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The epic life story of the Native American holy man who has inspired millions around the world
Portrays the Sioux spiritual leader as a victim of Western subjugation.
The history of Black Elk Peak--previously known as Hinhan Kaga and, more recently, as Harney Peak--remained segmented and scattered throughout the shadows of antiquity, until now. The natural landmark's namesake, Black Elk, experienced his great vision here, solidifying his status as a Sioux holy man. Obstructed by the insurmountable granite, General Custer and his horse nearly summited during the 1874 expedition. On that granite, sculptor Gutzon Borglum made the decision to carve a grand monument into the face of nearby Mount Rushmore. Prior to serving as the first Pine Ridge Reservation Indian agent and then mayor of Rapid City, Valentine McGillycuddy documented his ascent to the peak in 1875, where his ashes would come to rest. Author Bradley Saum chronicles the unique and untold stories that are intrinsically linked to the highest point in the Black Hills.
Your Travel Destination. Your Home. Your Home-To-Be. South Dakota’s Black Hills & Badlands Ghost towns and modern towns. Trendy eateries and rustic bars. Cowboys and artists. Rodeos, skiing, hiking, and biking. Breathtaking landscapes in a place of welcoming smiles. • A personal, practical perspective for travelers and residents alike • Comprehensive listings of attractions, restaurants, and accommodations • How to live & thrive in the area—from recreation to relocation • Countless details on shopping, arts & entertainment, and children’s activities
Black Elk Speaks, the story of the Oglala Lakota visionary and healer Nicholas Black Elk (1863–1950) and his people during momentous twilight years of the nineteenth century, offers readers much more than a precious glimpse of a vanished time. Black Elk’s searing visions of the unity of humanity and Earth, conveyed by John G. Neihardt, have made this book a classic that crosses multiple genres. Whether appreciated as the poignant tale of a Lakota life, as a history of a Native nation, or as an enduring spiritual testament, Black Elk Speaks is unforgettable. Black Elk met the distinguished poet, writer, and critic John G. Neihardt in 1930 on the Pine Ridge Reservation in South Dakota and asked Neihardt to share his story with the world. Neihardt understood and conveyed Black Elk’s experiences in this powerful and inspirational message for all humankind. This complete edition features a new introduction by historian Philip J. Deloria and annotations of Black Elk’s story by renowned Lakota scholar Raymond J. DeMallie. Three essays by John G. Neihardt provide background on this landmark work along with pieces by Vine Deloria Jr., Raymond J. DeMallie, Alexis Petri, and Lori Utecht. Maps, original illustrations by Standing Bear, and a set of appendixes rounds out the edition.
In a series of interviews an American Plains Indian describes his life and discusses the traditional religious beliefs of the Indians
"This study of Black Elk, the Oglala Lakota subject of the bestselling Black Elk Speaks, challenges the assumptions of many scholars - both those who claim that Black Elk was a Lakota holy man first and foremost and those who maintain that he abandoned his Lakota tradition after converting to Catholicism." "Arguing from a post-colonial perspective, author Damien Costello deconstructs modern Western assumptions and shows that Black Elk was an active agent, and that his conversion was in continuity with the dynamics of Lakota culture and provided new power to challenge the dominance of colonialism. As a consequence, Black Elk the Lakota holy man and Black Elk the Lakota catechist remembered by his community were not contradictory but one consistent agent fighting for the survival of his people in a colonial world infringing on the Lakota, their lands, and their traditions."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Winner of the 2018 Ohioana Book Award for Nonfiction The little-known but uniquely American story of the unlikely friendship of two famous figures of the American West—Buffalo Bill Cody and Sitting Bull—told through the prism of their collaboration in Cody's Wild West show in 1885. “Splendid… Blood Brothers eloquently explores the clash of cultures on the Great Plains that initially united the two legends and how this shared experience contributed to the creation of their ironic political alliance.” —Bobby Bridger, Austin Chronicle It was in Brooklyn, New York, in 1883 that William F. Cody—known across the land as Buffalo Bill—conceived of his Wild West show, an “equestrian extravaganza” featuring cowboys and Indians. It was a great success, and for four months in 1885 the Lakota chief Sitting Bull appeared in the show. Blood Brothers tells the story of these two iconic figures through their brief but important collaboration, in “a compelling narrative that reads like a novel” (Orange County Register). “Thoroughly researched, Deanne Stillman’s account of this period in American history is elucidating as well as entertaining” (Booklist), complete with little-told details about the two men whose alliance was eased by none other than Annie Oakley. When Sitting Bull joined the Wild West, the event spawned one of the earliest advertising slogans: “Foes in ’76, Friends in ’85.” Cody paid his performers well, and he treated the Indians no differently from white performers. During this time, the Native American rights movement began to flourish. But with their way of life in tatters, the Lakota and others availed themselves of the chance to perform in the Wild West show. When Cody died in 1917, a large contingent of Native Americans attended his public funeral. An iconic friendship tale like no other, Blood Brothers is a timeless story of people from different cultures who crossed barriers to engage each other as human beings. Here, Stillman provides “an account of the tragic murder of Sitting Bull that’s as good as any in the literature…Thoughtful and thoroughly well-told—just the right treatment for a subject about which many books have been written before, few so successfully” (Kirkus Reviews, starred review).
Black Elk of the Sioux has been recognized as one of the truly remarkable men of his time in the matter of religious belief and practice. Shortly before his death in August, 1950, when he was the "keeper of the sacred pipe," he said, "It is my prayer that, through our sacred pipe, and through this book in which I shall explain what our pipe really is, peace may come to those peoples who can understand, and understanding which must be of the heart and not of the head alone. Then they will realize that we Indians know the One true God, and that we pray to Him continually." Black Elk was the only qualified priest of the older Oglala Sioux still living when The Sacred Pipe was written. This is his book: he gave it orally to Joseph Epes Brown during the latter's eight month's residence on the Pine Ridge Reservation in South Dakota, where Black Elk lived. Beginning with the story of White Buffalo Cow Woman's first visit to the Sioux to give them the sacred pip~, Black Elk describes and discusses the details and meanings of the seven rites, which were disclosed, one by one, to the Sioux through visions. He takes the reader through the sun dance, the purification rite, the "keeping of the soul," and other rites, showing how the Sioux have come to terms with God and nature and their fellow men through a rare spirit of sacrifice and determination. The wakan Mysteries of the Siouan peoples have been a subject of interest and study by explorers and scholars from the period of earliest contact between whites and Indians in North America, but Black Elk's account is without doubt the most highly developed on this religion and cosmography. The Sacred Pipe, published as volume thirty-six in the Civilization of the American Indian Series, will be greeted enthusiastically by students of comparative religion, ethnologists, historians, philosophers, and everyone interested in American Indian life.