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In the 1980s and 1990s, Black German women began to play significant roles in challenging the discrimination in their own nation and abroad. Their grassroots organizing, writings, and political and cultural activities nurtured innovative traditions, ideas, and practices. These strategies facilitated new, often radical bonds between people from disparate backgrounds across the Black Diaspora. Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression. Florvil shows the multifaceted contributions of women to movement making, including Audre Lorde’s role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans and Afro-German Women. These practices and strategies became a rallying point for isolated and marginalized women (and men) and shaped the roots of contemporary Black German activism. Richly researched and multidimensional in scope, Mobilizing Black Germany offers a rare in-depth look at the emergence of the modern Black German movement and Black feminists’ politics, intellectualism, and internationalism.
A groundbreaking account of the development of Germany's first African community, which offers fascinating perspectives on transnational German history.
The rich history of encounters prior to World War I between people from German-speaking parts of Europe and people of African descent has gone largely unnoticed in the historical literature—not least because Germany became a nation and engaged in colonization much later than other European nations. This volume presents intersections of Black and German history over eight centuries while mapping continuities and ruptures in Germans' perceptions of Blacks. Juxtaposing these intersections demonstrates that negative German perceptions of Blackness proceeded from nineteenth-century racial theories, and that earlier constructions of “race” were far more differentiated. The contributors present a wide range of Black–German encounters, from representations of Black saints in religious medieval art to Black Hessians fighting in the American Revolutionary War, from Cameroonian children being educated in Germany to African American agriculturalists in Germany's protectorate, Togoland. Each chapter probes individual and collective responses to these intercultural points of contact.
A major contribution to Black-German studies
This “extraordinary” memoir of a black man’s coming of age in Nazi Germany is “an entirely engaging story of accomplishment despite adversity.” —Washington Post Book World In Destined to Witness, Hans Massaquoi has crafted a beautifully rendered memoir—an astonishing true tale of growing up black in Nazi Germany. The son of a prominent African and a German nurse, Hans remained behind with his mother when Hitler came to power, after his father returned to Liberia. Like other German boys, Hans went to school; like other German boys, he swiftly fell under the Fuhrer’s spell. So he was crushed to learn that, as a black child, he was ineligible for the Hitler Youth. His path to a secondary education and an eventual profession was blocked. He now lived in fear that, at any moment, he might hear the Gestapo banging on the door—or Allied bombs falling on his home. Ironic, moving, and deeply human, Massaquoi’s account of this lonely struggle for survival brims with courage and intelligence. “A cry against racism, a survivor’s tale, a wartime adventure, a coming of age story, and a powerful tribute to a mother’s love.”—New Orleans Times-Picayune “An incredible tale . . . Exceptional.” —Chicago Sun Times “Destined to Witness examines a roller coaster of racism from different cultures and continents.” —The New York Times Book Review “Here is a story rarely lived and even more rarely told. We need this book for a balanced picture of the Holocaust.” —Maya Angelou “A nuanced, startling memoir.” —Kirkus Reviews “An engaging story of a young man’s journey through hate, self-enlightenment, intrigue and romance.” —Ebony
Investigates the appropriation of black popular culture as a symbol of rebellion in postwar Germany
Heide Fehrenbach traces the complex history of German attitudes to race following 1945 by focusing on the experiences of and the debates surrounding the several thousand postwar children born to African American GIs and their German partners.
In Singing Like Germans, Kira Thurman tells the sweeping story of Black musicians in German-speaking Europe over more than a century. Thurman brings to life the incredible musical interactions and transnational collaborations among people of African descent and white Germans and Austrians. Through this compelling history, she explores how people reinforced or challenged racial identities in the concert hall. Throughout the nineteenth and twentieth centuries, audiences assumed the categories of Blackness and Germanness were mutually exclusive. Yet on attending a performance of German music by a Black musician, many listeners were surprised to discover that German identity is not a biological marker but something that could be learned, performed, and mastered. While Germans and Austrians located their national identity in music, championing composers such as Bach, Beethoven, and Brahms as national heroes, the performance of their works by Black musicians complicated the public's understanding of who had the right to play them. Audiences wavered between seeing these musicians as the rightful heirs of Austro-German musical culture and dangerous outsiders to it. Thurman explores the tension between the supposedly transcendental powers of classical music and the global conversations that developed about who could perform it. An interdisciplinary and transatlantic history, Singing Like Germans suggests that listening to music is not a passive experience, but an active process where racial and gendered categories are constantly made and unmade.
Death in Berlin traces rituals and perceptions surrounding death from the Weimar Republic to the building of the Berlin Wall.