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Stories by and about Black Women This superb collection of short stories features contributions from thirteen black women writers including Toni Morrison, Paule Marshall, Alice Walker, Ntozake Shange and Toni Cade Bambara.
NeoSlave Narratives is a study in the political, social, and cultural content of a given literary form--the novel of slavery cast as a first-person slave narrative. After discerning the social and historical factors surrounding the first appearance of that literary form in the 1960s, NeoSlave Narratives explores the complex relationship between nostalgia and critique, while asking how African American intellectuals at different points between 1976 and 1990 remember and use the site of slavery to represent the crucial cultural debates that arose during the sixties.
This anthology is designed to introduce the reader to the contours and content of African American Studies. The text and readings included here not only impart information but seek as their foremost goal to precipitate in the reader an awareness of the complex and changing character of the African American experience--its origins, developments, and future challenges. The book aims to engage readers in the critical analysis of a broad spectrum of subjects, themes, and issues--ancient and medieval Africa, Western European domination and African enslavement, resistance to oppression, African American expressive culture, family and educational policies, economic and political matters, and the importance of ideas. The materials included in this anthology comprise a discussion of some of the fundamental problems and prospects related to the African American experience that deserve attention in a course in African American Studies. African American Studies is a broad field concerned with the examination of the black experience, both historically and presently. Hence, the subjects, themes, and issues included in this text transcend the narrow confines of traditional academic disciplinary boundaries. In selecting materials for this book, Floyd W. Hayes was guided by a developmental or historical approach in the general compilation of each section's readings. By doing so, the author hopes that the reader will be enabled to arrive at a critical understanding of the conditions and forces that have influenced the African American experience. A Collegiate Press book
Gloria Wade-Gayles analyzes novels by Toni Morrison, Alice Walker, and others. Praise for the first edition: "Highly recommended".--"Library Journal". "Finely reasoned, persuasive and passionate. . . . A definitive study. Thought-provoking and just".--"Booklist".
In spite of the double burden of racial and gender discrimination, African-American women have developed a rich intellectual tradition that is not widely known. In Black Feminist Thought, Patricia Hill Collins explores the words and ideas of Black feminist intellectuals as well as those African-American women outside academe. She provides an interpretive framework for the work of such prominent Black feminist thinkers as Angela Davis, bell hooks, Alice Walker, and Audre Lorde. The result is a superbly crafted book that provides the first synthetic overview of Black feminist thought.
Whether used on its own or in conjunction with Cultural Theory and Popular Culture: An Introduction, this reader is a theoretical, analytical, and historical introduction to the study of popular culture within cultural studies. The readings cover the culture and civilization tradition, culturalism, structuralism and poststructuralism, Marxism, feminism, and postmodernism, as well as current debates in the study of popular culture. New to this edition: Four new readings by Stuart Hall, Ernesto Laclau and Chantal Mouffe, Judith Butler, and Savoj Žižek Fully revised general and section introductions that contextualize and link the readings with key issues in Cultural Theory and Popular Culture: An Introduction Fully updated bibliography Ideal for courses in: cultural studies media studies communication studies sociology of culture popular culture visual studies cultural criticism
The proliferation of historical novels with more or less overt metafictional traits in the late seventies and eighties in Britain is a particularly arresting phenomenon at a time when historians are openly questioning the validity of the traditional concept of history understood as a scientific search for knowledge. This apparent contradiction justifies the attempt made by the contributors of this volume to analize the relationship between history and literature in English. The reader will find four preliminary essays on The End of the Classical Period establishing the characteristics of the appropriation of history since the appearance of Sir Walter Scott's historical romances with special emphasis on the Victorian novel (Dickens, Eliot, Mrs Humphry Ward), the Irish ballad and Post-Independence Indian historical fiction, as a necessary preface to the main group of essays on The Postmodernist Era devoted to establishing the common as well as the individually distinctive traits in the writings of some of the most accomplished contemporary writers in English: the more centered British novelists Margaret Drabble, Julian Barnes and William Golding as well as the more ex-centric Angela Carter, Salman Rushdie and Jeanette Winterson plus the playwright Caryl Churchill, and the black American novelist David Bradley.
Scarring and the act of scarring are recurrent images in African American literature. In Scarring the Black Body, Carol E. Henderson analyzes the cultural and historical implications of scarring in a number of African American texts that feature the trope of the scar, including works by Sherley Anne Williams, Toni Morrison, Ann Petry, Ralph Ellison, and Richard Wright. The first part of Scarring the Black Body, "The Call," traces the process by which African bodies were Americanized through the practice of branding. Henderson incorporates various materials -- from advertisements for the return of runaways to slave narratives -- to examine the cultural practice of "writing" the body. She also considers way in which writers and social activists, including Frederick Douglass, Olaudah Equiano, Harriet Tubman, and Sojourner Truth, developed a "call" centered on the body's scars to demand that people of African descent be given equal rights and protection under the law.
In twentieth-century African American fiction, music has been elevated to the level of religion primarily because of its power as a medium of freedom. This collection explores literary invocations of music.