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In this “strikingly imaginative” sequel to The Waterborn, an emperor’s daughter flees into the wasteland, pursued by an angry god (Kirkus Reviews). The daughter of the emperor, Hezhi has been blessed with untold strength: powers that could change the world. Fearful of this teenage upstart, the god known as the River demands that she be brought in line—or put to death, as all who challenge the River must be. He sends an assassin to follow her, but with the help of a barbarian named Perkar, Hezhi fights back—and nearly destroys the River altogether. She flees the city, striking out into the wilderness in hopes of finding a safe haven beyond the reach of the River’s agents. But no matter where she goes, Hezhi cannot find peace. When she meets the River’s brother, the trickster known as the Blackgod, he offers a way to destroy the River at the source. Caught between two warring deities, Hezhi must learn to master her power—or watch as the world is consumed by water.
Rising science fiction and fantasy star P. Djèlí Clark brings an alternate New Orleans of orisha, airships, and adventure to life in his immersive debut novella The Black God's Drums. Alex Award Winner! In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air--in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie’s trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God’s Drums. But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations. Soon, Creeper, Oya, and the crew of the Midnight Robber are pulled into a perilous mission aimed to stop the Black God’s Drums from being unleashed and wiping out the entirety of New Orleans. “A sinewy mosaic of Haitian sky pirates, wily street urchins, and orisha magic. Beguiling and bombastic!”—New York Times bestselling author Scott Westerfeld At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
J-Rod moves like a small tank on the court, his face mean, staring down his opponents. "I play just like my father," he says. "Before my father died, he was a problem on the court. I'm a problem." Playing basketball for him fuses past and present, conjuring his father's memory into a force that opponents can feel in each bone-snapping drive to the basket. On the street, every ballplayer has a story. Onaje X. O. Woodbine, a former streetball player who became an all-star Ivy Leaguer, brings the sights and sounds, hopes and dreams of street basketball to life. He shows that big games have a trickster figure and a master of black talk whose commentary interprets the game for audiences. The beats of hip-hop and reggae make up the soundtrack, and the ballplayers are half-men, half-heroes, defying the ghetto's limitations with their flights to the basket. Basketball is popular among young black American men but not because, as many claim, they are "pushed by poverty" or "pulled" by white institutions to play it. Black men choose to participate in basketball because of the transcendent experience of the game. Through interviews with and observations of urban basketball players, Onaje X. O. Woodbine composes a rare portrait of a passionate, committed, and resilient group of athletes who use the court to mine what urban life cannot corrupt. If people turn to religion to reimagine their place in the world, then black streetball players are indeed the hierophants of the asphalt.
A comparative study of the Afroasiatic traditional religions of northern Africa and Arabia. The author argues that there is a common Afroasiatic language in those regions, so is there a common family of religions. He compares traditions as diverse as those in Yemen and Nigeria.
Wending his way home after a bender one evening, master moocher and game programmer Keita Ibuki decides to satisfy a craving for ramen at a noodle stand. Instead of slurping soup, though, he surrenders his meal to a manic girl who, unbeknownst to Keita, is a Mototsumitama, a guardian of the coexistence equilibrium. When his new acquaintance is attacked, Keita gets caught in the crossfire and loses an arm. Awakening from the shock, Keita finds himself back in his apartment, arm intact! But just whose arm is it?!
An instant New York Times bestseller! Charlamagne Tha God—the self-proclaimed “Prince of Pissing People Off,” cohost of Power 105.1’s The Breakfast Club, and “the most important voice in hip-hop”—shares his eight principles for unlocking your God-given privilege. In Black Privilege, Charlamagne presents his often controversial and always brutally honest insights on how living an authentic life is the quickest path to success. This journey to truth begins in the small town of Moncks Corner, South Carolina, and leads to New York and headline-grabbing interviews and insights from celebrities like Kanye West, Kevin Hart, Malcolm Gladwell, Lena Dunham, Jay Z, and Hillary Clinton. Black Privilege lays out all the great wisdom Charlamagne’s been given from many mentors, and tells the uncensored story of how he turned around his troubled early life by owning his (many) mistakes and refusing to give up on his dreams, even after his controversial opinions got him fired from several on-air jobs. These life-learned principles include: -There are no losses in life, only lessons -Give people the credit they deserve for being stupid—starting with yourself -It’s not the size of the pond but the hustle in the fish -When you live your truth, no one can use it against you -We all have privilege, we just need to access it By combining his own story with bold advice and his signature commitment to honesty no matter the cost, Charlamagne hopes Black Privilege will empower you to live your own truth.
"Man Know Thyself."Did you know that the Gods and Goddesses of ancient Ethiopia, Egypt, "Middle East," India, and Asia were Black? What is God? What color is God? What is the substance of God? Does it matter what color God is? Are the images, and symbols of a White God death to us? What is the Self? What does Self and God share in common? How is God, Self, and Ancestors related? To know the Self involves knowing God. We must obtain knowledge of Self. The Self is the life force, and it is not an isolated event captured within an impenetrable physical body. The Self is rather, an extensive spiritual entity that permeates each of us, and back to our first ancestors. The circle of Self that unites us with one another; to our ancestors, and God has been disconnected. consequently, we have become estranged from our essence (God). We must find continuity again. The information and suggestions in this book are intended to motivate and point out one of the roads Black people can travel towards becoming what God intended them to be; that is, unique and personal manifestations of God in this splintered and oppressive world.
Taking the influential work of Arthur Huff Fauset as a starting point to break down the false dichotomy that exists between mainstream and marginal, a new generation of scholars offers fresh ideas for understanding the religious expressions of African Americans in the United States. Fauset's 1944 classic, Black Gods of the Metropolis, launched original methods and theories for thinking about African American religions as modern, cosmopolitan, and democratic. The essays in this collection show the diversity of African American religion in the wake of the Great Migration and consider the full field of African American religion from Pentecostalism to Black Judaism, Black Islam, and Father Divine's Peace Mission Movement. As a whole, they create a dynamic, humanistic, and thoroughly interdisciplinary understanding of African American religious history and life. This book is essential reading for anyone who studies the African American experience.
Winner of the Nebula Award for Best Novelette Finalist for the Hugo, Locus, Shirley Jackson, and Sturgeon Awards The Only Harmless Great Thing is a heart-wrenching alternative history by Brooke Bolander that imagines an intersection between the Radium Girls and noble, sentient elephants. In the early years of the 20th century, a group of female factory workers in Newark, New Jersey slowly died of radiation poisoning. Around the same time, an Indian elephant was deliberately put to death by electricity in Coney Island. These are the facts. Now these two tragedies are intertwined in a dark alternate history of rage, radioactivity, and injustice crying out to be righted. Prepare yourself for a wrenching journey that crosses eras, chronicling histories of cruelty both grand and petty in search of meaning and justice. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.