisurely afternoon tardeadas, last-minute happy hours, or dessert socials, you'll find original recipes and traditional ones, some of which Lucinda has altered with contemporary touches, that are sure to please every palate.
This work presents 369 British films produced between 1937 and 1964 that embody many of the same filmic qualities as those "black films" made in the United States during the classic film noir era. This reference work makes a case for the inclusion of the British films in the film noir canon, which is still considered by some to be an exclusively American inventory. In the book's main section, the following information is presented for each film: a quote from the film; the title and release date; a rating based on the five-star system; the production company, director, cinematographer, screenwriter, and main performers; and a plot synopsis with author commentary. Appendices categorize films by rating, release date, director and cinematographer and also provide a noir and non-noir breakdown of the 47 films presented on the Edgar Wallace Mystery Theatre, a 1960s British television series that was also shown in the United States.
What are these people confronting, death, destruction, one step too far, a bridge, a - there are many ways we cross over, some we don't even think about, but trust us, Thirteen O'clock Press authors have thought! Here are a wide range of dark stories which all feature someone somewhere crossing over... walk with them, walk on the dark side...
This book is the first full-length annotated bibliography of the works of humorist Robert Benchley. It contains chapters on his books, essays, newspaper writings, dramatic criticism, plus a filmography and a discography. Also included is a chapter on secondary sources about his life. When humorist Robert Benchley died in 1945 at the age of 56, he left behind a large body of little-known material. Some of this material was collected into book form during and after Benchley's lifetime, but much of it remains uncollected. This annotated bibliography brings together in one volume citations to most of Benchley's collected and uncollected works. The volume contains chapters on Benchley's books, essays, newspaper writings, dramatic criticism, secondary sources about him, a filmography, and a discography. The books chapter contains all of Benchley's major books and lists the contents of each. The chapters on his essays and newspaper writings detail his work for such publications as the New Yorker, Life, Liberty, Vanity Fair, the New York Tribune, New York World, and the Chicago Tribune. The dramatic criticism chapter contains all his theater reviews, for Life and the New Yorker, with the titles of the reviewed plays and the authors for each. Entries are numbered, cross-referenced, and indexed to assist the reader.
A guide to directors who have worked in the British and Irish film industries between 1895 and 2005. Each of its 980 entries on individuals directors gives a resume of the director's career, evaluates their achievements and provides a complete filmography. It is useful for those interested in film-making in Britain and Ireland.
Dust and Drama is a lighthearted look at the memories of people who acted, directed, and were otherwise connect to Broken Hill Repertory Society. Wherever there is theater, there are funny stories, and these snippets of memories have been collected into this book. There are many other stories. Some people were unable to be contacted, and some stories were unsuitable for print. We hope you enjoy reminiscing as you read.
First published on the fiftieth anniversary of his directorial debut, this book was the first to examine the work of a man once hailed as the finest film-maker to emerge from the British studio system after the Second World War. Before being recruited by Hollywood, J. Lee Thompson made a string of classic films including: Yield to the Night (1956), Ice Cold in Alex (1958), Tiger Bay (1959), North West Frontier (1959) and The Guns of Navarone (1961). He worked in the Hollywood industry into his late eighties, making nearly thirty films as a director and producer between 1960 and 1990. He remains best known, however, for his first: the immortal thriller Cape Fear (1962). Drawing on extensive interview material, Steve Chibnall traces Lee Thompson's career in British cinema, and offers an analysis of his films which reveals remarkable, and previously unacknowledged, continuities of style and theme. This is a book for anyone interested in the history of British cinema, and particularly those who enjoy the best of 1950s and 1960s film.
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.